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Style: Minimalist
"The hen that lays is the hen that pays" Screenprint on Paper
Located in Soquel, CA
"The hen that lays in the hen that pays" Screenprint on Paper
Bold screenprint by Toni Carner (American, b. 1957). A large, patterned hen is sitting on th...
Category
1970s Minimalist Animal Prints
Materials
Ink, Screen, Paper
Rise with the tide by Katie Edwards sunset, landscape, screen print, sport
Located in Deddington, GB
limited_edition
Screen Print
Edition number 20
Image size: H:19.5 cm x W:28 cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
The...
Category
2010s Minimalist Animal Prints
Materials
Screen
Matisse's Cat, Matisse Style Artwork, Contemporary Animal Print, Blue Art
Located in Deddington, GB
Matisse's Cat is a limited edition hand made print by artist Mychael Barratt which takes inspiration from the paper cutting work of Matisse in the 1940s....
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Screen
Covey Of Grouse, Guy Allen, Limited Edition Animal Print, Bird Artwork,
By Guy Allen
Located in Deddington, GB
Please note the price is for the unframed original etching .
Covey of Grouse is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink ...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Etching
Christmas Lithograph Poster After James Thurber "God Rest Ye Merry Gentlemen"
Located in Alamo, CA
This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...
Category
Mid-20th Century Minimalist Animal Prints
Materials
Lithograph
Carmen, Head of a Calf (Plate XXXVI)
Located in Washington, DC
Pablo Picasso Carmen
Artist: Pablo Picasso
Medium: Original etching on Montval wove paper
Title: Head of a Calf (Plate XXXVI)
Portfolio: Carmen
Ye...
Category
1940s Minimalist Animal Prints
Materials
Etching
Helen Fay, Brodie Standing, Limited Edition Print, Dog Art, Affordable Art
Located in Deddington, GB
Brodie Standing by Helen Fay [08]
Limited Edition
Etching , hand printed on Hanemulle etching paper
Edition number edition size 75
Image size: H:30.5 cm x W:51 cm
Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
This is a handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character.
Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Etching
White Horses, Tim Southall, Limited Edition, Tree Artwork, Animal Artwork, Art
By Tim Southall
Located in Deddington, GB
Tim Southall
White Horses
Limited Edition Etching Print
Edition of 75
Image Size: H 20cm x W 30cm
Mount Size: H 37cm x W 46cm
Signed
Sold Unframed
Tim Southall ‘White Horses’...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Etching
Bridget Riley's Dog
Located in Deddington, GB
Bridget Riley’s Dog by Mychael Barratt [2021]
limited_edition
Silkscreen print
Edition number 30
Image size: H:21.5 cm x W:21.5 cm
Complete Size of Unframed Work: H:40 cm x W:38 cm ...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Screen
Swallowtail Butterfly, Guy Allen, Limited Edition Print, Affordable Animal Art
By Guy Allen
Located in Deddington, GB
Please note the price is for the unframed original etching .
Swallowtail Butterfly is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression o...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Gold Leaf
Three's Company, Triptych. From the origin series
Located in Miami Beach, FL
Three's Company
Individual framed size :18" x 18'
Overall size: 18 in. H x 54i" n W Framed
ed 2/3.
The Origins Series
They were created as an investigation into the beginnings...
Category
2010s Minimalist Animal Prints
Materials
Gold Leaf
Over the Lighthouse by Kate Heiss, Hunstanton, Norfolk, Affordable Artwork
By Kate Heiss
Located in Deddington, GB
Kate Heiss
Over the Lighthouse
Linocut
Edition of 50
Image Size 30 x 30cm
Mounted size 40x 40cm
Oil based inks on 300GSM Soft white Somerset Velvet Paper
Signed and dated on the fro...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Linocut
FADE INTO LIGHT 004, Allan Forsyth, Limited Edition Minimalist Art, Neutral Art
Located in Deddington, GB
Allan Forsyth
FADE INTO LIGHT 004
PHOTOGRAM
Limited Edition Archival Chromagenic Photographic Print
Edition 12
Sheet Size: H 118cm x W 84cm x D 2cm
Diasec Framed
Please note that in ...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Metal
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Blue Dog "Morning Glories with Tiffany" Set of 4 Signed Numbered Prints
Located in Mount Laurel, NJ
These Blue Dog works consist of a blonde female "Jolie" sitting in a swing made of vines and morning glories under a tree in a Bayou setting. The female is wearing an ecru dress...
