Pablo Picasso“Le Picador II” from the book Sabartés1961
1961
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1961
- Dimensions:Height: 10.24 in (26 cm)Width: 12.6 in (32 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16128057122
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- ShippingRetrieving quote...Ships From: Collonge Bellerive, Geneve, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Alberto Giacometti - Original LithographBy Alberto GiacomettiLocated in Collonge Bellerive, Geneve, CHAlberto Giacometti - Original Lithograph 1964 Dimensions: 38 x 28 cm From the journal Derrière le Miroir No. 148, 1964 Edition: Foundation Maeght at Saint Paul Alberto Giacometti...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Georges Braque - Original LithographBy Georges BraqueLocated in Collonge Bellerive, Geneve, CHGeorges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...Category
1960s Modern Figurative Prints
MaterialsLithograph
- After Marc Chagall - LithographBy (after) Marc ChagallLocated in Collonge Bellerive, Geneve, CHAfter Marc Chagall - Lithograph From the deluxe art review, Derrière le Mirroir, printed by Charles Sorlier 1964 Printed signature Dimensions: 38 x...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Lithograph after Georges BraqueLocated in Collonge Bellerive, Geneve, CHLithograph after Georges Braque From the deluxe art review, Derrière le Mirroir 1964 Printed signature Dimensions: 38 x 28 cm DLM No. 148, 1964 Edition: Foundation Maeght at Saint P...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Pablo Picasso - Les Banderillas - Original LithographBy Pablo PicassoLocated in Collonge Bellerive, Geneve, CHOriginal Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Picasso is not just a man and his work. Picasso is always a legend, indeed almos...Category
1960s Modern Animal Prints
MaterialsLithograph
- (after) Pablo Picasso - Face of Peace - LithographBy (after) Pablo PicassoLocated in Collonge Bellerive, Geneve, CHArtist: Pablo Picasso (after) Medium: Lithograph Portfolio: Visage de la Paix Year: 1951 Edition: 2050 Sheet Size: 29,5 x 22,5 cm It was produced under the direct supervision of Pabl...Category
1950s Modern Animal Prints
MaterialsLithograph
- 'Equestrian Actress', Modernism, Circus, Vietnamese, French, Horse, AcrobatsBy Hoi LebadangLocated in Santa Cruz, CASigned lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...Category
1960s Modern Animal Prints
MaterialsPaper, Lithograph
- Dentol - 1900s - Aleandro Terzi - Print - ModernBy Adolfo HohensteinLocated in Roma, ITDentol is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan in 1906 in occasion of the "La Figlia di Iorio" theatrical spectacle, text by Gabriele D'Annunzio and music by Alberto Franchetti. A very beautiful vintage and advertising poster, in excellent condition except for a minor rip on the right margin at the bottom. This defect does not affect the image. This original poster representing a woman red dressed in a golden wheat field, has the dignity of an object of art, carries the signature on plate on the lower right margin of Adolfo de Karolis...Category
Early 1900s Modern Figurative Prints
MaterialsLithograph
- A Woman from Harem - Hand Colored Lithograph - 19th centuryLocated in Roma, ITA Woman from Harem is an original lithograph, Hand-colored on paper realized by an Anonymous artist of the XIX century, Titled on the lower center in Italian" Una Donna Dell'Harem". ...Category
19th Century Modern Figurative Prints
MaterialsLithograph
- Cheveaux et Jongleur - Lithograph by Marino Marini - 1951By Marino MariniLocated in Roma, ITHand signed and numbered. Edition of 200 prints plus 60 prints in Roman Numerals and 5 Artist's Proofs. Specimen in roman numbers, no. 59/60 (LIX/LX) Published in the general catalog...Category
1950s Modern Figurative Prints
MaterialsLithograph
- Castore - Plate 1 - Lithograph by Giorgio De Chirico - 1948By Giorgio De ChiricoLocated in Roma, ITCastore is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Black and white lithograph. Hand signed by artis...Category
1940s Modern Animal Prints
MaterialsLithograph
- Mr.Ox Flirting with Miss.Goat - Original Lithograph by J.J Grandville - 1852By Jean Jeacques GrandvilleLocated in Roma, ITMr.Ox Flirting With Miss.Goat is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Ma...Category
1850s Modern Animal Prints
MaterialsLithograph, Paper
Recently Viewed
View AllRead More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.