Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Michail Grobman
Post Soviet Nonconformist Avant Garde Russian Israeli Screen Print Leviathan

1976

About the Item

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman and Israeli architect Yasha Jacob Grobman. Biography 1939 – Born in Moscow. 1960s – Active member of The Second Russian Avant-Garde movement in the Soviet Union. 1967 – Member of Moscow Artists Union. 1971 – Emigrates to Israel and settles in Jerusalem. 1975 – Founded the Leviathan group and art periodical (in Russian). Since 1983, he lives and works mainly in Tel Aviv. Awards In 2001, Grobman was a co-recipient of the Dizengoff Prize for Painting. Solo exhibitions 2007 – Last Skies, Loushy & Peter Art & Projects, Tel Aviv (cat. text: Marc Scheps) 2006 – Creation From Chaos to Cosmos, Bar-David Museum of Fine Art and Judaica, Kibbutz Baram (cat. text: Sorin Heller) 2002 – The Last Sky, installation, Tsveta Zuzoritch pavilion, Belgrad (cat. text: Irina Subotitch) 1999 – Mikhail Grobman: Works 1960–1998, The State Russian Museum, St. Petersburg (cat. texts: Evgenija Petrova, Marc Scheps, Lola Kantor-Kazovsky, Michail German) Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s lithograph work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Grisha Bruskin. Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avant Garde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John Bolt, Karl Eimermacher, Alexander Borovsky) 1998 The Boundaries of Language, Tel Aviv Museum of Art Tikkun. "Aspects of Israeli Art of the 70s", The Genia Schreiber University Art Gallery, Tel Aviv University (cat. text: Mordehaj Omer) 1997 "Nonconformists: The Second Russian Avant-garde, from the Bargera Collection", Russian National Museum, St. Petersburg; Tretjakov National Gallery, Moscow; State Gallery, Frankfurt; Quadrat (J. Albers Museum Bottrop, Germany; Kunsthalle, Leverkusen, Germany (cat. texts: Hans Peter Rose, Yevegni Barabanov, Alexander Borovski) 1996 "Ketav: Flesh and Word in Israeli Art", Ackland Museum, North Carolina (cat. texts: Jerry Bolas, Gideon Ofrat, Michael Sgan-Cohen) 1995 "Unser Jahrhundert", Museum Ludwig, Cologne (cat. text: Marc Scheps, Barbara M. Thiemann, Stephanie M. Baumann, Jens Bove, Gerard Goodrow, Martin Spantig) 1994 "The Printer's Imprint", The Israel Museum, Jerusalem "From Malevitch to Kabakov: Russian Avant-garde in the 20th Century", Museum Ludwig, Cologne "Text-Image", Janco-Dada Museum, Ein Hod (cat. text: Sara Hackert) 1990 "Different Art", Tretjakov National Gallery, Moscov (cat.) "The Museum as Collector", Tel Aviv Museum of Art "Chagall to Kitaj: The Jewish Experience in 20th Century Art", Barbican Art Gallery, London (cat. text: Avram Kampf) 1989 "Wortlaut", K. Schopenhauer Gallery, Cologne (cat.) "The Russian Avant-garde in the Early 20th Century", University Gallery, Ben Gurion University, Beer Sheva (cat. text: Haim Finkelshtein) "Abattoir '89", Marseilles (cat.) 1988 "Avant-garde - Revolution - Avant-garde", Tel Aviv Museum (cat. texts: Marc Scheps, Peter Spielmann) "Upon One of the Mountains: Jerusalem in Israeli Art", The Genia Schreiber University Art Gallery, Tel Aviv University (cat. text: Mordechal Omer) 1987 "Retrospection", Hermitage Garden Hall, Moscow "Art Works Done in Groups", K-18, Kassel (cat.) 1984 "Transformations", University Gallery, Tel Aviv University (cat. text: Mordechal Omer) 1981 "Leviathan Group", Jerusalem Theatre (cat.) "Russian Samyzhdat Art, 1960-1982", Franklin Furance Gallery, New York; Chapaque Library Gallery, Washington, D.C. (leaflet) 1979 - 1980 "East European Art in the 20th Century", Museum of Art, Bochum, Germany (cat.) "20 Years of Independent Art in the Soviet Union", Gallery of St. Mary's College, Maryland (leaflet) 1978 "Leviathan Group", Belt Uri and Rami Nechushtan Museum, Ashdot Yaacov (cat.) "New Art from the Soviet Union", Pratt Institute Gallery, New York (leaflet) 1975 "1970-1975" Progressive Trends in Moscow, Museum of Art, Bochum, Germany (cat.) 1973 "Modern Russian Art: Avantgarde Drawings", Ostwall Museum, Dortmund (cat.) 1970 "New Trends in Moscow", Museum of Art, Lugano (cat.) 1969 "The Russian Post Soviet Avant-garde Today", Gmurzynska Gallery, Cologne (cat.) Artist's House, Moscow - "Artists from Moscow", 1964 Patent Institute, Moscow 1963 Dostoevsky Museum, Moscow 1962 "Young Artists", Udarnik Cinema, Moscow . Selected Collections Center Pompidou, Paris. Tel Aviv Museum of Art. Museum of Art, Bochum. Tretjakov Museum, Moscow. Tiumen Regional Museum, Russia. Museum am Ostwall, Dortmund. Museum of Modern Art, Utrecht. Pushkin Museum of Fine Art, Moscow. Museum Ludwig, Cologne
  • Creator:
    Michail Grobman (1939, Russian)
  • Creation Year:
    1976
  • Dimensions:
    Height: 25.5 in (64.77 cm)Width: 19.5 in (49.53 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    good. minor wear to edges. Please see photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU3825809512
More From This SellerView All
  • Italian Artist Modern Silkscreen Eugenio Carmi
    By Eugenio Carmi
    Located in Surfside, FL
    Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors. He participated in the Venice Biennale in 1966. In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden. In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London. In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States. In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy). He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France. The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992. In 1991 he exhibited at the San Francisco Italian American Museum. In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life. From 1957 to 1965 he will play the role of artistic director of Cornigliano's corporate magazine. During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk. Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds . In this period, he is involved not only in the cultural politics of the Istallier ( Victor Vasarely , Umberto Eco , Max Bill , Konrad Wachsmann , Furio Colombo , Ugo Mulas , Kurt Blum , Emanuele Luzzati , Flavio Costantini ) , But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples. The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi. Eugenio Carmi, who is always fascinated by the new technological possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle . It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden. In 1971, he moved to Milan with his family, where he established his study. At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one. In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica , for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta , Gillo Dorfles , Richard Paul Lohse...
    Category

