Joe Tilson

White Horse from Wessex, Conceptual Etching by Joe Tilson

1977

Artist: Joe Tilson, British (1928 - ) Title: Stonehenge, Spiral from Wessex Portfolio Year: 1977 Medium: Etching, signed, and numbered in pencil Edition: XXV Size: 19.5 x 13.75 in. (...

Artist: Joe Tilson, British (1928 - ) Title: Glastonbury from Wessex Portfolio Year: 1977 Medium: Etching, signed and numbered in pencil Edition: XXV Size: 19.5 x 13.75 in. (49.53 x ...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Artist: Robert Morris, American (1931 - ) Title: Separate Walkways: The Wardens Above, the Inmates Below from In the Realm of the Carceral Year: 1979 Medium: Aquatint Etching, sig...

Artist: Robert Morris, American (1931 - ) Title: Security Walls from In the Realm of the Carceral Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 150,...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Sunrise at Bayonne Year: 1988 Medium: Aquatint Etching with Metallic Leaf Collage, signed and ...

Andrés Nagel - UNTITLED 5 Date of creation: 1991 Medium: Etching and collage on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: Etching and collage on paper signed by the artist and numbered edition of 75. Andrés Nagel belongs to that generation of Spanish artists that revolted against the abstraction and informalism, dominant in the exhibitions at museums and galleries during the 60s. Nagel's success is, without any doubt, due to his intrinsic honesty. The artist has always been loyal to his own particular style, no matter the artistic trend of the moment. ABOUT THE ARTIST Andrés Nagel Tejada is a Spanish painter, sculptor and printmaker born in San Sebastian in 1947. Nagel completed his studies in architecture in 1972 in Pamplona. During this time as a student he began to work in engraving techniques. Since then he starts to travel to other European countries and the north of Africa. The Spanish scene at that time was dominated by abstraction and already had international recognition thanks to artists such as Chillida and Tapies, but Andres Nagel, who didn't feel identified with these trends did tune with the artistic movements that found in other countries such as Italy, Switzerland and Germany and soon opted for figurative art. A controversial artist, he rose to prominence with some of his works at the beginning of his career. In the mid 70's Nagel started to show his works in many exhibitions, both collectively and individually. Noteworthy among these events, his participation in the exhibition "New Spanish Painting" on Hastings Gallery in New York that introduced him to the American public. In 1978 also participates in a very important exhibition that pays tribute to the work of Joan Miró in Mallorca. During the 80's the artist works in numerous international exhibitions in cities like Varna, Dortmund, Bonn, Basel or Baghdad. In 1988 the Museum of Fine Arts in Bilbao exhibits the graphic work of Nagel, in this show a catalogue raisonné is edited. In 1989 he began his collaboration with the gallery Tasende California and participates in many American art fairs. Thereafter Andrés Nagel travels the world and his work is present in several countries including Mexico, Japan, Singapore, China, France, Canada, Germany or Italy. In 2003 Nagel inaugurates in Amorebieta (Vizcaya) a bronze sculpture of eight meters high that he entitles "La patata" (the potato). Unparalleled defender of the intellectual property, the transfer of this work for urban reasons is considered by Nagel as an insult to his work, leading him to sue the city council. In 2009 re-litigated against a porcelain company that, according to the artist, plagiarizes his designs and get benefits from them without his consent. Andrés Nagel's work can be defined within the postmodern figuration...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Created in 1999, this etching and aquatint on white Somerset Textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right margin and is ...

Created in 1999, this etching with sugar lift aquatint on white Somerset textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right ma...