Terry Winters

In Blue

2008

2014, color woodcut on Stonehenge paper, 30 x 31 1/2 inches, edition of 30

Color woodcut and etching, 20 1/4 x 16 inches, edition of 100

2016, color aquatint and hardground etching, 25 3/4 x 37 inches (65.4 x 94 cm), edition of 25, signed, dated and numbered by the artist

Sean Scully (Irish, b. 1945) Room, 1988 etching 42 x 51 inches (106.7 x 129.5 cm) Edition of 40

A silkscreen on paper from American artist Leon Polk Smith.

A screen print on paper by American artist Leon Polk Smith. Edition of 80.

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...

"Fish Dish" by Morag Muir (Scottish, b. 1960). Screen print on paper Signed "Morag Muir" and dated "87" lower right. Titled "Fish Dish" center and numbered "...

The Faceless, Unforgettable Three - Modernist Color Lithograph (5/100) Three faceless figures, created by Simon Avissar (Israeli, 1938-2020), in a cool, muted color palette of purple and teal, layered against a speckled background with a sense of light surrounding them. Presented in a new taupe-colored mat. Mat size: 30"H x 24"W Paper size: 25.5"H x 19"W Avissar, Simon (Israeli, 1938-2020) is a Postwar & Contemporary painter born in Casablanca. As a tireless nomad, he exhibited for the first time in 1961, in Jaffa, where he lived and worked for some time. He then moved to Paris, settling into a studio in Montparnasse and began with an exhibition of his work at the Galerie Charpentier in 1964, and after exhibited at Abel Rambert, the Galerie de l’Elysée, and the Galerie Bénézit in the 14 years he lived there. He then moved to the United States, including Washington, New York, and Lose Angeles, while continuing to travel to South America, Australia, and South Africa, exhibiting in many places he visited. His work integrates the contributions of the avant-garde with cubist simplification, chromatic audacity, and abstract geometry. Education 1959-1960 School of Arts Appliques, Paris, France 1959-1961 L'Ecole des Beaux Arts, Paris, France 1962-1963 Bezalel Academy of Art & Design, Jerusalem Awards 1964 The French Ambassador’s Special Award Environmental Sculptures...

Bright and colorful early 1970's limited edition screen print by J. Harrison, 1971. This intricately detailed abstract pattern undulates across the orange background with psychedelic...

Modern abstract etching with hard edges of the printing plate contrasting with the soft dark gray tones inside the figurative centerpiece. Titled "Falling Figures, Decayed State", "E...