Albrecht Dürer

The Lamentation over Christ

1507

A good, clear later 16th century Meder “l” impression, showing strong contrasts throughout, printed after the appearance of the dot in the clouds upper center.  Catalog: Bartsch 42;...

Original woodcut printed in black ink on laid paper bearing the “Large Bear” watermark (Meder 89, typically seen in the earliest impressions of this woodcut).  Dated in the block ...

A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...

Original etching and drypoint printed in black ink on laid paper.  Signed and dated in the plate in the shadows lower center Rembrandt f. / 1641. An excellent, sharp and clear ...

Original drypoint printed in dark umber ink on laid paper bearing the “VANDERLEY” watermark. Hand-signed in pencil in the margin below the image lower right Mary Cassatt. A super...

Original drypoint printed in colors on wove paper bearing the “ARCHES FRANCE” watermark, with hand-coloring added. Hand-signed in pencil in the margin lower right Dalí. A supe...

A 17th century hand-colored copper plate engraving entitled "Caryophyllus Maior Sylve Strisvarie Gatus" (Wood Pink & Cottage Pink Flowers) from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a silver and gold-colored wood frame with a green edge and three elaborate cream-colored French mats...

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...

A hand-colored copperplate engraving entitled "Leucoium bulbosum autumnale tenufolium (Autumn Snowflake); Colchicum vulgare Polyanthos; Colchicum biflorum; Colchicum vulgare album; C...

"Rosa ex rubro nigricans"; a hand colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...

JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...

The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below. Engravin...