Screen Figurative Prints

Pas de Deux II (Danny Moynihan and Laura Faber) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 107/150. From the edition of ...

Pas de Deux III (Francesco and Alba Clemente) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 106/150. From the edition of 17...

Serigrafía sobre papel

Serigrafía sobre papel.

Lyre is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 28.5 x 23.5 inches. From the edition of 650, the art is numbered 161/300 and es...

Pas de Deux IV (Vicki Hudspith and Wally Turbeville) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower right and numbered 106/150. From the editi...

Uphill by Eliza Southwood was inspired by the Tour De France and features the elements of nature and beauty along with the passion of cycling. Additional information: Limited Editi...

Red Hat is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 18.75 x 13.5 inches. From the edition of 650, the art is numbered 136/300 and esta...

Pas de Deux V (Red Grooms and Liz Ross) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 75/150. From the edition of 173 (ther...

The Wounded One (El Herido) from Violence (La Violencia) 1969 signed, dated and titled in pencil Dimensions: sheet: 22 1/16 x 30 1/16" (56 x 76.4cm) Rafael Canogar ( Toledo , 1935) is a Spanish painter, one of the leading representatives of abstract art in Spain. Disciple of Daniel Vazquez Díaz (1948-1953), in his first works he found a way to reach the avant garde and, very soon, to study abstraction deeply. He initially used a sculpture technique: with his hands he scratched or squeezed the paste that vibrated on flat colored backgrounds. It was a painting in which the initial gesture comes directly from the heart. At this point, Canogar embodied the best of painting material . In 1957 he founded with other artists the EI Paso group. With artists like Luis Feito, Manolo Millares, Pablo Serrano, Manuel Rivera and Antonio Saura, he begins the Spanish avant-garde movement and continues to do so until 1960. It is influenced by Action painting. They defended, between 1957 and 1960 , an informal aesthetic and the opening of Franco Spain...

Koak (US American, b. 1981) All Love Is Equal, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition: Mint

Original “Wagon Lits” serigraph poster by the artist Valerio Adami. It was printed in France by GrafiCaza (Michel Caza), one of the finest serigraph companies on woven paper—in exce...

Jürgen Kuhl Flowers (Grey and Dark Red Hues - Pop Art) 2010-2020 Color Silkscreen Size: 32.8 × 32.8 inches Unsigned COA Provided About Jurgen Kuhl: In Cologne, the city of art ...

Screen print in colors on wove paper. Hand signed, numbered & dated by the artist in pencil. Published by The Paris Review, New York. Edition of 200 (there were also 30 artist's pro...

Ai Weiwei (Chinese, b. 1957) Cats (Black), 2022 Medium: Screenprint on paper Sheet dimensions: 28 x 32.8 cm Frame dimensions: 36.1 x 41.2 cm Edition of 150: Hand signed, numbered and...

Artist: Eduardo Paolozzi, British (1924 - 2005) Title: Mr Peanut Year: 1970 Medium: Screenprint, signed and dated in pencil Image: 27 x 19 inches Frame Size: 35 x 25 inches

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

Margó Venegas (Spain) 'Baile' silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: VEN1174-001-025 Unframed Hand-signed by author

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Artist: Leroy Neiman (1921-2012) Title: Nadia, Comaneci Montreal Olympics poster Year: 1976 Medium: Silkscreen on wove paper Size: 22 x 30.5 inches Condition: Excellent Inscription: ...

Bracelets is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 20.25 x 9.5 inches. From the edition of 650, the art is numbered 96/300 and esta...

Florida (Pearl Dress) is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 33 x 25.5 inches. From the edition of 686, the art is numbered 212/300 and signed 'Erté' lower right (there were also 300 Roman, 65 AP, 1 PP and 20 HC). framed in an elegant gold-tone moulding. Originally a costume design for the American Millionairess Revue at the Théâtre Fémina in Paris in 1917, Florida (Pearl Dress) stands as a testament to the genius and creativity of Erté. It was at the Théâtre Fémina that Erté worked closely with Gaby Deslys, the greatest French music-hall star of her day. It was Madame Rasimi – the theater’s founder – wo discovered the young Romain de Tirtoff (Erté) and employed his talents to her theater’s great benefit. In Pearl Dress, the flowing gold train cascades from the gown to create a wonderful sense of style and grace. As the primary source of color in the design, the gold and pearls sit in contrast to the dynamic black background of the print, while the geometric pattern of rectangles and squares, all deeply embossed and metal-foiled, create the perception of depth and drama. One of the earliest costume designs by Erté, Pearl Dress stood as a reflection of American culture – of riches and excess – while expressing Erté’s love...

