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Salvador Dalí­
Illustration from "Pater Noster" - Original Lithograph by Salvador Dalì - 1966

1966

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  • Miró Lithographe I - Plate VII - Lithograph by Joan Mirò - 1972
    By Joan Miró
    Located in Roma, IT
    "Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mir...
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    1970s Surrealist Abstract Prints

    Materials

    Lithograph

  • Woman - Offset and Lithograph - 1983
    By Willem de Kooning
    Located in Roma, IT
    Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1983. The print suite was realized in a limited edition of 2500, and curat...
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    1980s Surrealist Abstract Prints

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  • Untitled - Lithograph by Marcello Avenali - Mid-20th Century
    Located in Roma, IT
    Untitled is a contemporary artwork realized by Marcello Avenali in the mid-20th Century. Mixed colored lithograph on paper. Includes frame: 38 x 3 x 43 cm Hand signed and numbered...
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    Mid-20th Century Surrealist Abstract Prints

    Materials

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  • Pour Ida Chagall et Franz Meyer - Lithograph by Joan Mirò - 1970s
    By (after) Joan Miró
    Located in Roma, IT
    Pour Ida Chagall et Franz Meyer is a rare colored Lithograph realized in the 1970s by Joan Mirò (1893-1983). Signed in the plate on the lower right and inscribed pour Ida Chagall et...
    Category

    1970s Surrealist Abstract Prints

    Materials

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  • Mirò Lithographe VII - Lithograph by Joan Miró - 1974
    By Joan Miró
    Located in Roma, IT
    Original Lithograph VII is a color lithograph on paper, realized by Joan Miró for the second volume of his catalog "Mirò Lithographe III" in 1974. A beautiful plate from a series ...
    Category

    1970s Surrealist Abstract Prints

    Materials

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  • Composition X - Lithograph by Joan Mirò - 1974
    By (after) Joan Miró
    Located in Roma, IT
    Original lithograph X is a superb color lithograph on paper, realized in 1974 by Joan Miro for the second volume of his catalog " Mirò Lithograph". This plate is from a series compos...
    Category

    1970s Surrealist Abstract Prints

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  • L'Arbre des voyageurs: III - Joan Miró, Lithograph, Surrealist
    By Joan Miró
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    From Tristan Tzara's 'L'Arbre des voyageurs'. Signed and dated in pencil, a large paper proof. Inscribed 'Pour Henriette, en toute amitié'. Printed on wove paper and published by E...
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  • French Abstract Surrealist Lithograph Andre Masson Mourlot Paris Limited Edition
    By André Masson
    Located in Surfside, FL
    This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...
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  • French Abstract Surrealist Lithograph Andre Masson Mourlot Paris Limited Edition
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    This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...
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  • French Abstract Surrealist Lithograph Andre Masson Mourlot Paris Limited Edition
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    This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...
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  • French Abstract Surrealist Lithograph Andre Masson Mourlot Paris Limited Edition
    By André Masson
    Located in Surfside, FL
    This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...
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  • French Abstract Surrealist Color Lithograph Andre Masson
    By André Masson
    Located in Surfside, FL
    Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing plate. Size is of the full sheet. André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson would often force himself to work under strict conditions, for example, after long periods of time without food or sleep, or under the influence of drugs. He believed forcing himself into a reduced state of consciousness would help his art be free from rational control, and hence get closer to the workings of his subconscious mind. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miro, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. From around 1926 he experimented by throwing sand and glue onto canvas and making oil paintings based around the shapes that formed. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War (he associated once more with the surrealists at the end of the 1930s). Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island of Martinique from where he went on to the United States. Upon arrival in New York City, U.S. customs officials inspecting Masson's luggage found a cache of his erotic drawings. Denouncing them as pornographic, they ripped them up before the artist's eyes. Living in New Preston, Connecticut his work became an important influence on American abstract expressionists, In particular Arshile Gorky drew on it, as did Jackson Pollock and Mark Rothko. Following the war, he returned to France and settled in Aix-en-Provence where he painted a number of landscapes. Masson drew the cover of the first issue of Georges Bataille's review, Acéphale, in 1936, and participated in all its issues until 1939. His brother-in-law, the psychoanalyst Jacques Lacan...
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