Items Similar to Le Bassin ( A Lithograph from Notre Pain Quotidien)
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Maurice de Vlaminck Le Bassin ( A Lithograph from Notre Pain Quotidien)1963
1963
About the Item
Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963
Colors: Black and White
Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition in Paris in the following year. In 1902 the young painter met Henri Matisse, who encouraged him to exhibit at the "Salon des Indépendents". In 1905 Maurice Vlaminck had a group exhibition with Matisse, Derain, Friesz, Manguin and others at the "Salon d'automne". The radically new colour scheme with large areas of pure colour inspired the critic Vauxelles to refer to the artists as the "Fauves". The lively acceptance of this new painting style is reflected in the following acquisition of Vlaminck's entire work by the art dealer Ambroise Vollard. He also arranged the artist's first one-man exhibition in 1906. A brief interest in Cubism is merely reflected in a short intermezzo of a few Cubist compositions. Maurice Vlaminck's artistic work was interrupted for four years in 1914 when he was drafted into the war. After his release Vlaminck established a small studio in Paris where he prepared for his next exhibition. It took place in 1919 at Druet, bringing about the artist's definite break-through. The show was so successful that he was able to buy a house in Valmondois in the same year. Here, in this rural environment, Vlaminck was finally able to develop his own style as a landscape painter. His interest in rural landscapes never ceased, even after his move to the Département Eure-et-Loire in 1925. His work was honoured in numerous international exhibitions during the 1930s. The last years of Maurice Vlaminck's life were determined by his friendship with the Swiss doctor Sigmund Pollag, who collected the artist's graphic oeuvre and donated it to the Kunstmuseum Bern in 1970. Vlaminck wrote more than 20 books, including autobiographic texts.
- Creator:Maurice de Vlaminck (1876-1958, French)
- Creation Year:1963
- Dimensions:Height: 17 in (43.18 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU75233443931
About the Seller
4.6
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1984
1stDibs seller since 2017
84 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Le Petit Pont ( A Lithograph from Notre Pain Quotidien)By Maurice de VlaminckLocated in New York, NYMaurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...Category
1960s Post-Impressionist Abstract Prints
MaterialsLithograph
- Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)By Maurice de VlaminckLocated in New York, NYMaurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...Category
1960s Post-Impressionist Abstract Prints
MaterialsLithograph
- Untitled (Edition 80/120)Located in New York, NYUnknown/Unidentified Artist, "Untitled" Edition 80/120, Abstract Lithograph signed and numbered in pencil, 22 x 30, Late 20th Century Colors: Red, Green, Yellow, Black, White, Brown...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsLithograph
- UntitledLocated in New York, NYArtist Unidentified /Unknown, "Untitled" Edition 79 /100, 19.75 x 25.50, Late 20th Century Colors: Purple, Blue, Brown, Yellow, Turquoise, Pink Note* Unidentified Artist s...Category
Late 20th Century Abstract Landscape Prints
MaterialsLithograph
- Untitled Winter Landscape (Edition 85/150)By Bernard CharoyLocated in New York, NYBernard Charoy (French b. 1931 ) , "Untitled Winter Landscape," Edition 85/150, Abstract Lithograph signed and numbered in Pencil, 22 x 30, Late 20th Century Colors: Green, White, G...Category
Late 20th Century Abstract Landscape Prints
MaterialsLithograph
- The Wedding ( Edition 270/300 )By George StauchLocated in New York, NYGeorge Stauch (American b. 1900), " The Wedding" Edition 270/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century Colors: Blue, White, Red, Brown, Y...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
You May Also Like
- 'Monterey at Sunset', California Post-Impressionist LandscapeBy John MaxonLocated in Santa Cruz, CAA substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset. Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985. Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie. Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...Category
1980s Post-Impressionist Abstract Prints
MaterialsArchival Paper, Monotype
- Tree 8By Alex KatzLocated in Miami, FLTechnical Information: Alex Katz Tree 8 2022 Woodcut and Lithograph 39 3/4 x 39 1/4 in. Edition of 60 Pencil signed and numberedCategory
21st Century and Contemporary Contemporary Landscape Prints
MaterialsLithograph, Woodcut
- Zygmund Jankowski, My GardenBy Zygmund JankowskiLocated in New York, NYZygmund Jankowski is known for his modernist compositions and effective use of “the white of the paper.” 'My Garden' perfectly illustrates that skill; It is signed, titled, dated, and numbered in pencil. It is from an edition of 10. Jankowski was born in South Bend, Indiana. After serving in the US Navy Jankowski attended the California College of Arts and Crafts, where studied with Victor DeWilde, Otis Oldfield, and George Post. Returning to the mid-west he taught at Indiana University, South Western Michigan College, Hilton Leech School of Art, the Bremen Art Center, the Niles Art Center, the South Bend Art Association, and the Rockport Art Association. Beginning in 1964 he summered in Rocky Neck, MA, and opened a summertime gallery. In the 1970s he made a permanent move to Gloucester where he held workshops at his studio. In the 1990s he moved to Lanesville. Among those institutions with work by Jankowski is the Cape Ann Museum. In their biography of the artist they acknowledge his role of inspiring a generation of Cape Ann artists...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Israeli Modern Pop Art Photo Silkscreen Serigraph Palm Trees KadishmanBy Menashe KadishmanLocated in Surfside, FLMenashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...Category
1970s Abstract Geometric Landscape Prints
MaterialsEtching, Aquatint, Lithograph
- French Art Exhibition Poster by Raoul Dufy, Modernist Lithograph, 1959By Raoul DufyLocated in Chicago, IL"Exposition d'Art Français" features a busy, dreamy depiction of the French countryside in a very loose style. Created by Raoul Dufy as the poster for an exhibition held in Kaunas, L...Category
1930s Landscape Prints
MaterialsLithograph
- Israeli Modern Pop Art Photo Silkscreen Serigraph Palm Trees KadishmanBy Menashe KadishmanLocated in Surfside, FLMenashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...Category
1970s Abstract Geometric Landscape Prints
MaterialsEtching, Aquatint, Lithograph
Recently Viewed
View AllMore Ways To Browse
From Versailles
Post War Lithographs
French Impressionist Lithograph
Military Lithograph
Large Lithograph Black White
Lithograph Musicians
Large Black And White Lithographs
Le Notre
Cubist Style Lithograph
Le Fauves
Les Fauves
Vlaminck Maurice
Maurice Man
Black And White Graphic Lithographs
Van Gogh Lithograph
Vlaminck Lithograph
Matisse Lithograph Black And White
Impressionist Painting Loire