Category
1980s Minimalist Animal Prints
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Blue Dog "God Bless America"
Located in Mount Laurel, NJ
This Blue Dog work consists of an American Flag background of red & white stripes and a corner background of blue with white stars. There is a single white dog outlined in black with red eyes. The piece is named "God Bless America...
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Marc Chagall - The Green Horse - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
Title: The Green Horse
1973
Dimensions: 33 x 50 cm
Reference: This lithograph was created for the portfolio "Chagall Monu...
Category
1970s Minimalist Animal Prints
Materials
Lithograph
Zephyr Bird, Lithograph by Joan Miro 1956
By Joan Miró
Located in Long Island City, NY
An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris.
Artist: Joan Miro, Spanish (1893 - 1983)
Title: Zephyr Bird...
Category
1950s Minimalist Animal Prints
Materials
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CAVALRY CHARGE
Located in Aventura, FL
Serigraph on paper. Hand signed and numbered by the artist. Edition of 300. Image size 17 x 23 inches. Sheet size 23 x 29 inches. Artwork is in excellent condition. Certificate of...
Category
1970s Minimalist Animal Prints
Materials
Screen, Paper
Three Deer, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - )
Title: Three Deer
Year: 1980
Medium: Screenprint, signed and numbered in pencil
Edition: AP 30
Image Size: 24 x 32 inches
Size: 26 in. ...
Category
1980s Minimalist Animal Prints
Materials
Screen
Corralled Horse (Artists Proof), 1940s Framed American Modernist Horse Etching
Located in Denver, CO
"Corralled Horse", is an etching on paper by western artist Ethel Magafan (1916-1993) of a single dark horse standing outside in a wooden fenced corral. Presented in a custom frame, outer dimensions measure 19 x 23 inches. Image size is 10 x 14 inches. This is marked as an Artist Proof
Piece is in very good condition - please contact us for a detailed condition report.
Provenance: Estate of Artist, Ethel Magafan
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Ethel Magafan
Born 1916
Died 1993
The daughter of a Greek immigrant father and a Polish immigrant mother who met and married in Chicago, Ethel Magafan, her identical twin sister Jenne and their elder sister Sophie grew up in Colorado to which their father relocated the family in 1919. They initially lived in Colorado Springs where he worked as a waiter at the Antlers Hotel before moving to Denver in 1930 to be head waiter at the Albany Hotel. Two years later during the Great Depression Ethel and Jenne experienced at sixteen the tragic loss of their father who had encouraged their artistic aspirations.
He was proud when Ethel, a student at Morey Junior High School, won top prizes in student poster contests sponsored by the Denver Chamber of Commerce and the Denver Post. At East High School in Denver she and Jenne contributed their art talents to the school’s and by their senior year were co-art editors of the Angelus, the 1933 yearbook. At East they studied art with Helen Perry, herself a student of André Lhote in Paris and the Art Institute of Chicago. Her decision to abandon an arts career to teach high school students served as an important example to Ethel and Jenne, who early on had decided to become artists. In a city-wide Denver competition for high school art students Ethel won an eighteenweek art course in 1932-33 to study at the Kirkland School of Art which artist Vance Kirkland had recently established in the Mile High City.
