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Barbizon School Animal Prints

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Style: Barbizon School
Jeune Tigre jouant avec sa mère (Young Tiger playing with its mother)
Located in Middletown, NY
Lithograph on on white wove paper, 4 1/2 x 7 3/8 inches (112 x 187 mm), wide margins. First state (of 6). A very good impression with minor scattered spots of very light discoloration. [Delteil 91.1] __________ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...
Category

Mid-19th Century Barbizon School Animal Prints

Materials

Handmade Paper, Lithograph

Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...
Category

Early 19th Century Barbizon School Animal Prints

Materials

Handmade Paper, Lithograph

The Wild Cat (Chat Sauvage)
Located in Middletown, NY
Etching on cream laid paper, full margins. From Eaux-Fortes Animaux & Paysages. [Beraldi II.140.34] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Animal Prints

Materials

Laid Paper, Etching

Wild Boar, from Eaux-Fortes Animaux & Paysages: Sanglier
Located in Middletown, NY
Etching on cream laid paper, 4 3/4 x 6 inches (120 × 152 mm), full margins. Minor uniform age tone, and a 2-inch x 1-inch margin loss, at top extreme sheet edge, well outside of imag...
Category

1860s Barbizon School Animal Prints

Materials

Laid Paper, Etching

A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Animal Prints

Materials

Laid Paper, Etching

Le Soir: Cerf et Herons (The Evening: Stag and Herons)
Located in Fairlawn, OH
Le Soir: Cerf et Herons (The Evening: Stag and Herons) Lithograph printed with brown tint stone, 1858 From: Animaux et Paysages d’apres Nature Published by Goupil, 1858 Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo) Published by Goupil et Cie, Paris, with their blindstamp center, below image Printed by Bertauts, Paris (see photo) Condition: Excellent One stain verso, not visible on recto Full sheet Image size: 11 1/4 x 18 inches Sheet size: 17 3/4 x 24 3/4 inches Reference: Delteil 70 IFF 22, No. 1 Karl Bodmer (1809—1893) Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...
Category

1850s Barbizon School Animal Prints

Materials

Lithograph

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1970s Barbizon School Animal Prints

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'Young Girl, Black Cat', LACMA, Psychedelic Japanese Wood-Block, Tokyo Biennale
Located in Santa Cruz, CA
Signed, lower left, 'T. Nakayama' for Tadashi Nakayama (Japanese, 1927-2014), dated 1973 and inscribed, lower right, with number and edition limitation, '21/75'. Paper dimensions: 3...
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1970s Barbizon School Animal Prints

