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Roy Lichtenstein
Roy Lichtenstein-Guggenheim Museum-1969 Serigraph

1969

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  • Roy Lichtenstein-Guggenheim Museum-1969 ORIGINAL Serigraph
    By Roy Lichtenstein
    Located in Brooklyn, NY
    Sku: EF380 Artist: Roy Lichtenstein Title: Guggenheim Museum Year: 1969 Signed: No Medium: Serigraph Paper Size: 28.75 x 28.75 inches ( 73.025 x 73.025 cm ) Image Size: 23.25 x 23.25...
    Category

    1960s Pop Art Abstract Prints

    Materials

    Screen

  • 150 Years of Growth Great Neck Public Schools
    Located in Brooklyn, NY
    Poster created for 150 Years of Growth Great Neck Public Schools.
    Category

    1960s Abstract Abstract Prints

    Materials

    Screen

  • Friedel Dzubas-Multi (Community Holiday Festival)-ORIGINAL
    By Friedel Dzubas
    Located in Brooklyn, NY
    Not signed and not numbered. This is an overrun from the signed and numbered edition of 144 that was created by Dzubas to advertise the Comminty Holiday Festival in 1973. 270 poste...
    Category

    20th Century Contemporary Prints and Multiples

    Materials

    Screen

  • 1974 Jean Dubuffet 'Le Libre Echange' Serigraph
    By Jean Dubuffet
    Located in Brooklyn, NY
    First edition exhibition serigraph by Dubuffet.
    Category

    1970s Abstract Prints

    Materials

    Screen

  • Homage to Vincent Van Gogh
    By Lawrence Weiner
    Located in Brooklyn, NY
    "Homage to Vincent Van Gogh" by Lawrence Weiner, Unsigned Offset Lithograph printed in 1990 from an edition size of 1000. The overall size of the Offset Lithograph is 33 x 23.5 inch...
    Category

    1990s Conceptual Abstract Prints

    Materials

    Offset

  • 1980 After Eduardo Chillida 'Museum of Art Carnegie Institute' Lithograph
    By Eduardo Chillida
    Located in Brooklyn, NY
    Poster for a Chillida exhibit at the Museum of Art Carnegie Institute in Pittsburgh, 1980.
    Category

    1980s Abstract Prints

    Materials

    Lithograph

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    By Andy Warhol
    Located in New York, NY
    Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...
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  • The News
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    2018 The complete set of 9 screenprints in colors Sheet: 24 x 24 in., each Edition of 100 Each sheet signed, dated and numbered in pencil
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  • Reflections on Crash
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    1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower margin
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  • Ups and Downs
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    2013 The complete set of 10 screenprints in colors Sheet: 35 x 23 inches, each Edition of 100 Each signed, dated and numbered in pencil Contained in original portfolio box
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  • Pop Shop II: one plate (L. pp. 96-97)
    By Keith Haring
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    1988 Screenprint in colors, on wove paper, with full margins 12 x 15 in. (30.5 x 38.1 cm) Edition of 200, HC Signed, dated, and numbered in pencil, recto Framed
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  • Surrealist Abstract Hebrew Aleph Pop Art Silkscreen Judaica Jewish Serigraph
    By Jozsef Jakovits
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    Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color based on the Hebrew alphabet done in a calligraphy typeface. Jozsef Jakovits...
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