Perry encouraged the Magafan twins’ talent, exposing them to the work of Matisse, Picasso and Cézanne and introducing them to local artists and architects like Frank Mechau and Jacques Benedict whom she invited to speak in her high school art classes. She paid the modest tuition for Ethel and Jenne to study composition, color, mural designing and painting at Mechau’s School of Art in downtown Denver in 1933-34. In the summer of 1934 and for a time in 1936 they apprenticed with him at his studio in Redstone, Colorado.
When they returned to Denver in 1934 with no family breadwinner to support them, their mother insisted that they have real jobs so they worked as fashion artists in a Denver department store. When Jenne won the Carter Memorial Art Scholarship ($90.00) two years later, she shared it with Ethel so that both of them could enroll in the Broadmoor Art Academy (now the Colorado Springs Fine Arts Center) where they studied with Mechau. When the scholarship money ran out after two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions. At the Fine Arts Center Ethel also studied with Boardman Robinson and Peppino Mangravite, who hired her and Jenne in 1939 to assist him in his New York studio with two murals commissioned for the post office in Atlantic City, New Jersey. Like their Denver high school art teacher, Robinson also stressed the need to draw from nature in order to "feel" the mountains, which later become the dominant subject matter of Ethel’s mature work after World War II.
Mechau trained her and her sister in the complex process of mural painting while they studied at the Colorado Springs Fine Arts Center, teaching them the compositional techniques of the European Renaissance masters. This also involved library research for historical accuracy, small scale drawing, and Page 2 of 4 the hand-making of paints and other supplies. Ethel recalled that their teacher "was a lovely man but he was a hard worker. He drove us. There was no fooling around."
Her apprenticeship with Mechau prepared her to win four national government competitions, beginning at age twenty-two, for large murals in U.S. post offices: Threshing – Auburn, Nebraska (1938), Cotton Pickers – Wynne, Arkansas (1940), Prairie Fire – Madill, Oklahoma (1940), and The Horse Corral – South Denver, Colorado (1942). In preparation for their commissions Ethel and her sister made trips around the country to pending mural locations, driving their beat-up station wagon, dressed in jeans and cowboy boots with art supplies and dogs in tow. She and Jenne combined their talents in the mural, Mountains in Snow, for the Department of Health and Human Services Building in Washington, DC (1942). A year later Ethel executed her own mural, Andrew Jackson at the Battle of New Orleans, January 8, 1814, for the Recorder of Deeds Building, also in Washington, DC. Her first mural commission, Indian Dance, done in 1937 under the Treasury Department Art Project for the Senate Chamber in the United States Capitol, has since disappeared.
Ethel and her sister lived and worked in Colorado Springs until 1941 when their residence became determined by the wartime military postings of Jenne’s husband, Edward Chavez. They moved briefly to Los Angeles (1941-42) and then to Cheyenne, Wyoming, while he was stationed at Fort Warren, and then back to Los Angeles for two years in 1943. While in California, Ethel and Jenne executed a floral mural for the Sun Room of the Beverly Hills Hotel and also painted scenes of the ocean which they exhibited at the Raymond and Raymond Galleries in Beverly Hills. While in Los Angeles they met novelist Irving Stone, author of Lust for Life, who told them about Woodstock, as did artists Arnold Blanch and Doris Lee (both of whom previously taught at the Colorado Springs Fine Arts Center school. In summer of 1945 Ethel, her sister and brother-in-law drove their station wagon across the country to Woodstock which became their permanent home.
A year later Ethel married artist and musician, Bruce Currie, whom she met in Woodstock. In 1948 with the help of the GI Bill they purchased an old barn there that also housed their individual studios located at opposite ends of the house. The spatial arrangement mirrors the advice she gave her daughter, Jenne, also an artist: "Make sure you end up with a man who respects your work…The worst thing for an artist is to be in competition with her husband."
