Landing Place
View Similar Items
Willem de KooningLanding Place1971
1971
About the Item
- Creator:Willem de Kooning (1904-1997, American, Dutch)
- Creation Year:1971
- Dimensions:Height: 24 in (60.96 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Catalogue reference: Graham 6.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU147728709032
Willem de Kooning
As the de facto leader of the New York avant-garde art movement of the 1950s known as Abstract Expressionism, Dutch-American painter Willem de Kooning blended figuration and abstraction in a revolutionary manner that has resonated for decades. His best-known paintings, which were most often of women but gesturally abstract, were unique and incredibly influential at the time. Today, de Kooning is widely considered one of the most important artists of the 20th century.
De Kooning trained in fine and commercial arts at the Rotterdam Academy in his hometown of Rotterdam, the Netherlands, before immigrating to the United States in 1926. His first job in America was as a house painter in New Jersey, and the period left an indelible impression on him as he brought large brushes, loose strokes and fluid paints into his work as an artist. He also worked on public murals under President Franklin D. Roosevelt’s Works Progress Administration (WPA) program in the 1930s. De Kooning’s studies weren’t executed but they included some of his first abstractions, which showed the influence of like-minded artists as well as the music of the Jazz Age. His broad foundation in classical drawing and physical labor are evident even in the most abstract of his works, which amounted to a fusion of Cubism, Expressionism and Surrealism.
It was in New York that de Kooning found the space and an abundance of inspiration to pursue art full time. Surrounded by prominent artists like Jackson Pollock, Arshile Gorky, Lee Krasner and Fernand Léger, de Kooning drew from the freedom and boldness with which they all approached their work. In 1943, he married Elaine de Kooning, a versatile and immensely talented New York painter with a significant role in the Abstract Expressionist movement.
A major motif in de Kooning’s work is the deconstructed female form. A collection of paintings demonstrative of this is now known as his “Woman” series of the early 1950s, which remains controversial more than half a century later. Drawing inspiration from photography in magazines and using vivid colors and expressive brushstrokes to unforgettable effect, de Kooning depicted his subjects as grotesque, sexualized and loosely abstracted forms, which many critics deemed angry and misogynistic. But it is this very fearlessness in visual and conceptual experimentation that made de Kooning a crucial figure of Abstract Expressionism.
Today, de Kooning’s work is among the most coveted art in the world. His Interchange (1955), with its bold lines and shapes executed in primary colors, is one of the most expensive paintings ever sold.
Find a collection of Willem de Kooning art on 1stDibs.
- Poems by Frank O'HaraBy Willem de KooningLocated in New York, NYImpressive portfolio with 17 lithographs on Japanese Kitakata appliqué with de Kooning's authorized facsimile signature and numbered "23" in pencil on the justification page. Publish...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- An 8 Set--3 * An 8 Set--5By Sam FrancisLocated in New York, NYVery good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Seeing Voice Welsh HeartBy Paul JenkinsLocated in New York, NYA very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Red ParrotBy Paul JenkinsLocated in New York, NYA very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Untitled (Two Figures)By Willem de KooningLocated in New York, NYA very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Yellow JackBy Helen FrankenthalerLocated in New York, NYA very good impression of this large lithograph with strong colors and stencil on White Arches Cover paper. Signed, dated "'85-'87" and numbered 51/54 in pencil by Frankenthaler. Printed and published by Tyler Graphics...Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph, Stencil
- Lament for LorcaBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Jean Miotte - Abstract Composition - Original Signed LithographBy Jean MiotteLocated in Collonge Bellerive, Geneve, CHJean Miotte - Original Signed Lithograph Title: Abstract Composition Dimensions: 20 x 16 cm Edition: 85/180 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came of ar...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Salon de Mai After Joan Miro - abstract lithographic posterBy Joan MiróLocated in New York, NYThis colorful abstract lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Miro's works at the Musee d'Art Moderne De La Ville in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Future Shadow II Abstract Expressionist lithograph pencil signed numbered 3/5By Mark di SuveroLocated in New York, NYMark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Pencil
- Abstract expressionist lithograph s/n (Lembark, 16) from the Estate of Wolf KahnBy Sam FrancisLocated in New York, NYSAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; numbered 39/75 lower left of center Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich (Catalogue Raisonne L-16, p.66) 37 1/4 × 27 inches Provenance: Estate of Wolf Kahn and Emily Mason Unframed Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions . In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper. About Sam Francis B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Pencil
- Sam Francis McGovern '72 Poster (Hand signed by Sam Francis) Abstract lithographBy Sam FrancisLocated in New York, NYSam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...Category
1970s Abstract Expressionist Abstract Prints
MaterialsOffset, Lithograph