Original color silkscreen, unknown year. Edition of E.A. (artist’s proof) signed and numbered impression on Arches paper. Ivan Generalić was a Croatian artist and a pioneer of naive ...

Gray Dress (Laura) is a serigraph on paper with an image size of 36 x 28, signed 'Alex Katz' and annotated lower left, framed in a contemporary black fram...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 32 x 45.25 inches. Main edition of 125 and AP (artist proof) of 50. Artwork is in excellent condition...

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Merida, Carlos (Guatamala/Mexico, 1891-1985). MEXICAN COSTUME. Pocahontas Press, Chicago, 1941. Edition of 1000. Folio (16 1/2 x 13 1/2 inches), portfolio, cloth-backed boards, with ...

La serie El origen de la luz consta de tres piezas impresas en serigrafía sobre papel. La serie explora uno de los principios de la auto-percepción, la conc...

Sirena is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 26 x 32 inches, signed 'Felix Mas' lower right and numbered 73/295 lower left. Framed in a gold-tone,...

From an edition of 150 (matching numbered pair). Each hand signed by Damien Hirst and stamped with the artist's seal on the backing board. Silkscreen print with glitter.

Shepard Fairey OFF! You Will Do What We Say, 2019 Medium: Screenprint on paper Dimensions: 18 × 24 in (45.7 × 61 cm) Edition of 600: Hand-signed and numbered Condition: Mint

Intimidad is a serigraph on canvas printed by the award-winning Kolibri Art Studio, 24 x 20 inches, signed 'Felix Mas' lower right and numbered 158/295 lower left. Framed in a gold-t...

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

Statue of Liberty (Day). 9886. Seriagraph with embossing and hand stamping. Image: 28 x 20. Series: Statue of Liberty Suite Edition 300, #248. A fine impression printed on the full s...

H.C. silkscreen on 4-color paper "The King," signed Antonio Thellung, a contemporary artist who repeated chess subjects at length in his production, to the point of making them an e...

Agustin Bejarano (Cuba, 1964) 'Los ritos del silencio', 2005 etching on paper 17.4 x 24.9 in. (44 x 63 cm.) Edition of 40 ID: BEJ-109 Unframed

"The hen that lays in the hen that pays" Screenprint on Paper Bold screenprint by Toni Carner (American, b. 1957). A large, patterned hen is sitting on th...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Vintage fra...

France-Lise McGurn (British, b. 1983) In Pub-Lik 5, 2021 Medium: Painting on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (same silkscreen base, each painting un...

David Hockney The Rake's Progress Silk Pocket Scarf, ca. 2020 100% silk scarf made in Italy and printed in the UK, held in the original presentation box 16 1/10 × 16 1/10 inches Bear...

Luis Miguel Valdés (Cuban, 1949). ´Luneta' (Lunette), 2008 SilkscreeN Edition of 40 Overall Size: 55 x75 cm. (22.75 x 29.5 in.) Surface: Canson Paper 200 g. Hand-signed, COA (Certifi...

Artist: Keith Haring Title: Plate 11 from Story of Red and Blue Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22.5 inches Year: ...