In 1951 Ethel won a Fulbright Scholarship to Greece where she and her husband spent 1951-52. In addition to extensively traveling, sketching and painting the local landscape, she reconnected with her late father’s family in the area of Messinia on the Peloponnese peninsula in southern Greece. At the same time, her sister Jenne accompanied Chavez on his Fulbright Scholarship to Italy where they spent a productive year painting and visiting museums. Shortly after returning home, Jenne’s career was cut tragically short when she died of a cerebral hemorrhage at age thirty-six. It deeply affected Ethel whose own work took on a somber quality for several years conveyed by a darkish palette, as seen in her tempera painting, Aftermath (circa 1952).
In the 1940s Ethel and her sister successfully made the important transition from government patronage to careers as independent artists. Ethel became distinguished for her modernist landscapes. Even though Ethel became a permanent Woodstock resident after World War II, from her childhood in Colorado she retained her love of the Rocky Mountains, her "earliest source of my lifelong passion for mountain landscape." She and her husband began returning to Colorado for annual summer camping trips on which they later were joined by their daughter, Jenne.
Ethel did many sketches and drawings of places she found which had special meaning for her. They enabled her to recall their vital qualities which she later painted in her Woodstock studio, conveying her feeling about places remembered. She also produced a number of watercolors and prints of the Colorado landscape that constituted a departure from the American Scene style of her earlier paintings. Her postwar creative output collectively belongs to the category of landscape abstractionists as described by author Sheldon Cheney, although to a greater or lesser degree her work references Colorado’s mountainous terrain. She introduced a palette of stronger pastels in her paintings such as two temperas, Evening Mountains from the 1950s and Springtime in the Mountains from the early 1960s.
In 1968 she was elected an Academician by the National Academy of Design in New York. Two years later, based on results of her many summer trips to Colorado, the U.S. Department of the Interior invited her to make on-the-spot sketches of the western United States, helping to document the water resources development and conservation efforts by the Department of the Interior. Her sketches were exhibited at the National Gallery in Washington, DC, and then sent on a national tour by the Smithsonian Institution. Similarly, her previous work as a muralist earned her a final commission at age sixty-three for a 12 by 20 foot Civil War image, Grant in the Wilderness, installed in 1979 in the Chancellorsville Visitors Center at the Fredericksburg National Military Park in Virginia. In the 1970s, too, she taught as Artist-in-Residence at Syracuse University and at the University of Georgia in Athens.
Her many awards include, among others, the Stacey Scholarship (1947); Tiffany Fellowship (1949); Fulbright Grant (1951-52, in Greece with her husband); Tiffany Fellowship (1949); Benjamin Altman Landscape Prize, National Academy of Design (1955); Medal of Honor, Audubon, Artists (1962); Henry Ward Granger Fund Purchase Award, National Academy of Design (1964); Childe Hassam Fund Purchase Award, American Academy of Arts and Letters (1970); Silver Medal, Audubon Artists (1983); Champion International Corporation Award, Silvermine Guild, New Canaan, Connecticut (1984); John Taylor Award, Woodstock Artists Association, Woodstock, New York (1985); Harrison Cady...
Category
1940s Minimalist Animal Prints
Materials
Etching, Paper
Three Deer, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - )
Title: Three Deer
Year: 1980
Medium: Screenprint, signed and numbered in pencil
Edition: AP 30
Image Size: 24 x 32 inches
Size: 26 in. ...
Category
1980s Minimalist Animal Prints
Materials
Screen
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category
1790s Minimalist Animal Prints
Materials
Engraving, Paper, Etching, Aquatint
H 22.5 in W 20.5 in D 1.5 in
Bird On Flower, Aquatint Etching by Keiko Minami
By Keiko Minami
Located in Long Island City, NY
Artist: Keiko Minami, Japanese (1911 - 2004)
Title: Bird On Flower
Year: circa 1985
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 12...
Category
1980s Minimalist Animal Prints
Materials
Aquatint, Etching
[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category
Early 18th Century Minimalist Animal Prints
Materials
Engraving
Israeli Modern Passover Lithograph Silkscreen David Sharir Holiday Art Serigraph
By David Sharir
Located in Surfside, FL
This is a mixed lithograph and serigraph silkscreen as per descriptions i read. this is not signed or numbered. it is a rare artists or printers proof print. It depicts Moses and Aaron at the top and I believe it relates to Passover and the exodus from Egypt.
