Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Laurent Marcel Salinas
Sur La Plage

About the Item

Laurent Marcel Salinas, Sur La Table, Abstract Figurative Lithograph, 18.63 x 24, Mid 20th Century Colors: Brown, Tan, Gold, Blue, Gray, Beige, Aqua
More From This SellerView All
  • Untitled (Edition 80/120)
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled" Edition 80/120, Abstract Lithograph signed and numbered in pencil, 22 x 30, Late 20th Century Colors: Red, Green, Yellow, Black, White, Brown...
    Category

    Late 20th Century Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Untitled
    Located in New York, NY
    Artist Unidentified /Unknown, "Untitled" Edition 79 /100, 19.75 x 25.50, Late 20th Century Colors: Purple, Blue, Brown, Yellow, Turquoise, Pink Note* Unidentified Artist s...
    Category

    Late 20th Century Abstract Landscape Prints

    Materials

    Lithograph

  • Untitled Winter Landscape (Edition 85/150)
    By Bernard Charoy
    Located in New York, NY
    Bernard Charoy (French b. 1931 ) , "Untitled Winter Landscape," Edition 85/150, Abstract Lithograph signed and numbered in Pencil, 22 x 30, Late 20th Century Colors: Green, White, G...
    Category

    Late 20th Century Abstract Landscape Prints

    Materials

    Lithograph

  • The Wedding ( Edition 270/300 )
    By George Stauch
    Located in New York, NY
    George Stauch (American b. 1900), " The Wedding" Edition 270/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century Colors: Blue, White, Red, Brown, Y...
    Category

    Late 20th Century Abstract Abstract Prints

    Materials

    Lithograph

  • Untitled
    Located in New York, NY
    Artist Unidentified /Unknown, "Untitled" Edition 19/100, 19.75 x 25.50, Late 20th Century Colors: Grey, Blue, Red, Turquoise Note* Unidentified Artist signature on bottom ...
    Category

    Late 20th Century Abstract Landscape Prints

    Materials

    Lithograph

  • February (Edition 13/40)
    By John D. Muench
    Located in New York, NY
    John D. Muench (American 1914-1992) "February" Edition 13/40, Landscape Lithograph Print signed and numbered in Pencil, 14 x 18 (Plate Size, 8.50 x 13, Late 20th Century Colors: Bla...
    Category

    Late 20th Century Abstract Impressionist Landscape Prints

    Materials

    Lithograph

You May Also Like
  • Landscape by Moonlight, Barges in Vietnam lithograph by Vietnamese Master
    By Dang Lebadong
    Located in Norwich, GB
    Wonderful original original artist's proof lithograph by Vietnamese/French Master Dang Lebadang. Marked EA (for "Epreuve d'Artiste" lower left, signed lo...
    Category

    1960s Abstract Impressionist Landscape Prints

    Materials

    Lithograph

  • Plate 5, from Derriere le Miroir #156
    By Alexander Calder
    Located in Washington, DC
    Artist: Alexander Calder Title: Plate 5 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Framed Size: 22" x 29 1/4" Imag...
    Category

    1960s Abstract Figurative Prints

    Materials

    Lithograph

  • The Departure of the Argonaut by Francesco Clemente Alberto Sauvinio (portfolio)
    By Francesco Clemente
    Located in New York, NY
    The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...
    Category

    1980s Abstract Figurative Prints

    Materials

    Lithograph

  • Assemblee des Rabbins et Notables.. original lithograph by Theo Tobiasse
    By Théo Tobiasse
    Located in Paonia, CO
    Assemblee des Rabbins et Notables au 16 siecle  dans un village de Lithuanie is an original artist proof ( E. A. ) lithograph by  Theo Tobiasse (b.1927 -2012) , an internationally successful French painter, engraver, illustrator, and sculptor. He grew up in Paris during the Nazi occupation. His work has great depth and originality as he seeks to express the inner world of man.  Perhaps the hardships he and his family endured helped define his artistic expression. He has had many exhibitions around the world, in Paris at the Drouant gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lauzanne, Los Angeles, Kyiv. He also had a solo exhibition in New York and many more shows world wide over the years.  A visit to Jerusalem in 1970 brought him closer to his Jewish origins. He created his first stained glass windows on the theme of “Jewish Holidays” for the Jewish Community Center in Nice and a monumental oil on canvas entitled Que tes tentes sont belles, ô Jacob (1982). He traveled and immersed himself in the cultures he encountered, the jazz of New Orleans, Mexican archaeological sites and Native American totems. In New York, he met Elie Wiesel...
    Category

    1970s Abstract Expressionist Figurative Prints

    Materials

    Lithograph

  • The Departure of the Argonaut (book)
    By Francesco Clemente
    Located in New York, NY
    The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...
    Category

    1980s Abstract Figurative Prints

    Materials

    Lithograph

  • "The Cove" Abstract Landscape of a Desert with Mother and Child Lithograph
    Located in Houston, TX
    Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...
    Category

    1950s Abstract Landscape Prints

    Materials

    Lithograph, Graphite

Recently Viewed

View All