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Aquatint Figurative Prints

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Medium: Aquatint
Julian Trevelyan Gravesend Etching Modern British Art London Print UK Thames
Located in London, GB
We have seven of Julian Trevelyan's 'Thames Suite' of prints, plus other prints and oil paintings by him - and other Modern British Artists. To see the others, scroll down to "More f...
Category

1960s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Grazing Herds with Figures - Original Print by Jean-Honoré Fragonard - 1772
Located in Roma, IT
Grazing herds with figures is a wonderful etching and aquatint realized in 1772 by the Abbot of Saint-Non, after Jean-Honoré Fragonard. Titled, dated and signed on plate on the lower...
Category

1770s Aquatint Figurative Prints

Materials

Etching, Aquatint

Al Conde Palatino from "Los Caprichos”- Etching by F. Goya - 1799
Located in Roma, IT
Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

"Terre des nébuleuses" by Max Ernst, Blue, Fog, Surrealism
Located in Köln, DE
Etching and aquatint in colours (colour variation) by Max Ernst. "Terre des nébuleuses", 1965 38 x 27,5 cm Copy essai 1/1
Category

1960s Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Salvador Dali - The Oak and the Reed - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...
Category

1970s Surrealist Aquatint Figurative Prints

Materials

Drypoint, Aquatint

Sculpture et Sculpture 6/10
Located in Wien, 9
Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A stri...
Category

1960s Modern Aquatint Figurative Prints

Materials

Aquatint

Nude of Woman - Original Etching and Aquatint by Eliane Petit - 1950
Located in Roma, IT
Nude of Woman is an original etching and aquatint realized by Eliane Petit (1910-1969). Good condition on a white cardboard passpartout (53x37 cm). Signed with dry stamp.
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Pablo Picasso, "La Fete de la Madame, " dry point etching
Located in Chatsworth, CA
This piece is an original dry point etching with aquatint and scraper, created by Pablo Picasso in 1971, for the 156 Series. This piece is stamp signed and ...
Category

1970s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Large Donald Saff Surrealist Pop Art Aquatint Etching Leopard Cheetah Big Cats
Located in Surfside, FL
Artist: Donald Saff Title: Leopard or Cheetah, big cats in interior Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 150 30 in. x 22.5 in. (76.2 cm x 55.88 cm) Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...
Category

1980s Pop Art Aquatint Figurative Prints

Materials

Etching, Aquatint

Ballerine (Ballerina)
Located in Fairlawn, OH
Ballerine (Ballerina) Lift ground aquatint over heliogravure, printed in color, 1930 Unsigned (as issued) From: Andre Suares, Cirque (Livre d’Artiste with 8 plates), 1930 Published ...
Category

1930s French School Aquatint Figurative Prints

Materials

Aquatint

Scene Galante au XVIII eme Siecle #2
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist Aquatint Figurative Prints

Materials

Aquatint

Plums: George Brookshaw's Framed Hand-colored 19th C. Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category

Early 19th Century Academic Aquatint Figurative Prints

Materials

Aquatint

Chiton - Etching by Francisco Goya - 1868
Located in Roma, IT
Chiton is an original etching realized by Francisco Goya and published for the first time in 1799. Etching on paper. The plate belongs the Third Edition of "Los Caprichos" that has...
Category

1860s Old Masters Aquatint Figurative Prints

Materials

Etching, Aquatint

Bloom
Located in Bloomington, IL
"Bloom" is an intaglio print made using the age-old techniques of line etching and aquatint. This portrait-like structure has lobes, appendages and swirling masses suggestive of breasts, chins, hair, eyes and other body parts in place of a head. It is printed in black ink on Arches Cover paper in an edition of 21. Published by Manneken Press. Although primarily known for his paintings, Richard Hull...
Category

21st Century and Contemporary Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint

Bayfront Park, Miami, Florida
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Aquatint Figurative Prints

Materials

Etching, Aquatint

Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI Le Cerf Malade from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Refer...
Category

1970s Surrealist Aquatint Figurative Prints

Materials

Drypoint, Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nucleare (the Nuclear Art...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Disparate Furioso - Original Etching - 1875
Located in Roma, IT
Disparate furioso - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 6 from of the second edition of t...
Category

1870s Old Masters Aquatint Figurative Prints

Materials

Aquatint, Etching

"Bonjour" by Max Ernst, Good Day, Surrealism, Light Colors, Figurative
Located in Köln, DE
Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)
Category

1960s Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Aguarda que te Unten - Etching and Aquatint by Francisco Goya - 1868
Located in Roma, IT
Aguarda que te unten is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Original etching on woven paper. The etching belongs to ...
Category

1860s Old Masters Aquatint Figurative Prints

Materials

Etching, Aquatint

Salvador Dali - The Beloved Feeds Among the Lilies - Signed Aquatint
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI (1904-1989) THE BELOVED FEEDS AMONG THE LILIES, 1971 Board for the series "The Song of Songs hymns" Aquatint and dry point on wove paper...
Category

