Corneille

Fight on the moon

1987

Vroooar - Marc Ferrero Hand signed and numbered lithograph out of 30 54,5 x 55 cm Circa 2015

The Adventure - Marc Ferrero Hand signed and numbered lithograph out of 30 50x70cm

Broadway - Marc Ferrero Hand signed and numbered lithograph out of 30 50x70cm Circa 2015

Jazzy - Marc Ferrero Hand signed and numbered lithograph out of 30 54,5 x 55 cm Circa 2015

Poster edition of "The Three Graces" as printed for the exhibition "Les peintres témoins de leur temps" Musée Galliera, 1960, sous le haut patronnage du Général De Gaulle, Président ...

The harlequin Very nice lithograph by Charles Walch - 1969 Signed in the board and numbered in pencil 30/100 Dimensions with border: 76 x 54 cm Size of ...

Richard Lindner (German/American 1901-1978) original hand signed in pencil lithograph "Masked Woman". Unframed #16 of 100 dated and stamped lower right 1971.

Unframed Richard Lindner (German/American 1901-1978) original hand signed in pencil lithograph #16 of a series of 100 dated and stamped lower right 1971. Shoot (back) from a series o...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

Artist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...