    1980s Modern Abstract Prints

    Materials

    Screen

  • DADA Artist Abstract Figures Silkscreen Lithograph Print Israeli Modernist
    By Marcel Janco
    Located in Surfside, FL
    Marcel Janco, was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In...
    Category

    20th Century Modern Abstract Prints

    Materials

    Screen, Lithograph

  • Austrian Sound Space Architect Bernhard Leitner Photo Lithograph Hand Signed Art
    Located in Surfside, FL
    Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...
    Category

    1970s Modern Abstract Prints

    Materials

    Screen

  • Austrian Sound Space Architect Bernhard Leitner Photo Lithograph Hand Signed Art
    Located in Surfside, FL
    Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...
    Category

    1970s Modern Abstract Prints

    Materials

    Screen

  • Large Post Soviet Non Conformist Russian Israeli Animal Beast Lithograph Print
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

  • Large Post Soviet Non Conformist Russian Israeli Volcano Lithograph Silkscreen
    By Michail Grobman
    Located in Surfside, FL
    Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....
    Category

    20th Century Modern Animal Prints

    Materials

    Lithograph, Screen

You May Also Like
  • Vintage Silkscreen Abstract -- The Wheely Whirly Steps
    By Alice Aycock
    Located in Soquel, CA
    Expressive vintage silkscreen on black paper by Alice Aycock (American, 20th Century). Hand signed and dated "Alice Aycock 1990" with hand written ...
    Category

    1990s American Modern Abstract Prints

    Materials

    Screen, Laid Paper

  • Poezia Marina, Spain - Abstract Landscape
    By Guido Lopez
    Located in Soquel, CA
    Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). Titled "Poezia Marina", signed lower right "Guido Lopez', 12/150. Unframed. Image 22.5"H x 25"L, Mat...
    Category

    Early 2000s Modern Landscape Prints

    Materials

    Screen

  • Urban Walls: Cincinnati, Screenprint by Bill Sontag
    By Bill Sontag
    Located in Long Island City, NY
    Artist: Bill Sontag, American (b. 1932) Title: Urban Walls: Cincinnati Year: 1971 Edition: 85/150 Medium: Screenprint, signed and numbered in pencil Image Size: 24 x 32 inches Size: ...
    Category

    1970s American Modern Abstract Prints

    Materials

    Screen

  • John Piper, Eye and Camera: Red, Blue and Yellow, Screenprint Modern British Art
    By John Piper
    Located in London, GB
    To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
    Category

    1980s Modern Abstract Prints

    Materials

    Screen

  • "Season's Greetings, " Abstract Holiday Silkscreen signed by Schomer Lichtner
    By Schomer Lichtner
    Located in Milwaukee, WI
    "Season's Greetings" is an original color silkscreen by Schomer Lichtner. The artist signed the piece in the screen on verso. This piece features abstract, linear patterns in blue and white on a brown paper background. 6 1/4" x 4 5/8" art 14" x 12 1/2" frame Milwaukee artist, Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Schomer Lichtner was well known for his whimsical cows and ballerinas, such as his "Ballerina Dancing on Cow" sculpture below. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre, " joy of life," and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller...
    Category

    1950s American Modern Abstract Prints

    Materials

    Screen

  • In the Blur of Numbers - Handsigned Screen Print
    By Cozette de Charmoy
    Located in Paris, FR
    Cozette de CHARMOY (1939-) In the Blur of Numbers Screen Print Handsigned in pencil Limited to 75 copies and a few EA (here an EA proof) On Arches vellum 88 x 60 cm (c. 35 x 24 inch...
    Category

    1990s Modern Abstract Prints

    Materials

    Screen

Recently Viewed

View All