Statue of Vesta in Villa Estense in Tivoli
View Similar Items
1 of 6
Giovanni Battista PiranesiStatue of Vesta in Villa Estense in Tivoli1836
1836
About the Item
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1836
- Dimensions:Height: 15.25 in (38.74 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU5187536452
You May Also Like
- Portrait de Fanny Charrin /// French Impressionist Art Nouveau Lady Woman GirlLocated in Saint Augustine, FLArtist: Malo-Renault (French, 1870-1938) Title: "Portrait de Fanny Charrin" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1909 Medium: Original Etching and Drypoint on wov...Category
Early 1900s Baroque Figurative Prints
MaterialsIntaglio, Drypoint, Etching
- 'The Death of Hercules' from 'The Temple of the Muses' — 18th Century EngravingBy Bernard PicartLocated in Myrtle Beach, SCBernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...Category
1730s Baroque Figurative Prints
MaterialsEngraving
- Altar de St. Antonio de Padua Hand Colored Engraving 1724Located in Paonia, COAnthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...Category
1720s Baroque Figurative Prints
MaterialsEngraving
- After Nicholas Poussin Seven Sacraments Prints 18th century mezzotint paperLocated in Florence, ITThis group of 7 prints (mezzotint on paper, 59 x 75 cm) represents the Seven Sacraments (Baptism, Ordination, Confirmation, Penance, Eucharist, Marriage, Extreme Unction). At the top...Category
Mid-18th Century Baroque Portrait Prints
MaterialsPaper, Mezzotint
- 'The Deluge' from 'The Temple of the Muses' — 18th Century EngravingBy Bernard PicartLocated in Myrtle Beach, SCBernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...Category
1730s Baroque Figurative Prints
MaterialsEngraving
- On the Beach Baroque Style FigurativeBy Ben MessickLocated in Soquel, CAStudy of a female nude in the Baroque style, by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick 40" in plate and pencil lower left, by the estate. Unframed. Image size, 4.75"L x 10.5"H; overall mat size is, 16"L x 20"H. Some foxing to over-mat. The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...Category
1940s Baroque Figurative Prints
MaterialsPaper, Ink