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Valton TylerDo Not Touch1970
1970
About the Item
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Do Not Touch” is plate number 20, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In “The First Fifty Prints,” Reynolds wrote, “An understanding of the technical methods used in this plate is important in discussing the purpose of this design. As Mr. Scholder has described the process, Valton first draws an outline of the design with felt pen on tracing paper. This outline is then transferred onto the plate. The next stage in this case was to cover the areas which are white in the finished print with stop-out varnish and to spray the exposed areas with spray paint. When the plate is immersed in an acid solution, only the tiny spots not protected with the paint are bitten. Through this use of aquatint, Valton achieved the fuzzy texture of the black background. Returning to the design, overlaid with hard ground, he then scratched in the patterning of the lines. Hard ground was again applied to protect the finished background, the plate was again submerged in the acid, and the lines were then etched.”
Reynolds continues, “The order of these technical stages and the resulting white silhouette against a black ground create an X-ray view, or negative, that focuses on what Valton feels is the backbone of his designs. The patterns of simple parallel lines we see here are the only elements that model, define, and animate the forms, and not the use of contour line. He has intended to diagram and emphasize in this plate the role his line performs and the magic it creates when further developed in such intricate plates as “Heritage,” Plate No. 25, “Together We Are,” Plate No. 27, and “A New Born Day,” Plate No. 50.” (Reynolds, p. 76)
Paper size: 21 1/4 x 23 inches
Edition: 5 Artists Proofs Imp. 50 Signed Prints Imp.
Bibliography:
Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies," The New York Times, June 13, 2000, page B2.
Edward M. Gomez, "Valton Tyler's Techno-Organic Landscapes," Raw Vision 35, Summer 2001, pages 34-39.
Rebecca Reynolds, "The First Fifty Prints: Valton Tyler," published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
- Creator:Valton Tyler (1944, American)
- Creation Year:1970
- Dimensions:Height: 15.75 in (40.01 cm)Width: 17.75 in (45.09 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:
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