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Benton Murdoch Spruance
"Bird Cage, " American Figurative Mid-century Print

1955

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    Located in New York, NY
    "Laurel and Hardy" Iconic Comedians Hollywood Royalty Comedy Movie Stars 135/150 Al Hirschfeld (1903 - 2003) Laurel and Hardy Hand-signed Limited Edition Etching Plate Size: 17 1/4 ...
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    1970s Performance Figurative Prints

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  • "Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho
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    Located in New York, NY
    "Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Judy - All Star Variety - Garland. Signed and numbered 19/150 in pencil, lower margin. Etching and aqu...
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    1970s Performance Figurative Prints

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  • "My Fair Lady" Broadway Musical Tony Awards Mid 20th Century Julie Andrews Litho
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    Located in New York, NY
    "My Fair Lady" Broadway Musical Tony Awards Mid 20th Julie Andrews Century Litho. Al Hirschfeld (1903 – 2003) "My Fair Lady." Lithograph of paper. Plate Size: 11 3/4 x 15 1/2 inches...
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    1950s Performance Figurative Prints

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  • "Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical
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    Located in New York, NY
    "Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 111/150 in pencil, lower margin. Etching with aquatint, 13.75” x 9.75”. Framed 22.25...
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    1970s Performance Figurative Prints

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  • "Phantom of the Opera, Journey" Broadway Musica lAndrew Lloyd Webber Tony Awards
    By Albert Al Hirschfeld
    Located in New York, NY
    "Phantom of the Opera, Journey" Broadway Musica lAndrew Lloyd Webber Tony Awards Al Hirschfeld (American, 1903-2003). A signed and numbered limited edition lithograph on rag paper. "The Journey" a caricature depiction from "The Phantom of the Opera...
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  • Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho
    By Albert Al Hirschfeld
    Located in New York, NY
    Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...
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    1970s Performance Figurative Prints

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    Signed in pencil by the artist lower right Titled "Hold Up" by the artist in pencil. Signed by the printer Bolton Brown lower left. Edition: 42 in this state Note: In The Hold Up, se...
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