Richard Meier

In Pedana

2011

ROBERT COTTINGHAM American Signs portfolio, 2009 The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil. Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

Blue Sonica Whisper

Untitled (Flag), 2013 Archival pigment print 26 1/4 × 43 in (66.7 × 109.2 cm) Edition of 36

Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...

Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...

Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...

Jonas Wood (American, b. 1977) Bananas, 2021 Medium: 9-color screen print on rising museum board Dimensions: 71.1 × 58.4 cm (28 × 23 in) Edition of 200: Hand-signed and numbered Cond...

Jonas Wood (American, b. 1977) Holiday, 2018 Medium: Screenprint on Rising Museum Board Dimensions: 26.7 × 20.3 cm (10 1/2 × 8 in) Edition of 250: Hand-signed and numbered Condition:...

This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50. Available for loc...

This handmade screen print depicts an imaginary spiked sphere shape in five colours including fluorescent Yellow, metallic Gold and Red. The Gold ink layer gives the abstract print an extra brilliance and shine showing off the multi layered liquid patterns on the surface of the object. Chris Keegan artist online and in Wychwood Art Gallery...

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the...

screenprint Signed and numbered in pencil by the artist edition of 50 Beautifully framed! provenance: The Nevica Project Jonas Wood (American, b. 1977) is a Los Angeles based-artist. His paintings are most notable for their reconsideration of the golden era of 20th century American painting, drawing fine comparisons to artists such as Edward Hopper. Linda Yablonsky from the New York Times Style Magazine has said that, “Wood has one foot in Modernist cool and the other in vibrant Pop Art.” He paints what is around him in daily life, from basketball players to living rooms, and tries to preserve the beauty he sees in these subjects and share it with the viewer. Jonas Wood was born in 1977 in Boston, Massachusetts. He graduated in 1999 from Hobart and William Smith Colleges, New York, and received his M.F.A. in 2002 from the University of Washington, Seattle. Murals and solo exhibitions include “Primitives: Chris Caccamise and Jonas Wood,” Cereal Art...