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Corralled Horse (Artists Proof), 1940s Framed American Modernist Horse Etching
Located in Denver, CO
"Corralled Horse", is an etching on paper by western artist Ethel Magafan (1916-1993) of a single dark horse standing outside in a wooden fenced corral. Presented in a custom frame, outer dimensions measure 19 x 23 inches. Image size is 10 x 14 inches. This is marked as an Artist Proof Piece is in very good condition - please contact us for a detailed condition report. Provenance: Estate of Artist, Ethel Magafan Expedited and international shipping is available - please contact us for a quote. About the Artist: Ethel Magafan Born 1916 Died 1993 The daughter of a Greek immigrant father and a Polish immigrant mother who met and married in Chicago, Ethel Magafan, her identical twin sister Jenne and their elder sister Sophie grew up in Colorado to which their father relocated the family in 1919. They initially lived in Colorado Springs where he worked as a waiter at the Antlers Hotel before moving to Denver in 1930 to be head waiter at the Albany Hotel. Two years later during the Great Depression Ethel and Jenne experienced at sixteen the tragic loss of their father who had encouraged their artistic aspirations. He was proud when Ethel, a student at Morey Junior High School, won top prizes in student poster contests sponsored by the Denver Chamber of Commerce and the Denver Post. At East High School in Denver she and Jenne contributed their art talents to the school’s and by their senior year were co-art editors of the Angelus, the 1933 yearbook. At East they studied art with Helen Perry, herself a student of André Lhote in Paris and the Art Institute of Chicago. Her decision to abandon an arts career to teach high school students served as an important example to Ethel and Jenne, who early on had decided to become artists. In a city-wide Denver competition for high school art students Ethel won an eighteenweek art course in 1932-33 to study at the Kirkland School of Art which artist Vance Kirkland had recently established in the Mile High City. Perry encouraged the Magafan twins’ talent, exposing them to the work of Matisse, Picasso and Cézanne and introducing them to local artists and architects like Frank Mechau and Jacques Benedict whom she invited to speak in her high school art classes. She paid the modest tuition for Ethel and Jenne to study composition, color, mural designing and painting at Mechau’s School of Art in downtown Denver in 1933-34. In the summer of 1934 and for a time in 1936 they apprenticed with him at his studio in Redstone, Colorado. When they returned to Denver in 1934 with no family breadwinner to support them, their mother insisted that they have real jobs so they worked as fashion artists in a Denver department store. When Jenne won the Carter Memorial Art Scholarship ($90.00) two years later, she shared it with Ethel so that both of them could enroll in the Broadmoor Art Academy (now the Colorado Springs Fine Arts Center) where they studied with Mechau. When the scholarship money ran out after two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions. At the Fine Arts Center Ethel also studied with Boardman Robinson and Peppino Mangravite, who hired her and Jenne in 1939 to assist him in his New York studio with two murals commissioned for the post office in Atlantic City, New Jersey. Like their Denver high school art teacher, Robinson also stressed the need to draw from nature in order to "feel" the mountains, which later become the dominant subject matter of Ethel’s mature work after World War II. Mechau trained her and her sister in the complex process of mural painting while they studied at the Colorado Springs Fine Arts Center, teaching them the compositional techniques of the European Renaissance masters. This also involved library research for historical accuracy, small scale drawing, and Page 2 of 4 the hand-making of paints and other supplies. Ethel recalled that their teacher "was a lovely man but he was a hard worker. He drove us. There was no fooling around." Her apprenticeship with Mechau prepared her to win four national government competitions, beginning at age twenty-two, for large murals in U.S. post offices: Threshing – Auburn, Nebraska (1938), Cotton Pickers – Wynne, Arkansas (1940), Prairie Fire – Madill, Oklahoma (1940), and The Horse Corral – South Denver, Colorado (1942). In preparation for their commissions Ethel and her sister made trips around the country to pending mural locations, driving their beat-up station wagon, dressed in jeans and cowboy boots with art supplies and dogs in tow. She and Jenne combined their talents in the mural, Mountains in Snow, for the Department of Health and Human Services Building in Washington, DC (1942). A year later Ethel executed her own mural, Andrew Jackson at the Battle of New Orleans, January 8, 1814, for the Recorder of Deeds Building, also in Washington, DC. Her first mural commission, Indian Dance, done in 1937 under the Treasury Department Art Project for the Senate Chamber in the United States Capitol, has since disappeared. Ethel and her sister lived and worked in Colorado Springs until 1941 when their residence became determined by the wartime military postings of Jenne’s husband, Edward Chavez. They moved briefly to Los Angeles (1941-42) and then to Cheyenne, Wyoming, while he was stationed at Fort Warren, and then back to Los Angeles for two years in 1943. While in California, Ethel and Jenne executed a floral mural for the Sun Room of the Beverly Hills Hotel and also painted scenes of the ocean which they exhibited at the Raymond and Raymond Galleries in Beverly Hills. While in Los Angeles they met novelist Irving Stone, author of Lust for Life, who told them about Woodstock, as did artists Arnold Blanch and Doris Lee (both of whom previously taught at the Colorado Springs Fine Arts Center school. In summer of 1945 Ethel, her sister and brother-in-law drove their station wagon across the country to Woodstock which became their permanent home. A year later Ethel married artist and musician, Bruce Currie, whom she met in Woodstock. In 1948 with the help of the GI Bill they purchased an old barn there that also housed their individual studios located at opposite ends of the house. The spatial arrangement mirrors the advice she gave her daughter, Jenne, also an artist: "Make sure you end up with a man who respects your work…The worst thing for an artist is to be in competition with her husband." In 1951 Ethel won a Fulbright Scholarship to Greece where she and her husband spent 1951-52. In addition to extensively traveling, sketching and painting the local landscape, she reconnected with her late father’s family in the area of Messinia on the Peloponnese peninsula in southern Greece. At the same time, her sister Jenne accompanied Chavez on his Fulbright Scholarship to Italy where they spent a productive year painting and visiting museums. Shortly after returning home, Jenne’s career was cut tragically short when she died of a cerebral hemorrhage at age thirty-six. It deeply affected Ethel whose own work took on a somber quality for several years conveyed by a darkish palette, as seen in her tempera painting, Aftermath (circa 1952). In the 1940s Ethel and her sister successfully made the important transition from government patronage to careers as independent artists. Ethel became distinguished for her modernist landscapes. Even though Ethel became a permanent Woodstock resident after World War II, from her childhood in Colorado she retained her love of the Rocky Mountains, her "earliest source of my lifelong passion for mountain landscape." She and her husband began returning to Colorado for annual summer camping trips on which they later were joined by their daughter, Jenne. Ethel did many sketches and drawings of places she found which had special meaning for her. They enabled her to recall their vital qualities which she later painted in her Woodstock studio, conveying her feeling about places remembered. She also produced a number of watercolors and prints of the Colorado landscape that constituted a departure from the American Scene style of her earlier paintings. Her postwar creative output collectively belongs to the category of landscape abstractionists as described by author Sheldon Cheney, although to a greater or lesser degree her work references Colorado’s mountainous terrain. She introduced a palette of stronger pastels in her paintings such as two temperas, Evening Mountains from the 1950s and Springtime in the Mountains from the early 1960s. In 1968 she was elected an Academician by the National Academy of Design in New York. Two years later, based on results of her many summer trips to Colorado, the U.S. Department of the Interior invited her to make on-the-spot sketches of the western United States, helping to document the water resources development and conservation efforts by the Department of the Interior. Her sketches were exhibited at the National Gallery in Washington, DC, and then sent on a national tour by the Smithsonian Institution. Similarly, her previous work as a muralist earned her a final commission at age sixty-three for a 12 by 20 foot Civil War image, Grant in the Wilderness, installed in 1979 in the Chancellorsville Visitors Center at the Fredericksburg National Military Park in Virginia. In the 1970s, too, she taught as Artist-in-Residence at Syracuse University and at the University of Georgia in Athens. Her many awards include, among others, the Stacey Scholarship (1947); Tiffany Fellowship (1949); Fulbright Grant (1951-52, in Greece with her husband); Tiffany Fellowship (1949); Benjamin Altman Landscape Prize, National Academy of Design (1955); Medal of Honor, Audubon, Artists (1962); Henry Ward Granger Fund Purchase Award, National Academy of Design (1964); Childe Hassam Fund Purchase Award, American Academy of Arts and Letters (1970); Silver Medal, Audubon Artists (1983); Champion International Corporation Award, Silvermine Guild, New Canaan, Connecticut (1984); John Taylor Award, Woodstock Artists Association, Woodstock, New York (1985); Harrison Cady...
Category