1970s Surrealist Aquatint Figurative Prints

Materials

Drypoint, Aquatint

Donde va Mama from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

A Cart Race
Located in Fairlawn, OH
A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Condition: Excellent Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category

1780s Romantic Aquatint Figurative Prints

Materials

Aquatint

Disparate Volante - Original Etching - 1875
Located in Roma, IT
Disparate volante - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 5 from of the second edition of ...
Category

1870s Old Masters Aquatint Figurative Prints

Materials

Aquatint, Etching

Monkey - Original Etching by Leo Guida - 1973
Located in Roma, IT
Image dimensions: 19 x 15.5 cm. Hand signed, dated and numbered by the artist with pencil. Artist's proof. Etching, aquatint, black ink. Edition of III prints in Roman Numerals. Go...
Category

1970s Contemporary Aquatint Figurative Prints

Materials

Aquatint, Etching

"Triade" by Marino Marini, Lithography, Triad, Figurative Print
Located in Köln, DE
Set of 3 etchings and aquatints in colours by Marino Marini "Triade", 1976-1978 73,7 x 57,5 cm Copy 4/90 Edition of 125 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Hardly an...
Category

1970s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art with Watercolor Painting
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting on it. Image size: cm 39.5 x 29.5, sheet cm 53 x 39 Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nuclear...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Watercolor, Etching, Aquatint

Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Jack and Jill -- Print, Nursery Rhymes, Etching, Aquatint by Paula Rego
Located in London, GB
Jack and Jill, 1989 Paula Rego Etching with aquatint, on Velin Arches wove Signed and inscribed ‘A/P’ One of fourteen artist’s proofs aside from the number...
Category

1980s Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint

The Legend of Colapesce - Original Etching by Leo Guida - 1972
Located in Roma, IT
The Legend of Colapesce (Original Title: Colapesce nello stretto) is an original Contemporary artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Or...
Category

1970s Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art with Watercolor Painting
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Watercolor, Etching, Aquatint

From "Marino from Goethe" by Marino Marini, Green, Black, Figurative Print
Located in Köln, DE
Etching and aquatint in colours by Marino Marini From "Marino from Goethe", 1979/1980 90 x 62,8 cm Copy 10/125 Edition of 195 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Ha...
Category

1970s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Vierge aux sept glaives (The Virgin pierced by seven swords) (Sorrowful Mother)
Located in Fairlawn, OH
Vierge aux sept glaives (The Virgin pierced by seven swords) (Sorrowful Mother) Aquatint, drypoint, roulette and burnishing over heliogravure, 1926 Unsigned as issued From: Miserere (Have Mercy), 58 plates Plate 53 Depicts the Mater dolorosa, The Virgin Mary sorrowing for the death of Jesus Christ Aquatint, drypoint, roulette and burnishing over heliogravure 1922-1927 Edition: 425 on Arches vellum with the Ambrose Vollard watermark 25 Hors commerce portfolios All published impression are unsigned, as issued Signed and numbered only on the colophon Published by Societe d’Editions l’Etoile Filante, Paris, 1948 Printer: Jacquemin, Paris, 1922-1927 Reference: Chapon & Rouault 106 c/c Condition: Excellent Plate/Image size: 23 x 16 1/4 inches Frame size: 34 x 29 inches Rouault’s Miserere...
Category

1920s French School Aquatint Figurative Prints

Materials

Aquatint

Fish Triptych - XX century, Figurative Etching Aquatint Print, small edition 7/X
Located in Salzburg, AT
The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category

1990s Contemporary Aquatint Figurative Prints

Materials

Paper, Etching, Aquatint

LA SORCIERE - (The Witch)
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category

1930s Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Correciòn - Etching by Francisco Goya - 1799
Located in Roma, IT
Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatint on paper. The etching is pa...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Heath Land, Heath Pond and Heath View Diptych
Located in Deddington, GB
Heath Land, Heath Pond and Heath View Diptych Overall image size cm : H28 x W32 Overall sheet size cm : H52 x W52 Phil Greenwood Heath Land Limited Ed...
Category

2010s Contemporary Aquatint Figurative Prints

Materials

Paper, Etching, Aquatint

Ton
Located in Bloomington, IL
"Ton" is an intaglio print made using the age-old techniques of line etching and aquatint. This portrait-like structure has lobes, appendages and swirling masses suggestive of breasts, chins, hair, eyes and other body parts in place of a head. It is printed in black ink on Arches Cover paper in an edition of 21. Published by Manneken Press. Although primarily known for his paintings, Richard Hull...
Category

21st Century and Contemporary Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint

JUDGEMENT
Located in Aventura, FL
From Historia de Don Quixote de la Mancha. Hand signed and numbered by the artist. Sheet size: 29.92 x 22.44 inches. Image size: 15.75 x 17.5 inches. From the edition of 300 on Arch...
Category

