ERSTE KALTNADEL FÜR DIE EDITIONS CAHIER’S D’ ART
View Similar Items
Wassily KandinskyERSTE KALTNADEL FÜR DIE EDITIONS CAHIER’S D’ ART1930
1930
About the Item
- Creator:Wassily Kandinsky (1866 - 1944, Russian)
- Creation Year:1930
- Dimensions:Height: 8.38 in (21.29 cm)Width: 8.13 in (20.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU911025393
Wassily Kandinsky
“Color is a means of exerting a direct influence upon the soul,” wrote the pioneering abstract artist Wassily Kandinsky. The Russian-born painter and theorist dedicated his life to using abstract compositions of form and color to express deep emotion as well as to depict the language of music through visuals.
Kandinsky was part of a crucial moment in art history — the early 20th century — that saw the rise of movements like Cubism. He embraced styles such as Surrealism and Fauvism and was a leading figure in bringing together Der Blaue Reiter (the name means “The Blue Rider” after one of Kandinsky’s paintings) in 1911, a group of avant-garde artists in Munich, including Paul Klee and Franz Marc, who explored spiritual concepts through their art as a response to the materialism of the time. Kandinsky also led courses on analytical drawing and color at the Bauhaus. He was appointed by founder and architect Walter Gropius to teach in Weimar in 1922. He taught at all three of the legendary school’s locations and remained with the institution until its forced closure by the Nazi party in Berlin.
The artist had the rare and unusual trait of synesthesia, the neurological ability to perceive things using multiple senses. In Kandinsky’s case, it was the gift of “seeing” music, and music appeared in every aspect of his work, including the titles of his series “Compositions,” “Improvisations” and “Impressions.” He once described the experience of painting using a musical metaphor: “I had little thought for houses and trees, drawing colored lines and blobs on the canvas with my palette knife, and making them sing just as powerfully as I knew how.”
While Kandinsky isn’t the first abstract artist — mystically inclined painter Hilma af Klint was making nonrepresentational art well before him — he certainly had the biggest impact on establishing the style. His paintings inspired the likes of Jackson Pollock, Willem de Kooning and other Abstract Expressionists. From his Untitled (First Abstract Watercolor) painted in 1910 to future works, his unique take on using color and flair for bold, experimental compositions, Kandinsky is one of the most important figures of early-20th-century art.
Find original Wassily Kandinsky art, including paintings and prints, on 1stDibs.
- Untitled (SF-344)By Sam FrancisLocated in San Francisco, CAOriginal lithograph printed in five colors (yellow, red, green, ultramarine blue, thalo blue) on PTI #120 Waterleaf wove paper. Hand-signed in pencil lower left Sam Francis. A su...Category
1990s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request - L’ENRAGÉBy Joan MiróLocated in San Francisco, CAOriginal etching, aquatint and carborundum printed in colors on Mandeure rag paper. Hand-signed in pencil lower right center Miró. A superb impression of the definitive state...Category
1960s Abstract Abstract Prints
MaterialsAquatint
Price Upon Request - Etching for Stephen Spender "Fraternity"By Wassily KandinskyLocated in San Francisco, CAOriginal drypoint printed in black ink on laid paper Hand-signed in pencil in the margin lower right Kandinsky, also signed in the plate wit the artist’s monogram lower left. ...Category
1930s Abstract Abstract Prints
MaterialsEtching
Price Upon Request - The TowerBy Robert MotherwellLocated in San Francisco, CAOriginal etching printed in two colors on Johannot wove paper. Hand-signed with the artist’s monogram in pencil in the margin lower right RM. A superb impression of the defini...Category
20th Century Abstract Abstract Prints
- Untitled (SFE-085)By Sam FrancisLocated in San Francisco, CAOriginal etching printed in seventeen colors on BFK Rives wove paper. Hand-signed in pencil in the margin lower right Sam Francis. A superb artist’s proof impression of the d...Category
1990s Abstract Abstract Prints
MaterialsEtching
Price Upon Request - The HospitalBy Robert MotherwellLocated in San Francisco, CAOriginal etching printed in two colors on Johannot wove paper. Hand-signed with the artist’s monogram in pencil in the margin lower right RM. A superb impression of the definit...Category
20th Century Abstract Abstract Prints
MaterialsEtching
- 17.1By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g. Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Edition 7/15 Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. In 2004, Muckensturm began working with oil on large scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...Category
2010s Abstract Abstract Prints
MaterialsPaper, Drypoint
- Etching 1916 Number IIBy Wassily KandinskyLocated in New York, NYWassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...Category
1910s Abstract Abstract Prints
MaterialsDrypoint
- 204C1742 (Abstract print)By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and pr...Category
2010s Abstract Abstract Prints
MaterialsCopper
$515 Sale Price20% Off - 201R002 ABC (Abstract print)By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Editi...Category
2010s Abstract Abstract Prints
MaterialsCopper
$3,297 Sale Price20% Off - 205J1771 (Abstract print)By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 12. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and p...Category
2010s Abstract Abstract Prints
MaterialsCopper
- 204C1741 ABCD (Abstract print)By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 4 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Editi...Category
2010s Abstract Abstract Prints
MaterialsCopper
$1,648 Sale Price20% Off