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Ai Weiwei
Ai Weiwei, Map of China, from the Papercut Portfolio, 2019

2019

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  • Furniture, from The Papercut Portfolio
    By Ai Weiwei
    Located in London, GB
    Papercut, 2019, signed by the artist in pencil recto, from the edition of 250 (there were also 24 artist’s proofs), published by Taschen, London, 60 x 60 cm. (23.6 x 23.6 in.) Ai We...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Archival Paper

  • Temporary Friends
    By Nina Chanel Abney
    Located in London, GB
    Suite of five relief prints, 2019, on Hahnemühle Aurora paper, signed in pencil on and numbered from the edition of 35 (there were also 8 artist’s proofs), published by PACE NY, 100 ...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Etching

  • Ball Games
    By Benjamin Senior
    Located in London, GB
    Six colour lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76.6 x 60 cm. (30¼ x 23½ i...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Lithograph

  • Untitled (After Ophelia)
    Located in London, GB
    Lithograph printed in colours, 2020, on wove paper, signed and numbered from the edition of 50, published by Tate, London, 87 x 38 cm. (34¼ x 15 in.) South-African born, London based artist Lisa Brice...
    Category

    2010s Contemporary Nude Prints

    Materials

    Lithograph

  • Untitled, from The International Anthology of Contemporary Engraving
    By Red Grooms
    Located in London, GB
    Etching on BFK Rives paper, 1962, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.) From The International...
    Category

    1960s American Realist Figurative Prints

    Materials

    Etching

  • Paris sans fin
    By Alberto Giacometti
    Located in London, GB
    First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...
    Category

    1960s Art Nouveau Figurative Prints

    Materials

    Lithograph

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