1980s Surrealist Aquatint Figurative Prints

Materials

Aquatint, Etching, Paper

Citando al Toro a Banderillas Sentado en una Silla, from La Tauromaquia
Located in Washington, DC
Artist: Pablo Picasso Title: Citando al Toro a Banderillas Sentado en una Silla (Summoning a Bull with Flags while Seated in a Chair) Portfolio: La Tauromaquia Medium: Aquatint Date:...
Category

1950s Aquatint Figurative Prints

Materials

Aquatint

Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nucleare (the Nuclear Art...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Moongazers and Floating diptych
Located in Deddington, GB
Moongazers by Rebecca Denton [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Wor...
Category

21st Century and Contemporary Contemporary Aquatint Figurative Prints

Materials

Paper, Etching, Aquatint

Y se le Quema la Casa - Etching by Francisco Goya - 1799
Located in Roma, IT
Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published in 1799. Etching on paper. The etching is part of the rare First Edition of "Los Ca...
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1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Dancing Faces, Aquatint by George McNeil
Located in Long Island City, NY
While McNeil was a pioneer of the New York Abstract Expressionism movement, later in his life his work became more figurative, he focused on dancers and discos, like this piece. Alth...
Category

1980s Abstract Expressionist Aquatint Figurative Prints

Materials

Aquatint

Red Olent Red
By Shigeki Kuroda
Located in San Francisco, CA
Artist: Shigeki Kuroda (Japanese, b.1943) Title: Red Olent Red Year: circa 1990 Medium: Soft ground etching and aquatint Paper: Nippon watermarked pape...
Category

Late 20th Century Abstract Aquatint Figurative Prints

Materials

Etching, Aquatint

Large Donald Saff Surrealist Pop Art Aquatint Etching Bee, Chair, Pot
Located in Surfside, FL
Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...
Category

1980s Pop Art Aquatint Figurative Prints

Materials

Etching, Aquatint

Attesa di Maja - Original Aquatint and Etching by Leo Guida - 1973
Located in Roma, IT
Attesa di Maja is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida (1992 - 2017). Original Print: Aquatint and Etching on paper with Black Ink. Edi...
Category

1970s Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint

Scene Galante au XVIII eme Siecle #1
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist Aquatint Figurative Prints

Materials

Aquatint

Junges Paar
Located in New York, NY
Large and very scarce etching, aquatint and drypoint. This richly-inked impression is the second state (of 2) from a limited edition of approximately 17. Signed and titled in pencil ...
Category

1920s Expressionist Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Disparate de Carnaval - Etching - 1875
Located in Roma, IT
Disparate de Carnaval - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...
Category

1870s Old Masters Aquatint Figurative Prints

Materials

Aquatint, Etching

Nude - Etching - 1960s
Located in Roma, IT
Nude is an original etching realized by an Anonymous artist in the 1960s. Sheet dimension: 32.5 x 25 cm; Image dimensions: 10 x 14.5 cm. Very good conditions. The artwork represe...
Category

1960s Aquatint Figurative Prints

Materials

Aquatint, Etching

Loin du sourire de Reims (Far from the Smile of Rheims)
Located in Fairlawn, OH
Loin du sourire de Reims (Far from the Smile of Rheims) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Signed with the initials in the plate and dated (see photo) From: Miserere (Have Mercy), 58 plates Plate 51 Aquatint, drypoint, roulette and burnishing over heliogravure 1922-1927 Edition: 425 on Arches vellum with the Ambrose Vollard watermark 25 Hors commerce portfolios All published impression are unsigned, as issued Signed and numbered only on the colophon Published by Societe d’Editions l’Etoile Filante, Paris, 1948 Printer: Jacquemin, Paris, 1922-1927 Reference: Chapon & Rouault 104 Wofsy 158 Rouault’s Miserere...
Category

1920s French School Aquatint Figurative Prints

Materials

Aquatint

Couple D'Oiseaux II, Framed Etching by Joan Miro 1966
Located in Long Island City, NY
Artist: Joan Miro Title: Couple D'Oiseaux II Year:1966 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 31/50 Paper Size: 29 x 41.5 in. ; Image: 23 7/8 x 36 1/4 i...
Category

1960s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

La Lealtad - Original Etching - 1875
Located in Roma, IT
La lealtad - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 17 from of...
Category

1870s Old Masters Aquatint Figurative Prints

Materials

Aquatint, Etching

Crazy Eight (Tennis), Pop Art Intaglio Etching
Located in Long Island City, NY
Crazy Eight Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching with Aquatint, signed and numbered in pencil Edition of 300 Size: 31 x 20.5 in. (78.74 x 52.07 cm)
Category

1970s Pop Art Aquatint Figurative Prints

Materials

Intaglio, Aquatint

Aquatint figurative prints for sale on 1stDibs.

Find a wide variety of authentic Aquatint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Francisco Goya, Peter Doig, Pablo Picasso, and Frans Hogenberg. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Aquatint figurative prints, so small editions measuring 0.04 inches across are also available

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