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Lisa Houck
"All About the Square" Plant Abstraction, Nature Modern Black/White Etching

2003

About the Item

"All About the Square" Plant Abstraction, 2003, Black and White Etching, 16 x 16 Inches (Image), 24 x 24 Inches (Sheet), Edition of 16, is one of a series of 8 black and white prints on this theme by Lisa Houck, a well established artist from Boston with a large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Matisse and Aborigine art. This print is also available as a boxed set of 10 etchings. This set is in the permanent collection of The Museum of Fine Arts, Boston. Houck has also executed many large public art commissions for interior and exterior sites in Boston and nationwide which are ambitious murals in oil or mosaic in hospitals, libraries, playgrounds and other public buildings. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Selected Public Collections, Numerous Private Collections The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Grants/Projects Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. Publications Providence Journal, “Artists Put a Modern Face on Mosaics”, by Bill Van Siclen, May 2010 Ceramics Monthly, “Up Front,” volume 56, January 2008 Harvard Review 32, Spring 2007 Boston Athenaeum, Annual Report, 2006 Making and Decorating Stylish Screens: Cover Art, by Katherine Duncan Aimone, Lark Books, 2003. Cambridge Center for Adult Education: Catalog Cover, Spring, 2000. Paper Art: “Working From Pulp,” by Michael G. LaFosse, Quarry Books, 1998. Arts Media: “Lasting Impressions: Looking at the Land,” Mary Behrens, June, 1997. Boston Globe: “Perspectives,” Christine Temin, April 9, 1997. American Craft: “Commissions,” August/September, 1996. Art Plan: “Cambridge’s Multi-Purpose Senior Center,” Cambridge Arts Council, 1996. Boston Phoenix: “The Weekend,” November 2, 1990. Art New England: “Lisa Houck: A Long Walk to View Some Petroglyphs,” Meredith Fife Day, July/August 1989. Boston Sunday Globe: “A Happy Case of Life Imitating Art,” Anthony Tommasini, January 8, 1989. Boston Globe, Calendar: “Exhibits: Other Dimensions,”: Critic’s Tip, Christine Temin, April 21, 1988. Boston Globe, Calendar: “Exhibits: Views From the West,” Critic’s Tip, Christine Temin, October 22, 1987. Art New England: “Lisa Houck, Kendall Square Station,” Abstracts, Thomas Frick, October 1987. Boston Globe, Calendar: “Exhibits: Bright Universe,” Critic’ Tip, Robert Taylor, June 18, 1987. Boston Globe: “Perspectives,” Christine Temin, November 27, 1986. Boston Globe, Calendar: “Exhibits: Cosmic Happenings,” Critic’s Tip, Robert Taylor, May 8, 1986. a bright blue/green print of a swooping bird on Somerset Velvet Antique paper (off white), one of a series of 4 bird prints by Lisa Houck sold individually or as a set of 2, 3, or 4. Each measures 36 x 24 inches, each blue varies slightly from print to print. The others in the series are more intense in color. Lisa Houck has a very large following in Boston and a nationwide reputation for her murals in oil and mosaic, as well as individual works on a smaller scale in oil, mosaic, watercolor, textile and printmaking.
  • Creator:
    Lisa Houck (1953, American)
  • Creation Year:
    2003
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)
  • Medium:
    Etching
  • Movement & Style:
    Abstract
  • Period:
    2000-2009
  • Condition:
  • Gallery Location:
    Wellesley, MA
  • Reference Number:
    1stDibs: LU45632311611
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    Located in Wellesley, MA
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    Located in Wellesley, MA
    "Untitled" Medium Sized Abstraction on Paper in Cream, Gray, Black and Red. Monoprint, 30 x 22 Inches, Framed in White Wood. This monoprint has a very sophisticated sensibility in that it is purely abstract and consists of a suggestion of a gray grid on a cream ground with a powerful black and red free-wheeling biomorphic linear shape. The mark making was inspired by the artist's stay in Rome - where her then 10 year old son became addicted to Italian comic books -which adds another whimsical Pop dimension. Associations can also be made with Alexander Calder's paintings, sculptures and works on paper, and Asian art. Also available by the artist are canvases (72 x 60 inches, 40 x 32 inches, 14 x 11 inches) and a series of related paintings on paper measuring 30 x 22 inches. Margo Margolis lives and works in New York. She recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Margolis’ continuing commitment to abstraction is as fresh and invigorating as it was in the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for the 'Boston Globe,' Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for the 'Boston Globe, ' Cate, McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Margo Margolis’ works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...
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