1940s Barbizon School Animal Prints

Materials

Etching, Paper

'Equestrian Actress', Modernism, Circus, Vietnamese, French, Horse, Acrobats
Located in Santa Cruz, CA
Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...
Category

1960s Barbizon School Animal Prints

Materials

Paper, Lithograph

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
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1790s Barbizon School Animal Prints

Materials

Engraving, Paper, Etching, Aquatint

Cinnamon Bear: An Original 19th Century Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Cinnamon Bear", No. 26, Plate CXXVII, 127 from Audubon's "Quadrupeds of North America", printed ...
Category

Mid-19th Century Barbizon School Animal Prints

Materials

Lithograph

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category

1840s Barbizon School Animal Prints

Materials

Lithograph

I Can Still Love (hand signed homemade print) romantic by YBA Pop British artist
Located in New York, NY
Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Em...
Category

2010s Barbizon School Animal Prints

Materials

Inkjet, Handmade Paper, Pencil

English victorian Gentlemen playing Crown Bowls
Located in Woodbury, CT
Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...
Category

Early 1900s Barbizon School Animal Prints

Materials

Handmade Paper, Lithograph

BLACK BEAR IN THE CHICKCHOCS
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category

Late 20th Century Barbizon School Animal Prints

Materials

Lithograph, Paper

The Fisher-Bird - Original Lithograph by J.J Grandville - 1852
Located in Roma, IT
The Fisher-Bird is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard...
Category

1850s Barbizon School Animal Prints

Materials

Lithograph, Paper

Previously Available Items
La Voliere des Passereaux
Located in Milwaukee, WI
"La Voliere des Passereaux" or "The Aviary of Passion" is an original etching signed in plate by Charles Francois Daubigny. Daubigny is often considered an important precursor of Imp...
Category

Mid-19th Century Barbizon School Animal Prints

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Etching

Tiger
Located in Saint Augustine, FL
An original etching by French artist Eugene Delacroix (1798-1863) titled "Tiger", 1883. Engraved by Auguste Boulard, Jr.. Limited Edition of 600. This etching was once exhibited at t...
Category

Late 19th Century Barbizon School Animal Prints

Materials

Etching

Lever de Lune (Moonrise) /// French Barbizon Landscape Cow Animal Daubigny Art
Located in Saint Augustine, FL
Artist: Charles Francois Daubigny (French, 1817-1878) Title: "Lever de Lune (Moonrise)" Portfolio: Gazette des Beaux-Arts, Paris, France *Iss...
Category

1860s Barbizon School Animal Prints

Materials

Etching, Intaglio

The Rainbow
Located in Saint Augustine, FL
An original etching by French artist Constant Troyon (1810-1865) titled "The Rainbow", 1883. Engraved by Emile Frederic Salmon. Limited Edition of 600. Thi...
Category

Late 19th Century Barbizon School Animal Prints

Materials

Etching

Valle de la Touque Normandie, Sevres
Located in Saint Augustine, FL
An original etching on laid paper by French artist Lionel LeCouteux (1847-1909) after French artist Constant Troyon (1810-1865) titled "Valle de la Touque Normandie, Sevres", 1883. S...
Category

1880s Barbizon School Animal Prints

Materials

Laid Paper, Etching

Barbizon School animal prints for sale on 1stDibs.

Find a wide variety of authentic Barbizon School animal prints available for sale on 1stDibs. Works in this style were very popular during the 19th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Karl Bodmer, Eugene Delacroix, and Charles François Daubigny. Frequently made by artists working with Paper, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Barbizon School animal prints, so small editions measuring 4.75 inches across are also available. Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $1,200, while the average work sells for $500.

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