Eric Fischl

Untitled (Handstand)

2017

Edition of 9 Eric Fischl’s extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries. ...

Edition of 9 Eric Fischl’s extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries. ...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

"BLINDING MIND" Plexiglass Print 55' x 39' in Ed. of 35 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back with a mounting rail for hanging on the wall. On the back of the work there is a certificate of authenticity with a serial number and the signature of the artist EDYTA GRZYB. Characteristics of a work behind acrylic glass: 2 mm thick acrylic glass Waterproof UV-resistant High depth effect Great, rich colors Clear image details Each print is signed on the bottom margin Year / Title / Signature and has a certificate of authenticity. Edyta Grzyb (born 1984)living in Poland The preferred motif of her work is people; Strictly speaking, she is interested in their emotions, expressing them through contrasting colors, and occasionally blurring the lines between reality and fiction. She is of the opinion that painting lives through vivid colours, stimulating esthetic feelings and emotions in the observer. Through the combination of cool tones and intensive neon colours, she transports her audience into a world of fantasy. Used technique: Acrylics on canvas in Pop Art- Style. Edyta has been painting since 2013 and has specialized in acrylic painting. Many of her works are already in private collections. Since 2015, she has been increasingly involved in group exhibitions in Hamburg, Munich, Warsaw and exhibited at the Art Fairs in New York and Hong Kong. Exhibitions and events 2019: March – AAF Art Fair New York and AAF London Battersea, Mai – AAF Art Fair London Hampstead Mai – ARTMUC Art Fair Munic Nov - AAF Art Fair Hamburg 2018: Nov – AAF Art Fair in Hamburg Sep – Group Exhibition “Golden Age by Bentley” with Galerie Ewa Helena in Hamburg Mai – ARTMUC Art Fair in Munich Mai – AAF Art Fair in Hong Kong March – Group Exhibition, FIBAK Gallery in Warsaw March – AAF Art Fair in Brussel and in New York Feb – Group Exhibition in the Fabrik der Künste Hamburg, Galerie Ewa Helena 2017: Nov – AAF Art Fair Amsterdam Nov – AAF Art Fair Hamburg Jul/Sep – Group Exhibition in the Aqua Lounch – Porto Cervo (Sardinia) Jun – Exhibition by Bartek Janusz (Hair Stylist...

"Butterfly 5" (FRAMED) Photography 16" x 16" in Edition 1/20 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 16" x 16" Inch Framed size: 20" x 20" Inch Edition: 1/20 ...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...