David Sharir was born in 1938 in Tel Aviv, Israel and currently resides there.
David Sharir, the son of Russian immigrants, was born in Israel. Beginning his study of art in Tel Aviv and continuing in Florence and Rome, where he studied architecture and theater design. The brightly colored costumes and intricate stage designs he created for these productions have profoundly influenced his art. When Sharir moved to Jaffa in 1966, his hallmark style was truly developed. Studio, family, and spiritual devotion all serve as inspiration for the imagery in his work. His evolving style combines personal experience, Biblical symbolism, and fantasy.
David Sharir, born 1938, Tel Aviv. Was among the first artists to settle in Old Jaffa in 1966. He depicted biblical subjects with a touch of humour and designed sets and costumes for the theatre and opera.
Graphic Art in Israel Today Tel Aviv Museum, Tel Aviv 1973
Israel 1948-1958: Watercolors, Drawings, Graphics
The Bezalel National Museum, Jerusalem 1958
Jean David, Yosl Bergner, Menachem Shemi, Zvi Mairovich, Ruth Schloss, Nahum Gutman, Moshe Elazar Castel...
Category
20th Century Minimalist Animal Prints
Materials
Lithograph
Previously Available Items
Covey Of Grouse, Guy Allen, Limited Edition Print, Bird Artwork, Affordable Art
By Guy Allen
Located in Deddington, GB
Please note the price is for the unframed original etching .
Covey of Grouse is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink ...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Etching
Free Shipping
H 23.23 in W 33.08 in
Rosemary Farrer, Go Faster Hare, Limited Edition Print, Animal Art, Art Online
Located in Deddington, GB
Rosemary Farrer
Go Faster Hare
Limited Edition Print
Edition of 50
Image Size: H 15cm x W 15cm
Sheet Size: H 24cm x W 24cm
Sold Unframed
(Please note t...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Linocut
Kate Boxer, Ducks, Contemporary Animal Prints, Drypoint Print, Minimalistic Art
Located in Deddington, GB
Kate Boxer
Ducks
Limited Edition Drypoint Print
Edition of 30
Image Size: H 64cm x W 108cm x D 0.1cm
Sold Unframed
Free Shipping
Please note that insitu images are purely an indicati...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Drypoint, Paper
H 25.2 in W 42.52 in D 0.04 in
Guy Allen, Wilson's Bird of Paradise, Original Bird Art, Monochrome Art
By Guy Allen
Located in Deddington, GB
Guy Allen
Wilson’s Bird of Paradie
An etching, aquatint on 300gsm Somerset paper.
Edition Size: 75
Year Completed: 2017
Image Size: H 50cm x W 60cm x D 0.1cm
Sold Unframed
(Please n...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Etching, Aquatint
Free Shipping
H 19.69 in W 23.63 in D 0.04 in
Kate Heiss, Oystercatcher Over Holkham, Limited Edition Animal Print, Bright Art
By Kate Heiss
Located in Deddington, GB
Kate Heiss
Oystercatchers Over Holkham
Bawden Blue Series
Limited Edition Linocut Print
Edition of 50
Printed with oil based relief inks on 300gsm soft white Somerset velvet paper.
S...
Category
21st Century and Contemporary Minimalist Animal Prints
Materials
Paper, Linocut
H 11.82 in W 11.82 in D 0.2 in
Minimalist animal prints for sale on 1stDibs.
Find a wide variety of authentic Minimalist animal prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Guy Allen, Mychael Barratt, Katie Edwards, and Allan Forsyth. Frequently made by artists working with Paper, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Minimalist animal prints, so small editions measuring 11.03 inches across are also available. Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $115 and tops out at $4,831, while the average work sells for $474.