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Caroline Durieux
In Memoriam (Loving portrait of the artist's nanny near turn of 20th Century)

1975

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  • Morning
    By Caroline Durieux
    Located in New Orleans, LA
    Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux. In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing. “The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.” Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1950s American Modern Figurative Prints

    Materials

    Lithograph, Photographic Paper

    Morning
    $550 Sale Price
    38% Off
  • Survivor
    By Caroline Durieux
    Located in New Orleans, LA
    Caroline Durieux's "Survivor" is a pencil-signed lithograph created in 1947 in an edition of 20. It is illustrated in Carl Zigrosser's book on the artist published in 1949. Durieux on Survivor "An extra-terrestrial spotlight falls on this battered subhuman figure; he does not look directly into the light but away from it, raising his hand to it like a beggar. The worn pads on his hands and knees shows that he has walked on them, like an animal, for a long time. There is nothing to suggest that he can stand. The beam of light looks cold, machine like, impersonal. Scornful satire marks the limit of comedy for '. . . there is nothing funny about scorn which comes round again almost to the attitude of divine comedy.' Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1940s American Modern Figurative Prints

    Materials

    Lithograph

    Survivor
    $600 Sale Price
    33% Off
  • Playboys (2 American male refugees from the Gatsby era preen on Mexican beach)
    By Caroline Durieux
    Located in New Orleans, LA
    In these beady-eyed playboys, Durieux pokes some fun at the pride and pretensions of the Great Gatsby class. Here are two Americans pretending to be macho on a Mexican beach. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1930s American Modern Portrait Prints

    Materials

    Lithograph

  • Mlle. Celine and Escort (Celine is a dancer former mistress of Mister Rochester)
    By Fritz Eichenberg
    Located in New Orleans, LA
    Fritz Eichenberg did some original wood engravings for "Jane Eyre." Céline Varens was Adèle's mother and Mr. Rochester's former mistress. A French opera dancer, Céline pretended to ...
    Category

    Late 20th Century American Modern Figurative Prints

    Materials

    Wood, Engraving

  • Settling II Homage to the Mezzotint (Self Portrait of Artist with his Tools)
    By Francisco Souto
    Located in New Orleans, LA
    Francisco Souto has created his self portrait working on the plate of a mezzotint. This is impression #14 from an edition of only 23. Souto received a BFA from Herron School of Art ...
    Category

    Early 2000s American Modern Portrait Prints

    Materials

    Mezzotint

  • OPHELIA (Jeunesse Dorée / Golden Youth - the artist's mistress / second wife)
    By Gerald Leslie Brockhurst
    Located in New Orleans, LA
    This elegant etching titled the gilded youth is of the second wife of the artist The edition is 75 and is referenced as Fletcher #80 Gerald Brockhurst is best known for his portrai...
    Category

    1940s American Modern Portrait Prints

    Materials

    Etching

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    Twenty hand-signed, numbered, and titled images based on the selected work of Maupsassant. Portfolio containing 20 lithographs based on selected tales by de Maupassant, printed on h...
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  • Tourists, Garden of the Gods, Colorado Springs, Colorado, 1930s Lithograph Print
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  • Chelsea Rags
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    Located in Storrs, CT
    Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
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