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Robert Rauschenberg
International Very Special Arts Festival

1989

$5,500

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Artist: Robert Rauschenberg (1925-2008) Title: International Very Special Arts Festival Year: 1989 Medium: Lithograph on wove paper Edition: 275, plus proofs Size: 35.5 x 26.5 inches Condition: Excellent Inscription: Signed and numbered by the artist. Notes: Published by the artist and the International Arts Festival, Washington, D.C. ROBERT RAUSCHENBERG (1925-2008) One of the most influential American artists, having led the direction of contemporary art since his first showings in New York City in the early 1950s, Rauschenberg gained notoriety with his combine sculptures and paintings that often re-contextualized found objects from the streets of New York. He was one of the pioneers that utilized silk-screening to incorporate random imagery into his work. This element in his work was influential in the later work of Andy Warhol and the rest of the Pop Art movement. He is considered by many to be the master artist of his generation. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce, formerly F. Daniello Fine Art, was founded in 2002 and is based in Fairfield, Connecticut. As a purveyor of masterworks of the 20th and 21st centuries, our consultancy serves the Greater New York Area and has frequently acted as an internal supplier to its leading galleries and auction houses including Christie’s, Sotheby’s, Bonham’s & Butterfield’s, and Phillips de Pury. The experienced staff of Art Commerce has proudly served in the development of private and public collections throughout the United States and the world including the Smithsonian Institution, Library of Congress, the Board Of Governors of the Federal Reserve System, the Museum of Fine Arts Boston, the Detroit Institute of Arts, the Los Angeles County Museum of Art, the National Hellenic Museum, the National Czech & Slovak Museum, and the National Museum of Women in the Arts, amongst others. Art Commerce welcome’s all inquires including those from prospective buyers, sellers, and consignors of exceptional objects.

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About Robert Rauschenberg (Artist)

Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”


Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.


Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.


Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, the 1965 Core which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity. Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.

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