Third in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy ripples is a CMYK screen print with beautiful spot layer for the simple pool ripples. Additional information: Pool Boy Ripples By Gavin Dobson [2021] Limited edition Handmade CYMK screen print Edition number 40 Complete Size of Unframed Work: H:50 cm x W:35 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look ARTIST BIO: Originally from the North East of England, Gavin graduated in Fine art in 2000, and has been building his portfolio as an artist specialising in painting and screen printing - often combining the two, which helps communicate his chosen narrative. Gavin uses both vivid colours and expressive strokes to create engaging and lively pieces - his recent painting series ‘Landscapes of the Mind’ used the fluidity and movement of the paint to convey how an environment can effect ones state of thinking. Alongside his painting, Gavin is an established screen-printer exhibiting at many galleries across the U.K. and with new clients in New York his international profile is starting to expand. A regular at the Affordable Arts Fair, Gavin was one of 20 artists chosen to work alongside Film Four for an exhibition at Somerset House. His screen-prints often depict colourful, nostalgic images. Iconic designs which are humorous ornamentation and invite an opening for conversation. Gavin takes an original painting and creates many separate layers of half tones to screen-print by hand the final piece. Using this method he captures many textures and depths of colour within a piece of work. He recently designed and created a piece of work for the charity Help Refugee's 'Choose Love' campaign in conjunction with Printclub and the celebrated designer Katharine Hamnett, highlighting the current plight of refugees. Gavin's ongoing dedication has led to various interviews surrounding his work and being featured in The Times by the art critic, Nancy Durrant, as part of her great art gift guide...

Shepard Fairey Terry Hall Tribute Screenprint on heavy True White Speckletone paper Year: 2023 Size: 24x18in Edition: 325 Signed, dated and numbered by hand COA provided Ref.: 92480...

Screen print in colors on paper. Hand signed and numbered by the artist. Edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable ...

This is a complete set of three screenprints by Keith Haring. The first of these were produced by Keith Haring in 1983 as the official poster for the Montreux Jazz Festival. The firs...

Artist: Mr. Brainwash Title: Work Well Together Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 29" x 36 1/2" Sheet Size: 22" x 30" Signature: Hand s...

Eddie Martinez (American, b. 1977) Bufly (GPBF), 2022 Medium: Screenprint on Arches BFK White 300gsm Dimensions: 76 x 60 cm (29.9 x 23.6 in) Edition of 125: Hand-signed and numbered ...

Robert Indiana HOPE for the Democratic National Committee, 2008 Oil silkscreen in colors on watermarked Coventry archival paper 25 × 19 inches Edition 138/200 Signed, dated and numbered 138/200 in graphite pencil on the front; paper is watermarked by AIA with text (There were also 25 Artist's Proofs) Published by American Image Art (AIA) for the Obama Victory Fund and the Democratic National Committee, master printer Gary Lichtenstein Unframed This work was published in 2008 as part of the "Artists for Obama" portfolio, in which some of the top artists contributed prints to raise money for Obama's presidential campaign. Robert Indiana donated all of the proceeds of the sale of this work to electing Barack Obama. During the 2020 election, it became an even greater part of American popular culture when it was featured on the influential NBC show Saturday Night Live's cold open skit featuring the Vice Presidential debate between Kamala Harris and Mike Pence. Mid-debate, "Joe Biden" (played by actor Jim Carrey...

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

Richard Corman Portrait of Jean-Michel Basquiat: Monotype (hand signed twice by Richard Corman), 2015 Silkscreen monotype on 320 gram Coventry Rag paper with deckled edges Signed twi...

Hand signed and numbered. Limited edition of 350 prints. From the suite “Alphabet”. Near perfect condition. Lithograph/Screen print.

Hand signed and numbered. Limited edition of 350 prints. From the suite “Alphabet”. Excellent condition. Lithograph/Serigraph.

Artist: Yaakov Agam (1928) Title: Wash Art Year: 1978 Medium: Silkscreen on wove paper Size: 38.5 x 23.25 inches Condition: Excellent Inscription: Signed in colored ink Notes: Publis...

Hand signed and numbered. Edition of 350 prints. From the suite "Alphabet". Excellent condition.

Kenny Scharf VRING!, 2021 Archival print with metallic accents, gloss overlays, and screen printed Highlights on 100% Cotton 290 gsm Entrada Rag Paper with hand-deckled edges Signed,...

Hand signed and numbered. Limited edition of 350 prints. From the suite “Alphabet”. Excellent condition. Lithograph/Serigraph.