Ed Ruscha

Anchor in Sand, Lithograph, Pop Art, Concept Artist, 20th Century

1991

Frank Stella (American, b. 1936) Sidi Ifni (from Hommage à Picasso), 1973 Medium: Lithograph in colors, on wove paper Dimensions: 22 × 30 in (55.8 × 76.2 cm) Edition of 90 + XXX + 15...

Ed Ruscha (American, born 1937) America Whistles (from America: The Third Century), 1975 Medium: Lithograph on wove paper Dimensions: 76.3 x 57 cm Edition of 200 + 25 AP + 25 HC: Han...

Fred Sandback, (1943-2003) Untitled, 1979 Medium: Lithograph on Japanese paper Dimensions: 35.9 x 35.9 cm Edition of 35: Hand-signed, numbered and dated in pencil Publisher: Edition ...

Günther Uecker (German, born 1930) Splitter, 1991 Medium: Lithograph on wove paper Dimensions: 30 x 42 cm Edition of 200: Hand-signed an numbered in pencil Condition: Excellent

Jorinde Voigt (German, b. 1977) Inherited Desire, 2018 Medium: Lithograph on wove paper Dimensions: 70 x 45 cm Edition of 200 : Hand-signed, numbered and dated in pencil Condition: E...

Dan Flavin (American, 1933-1996) A Sketch of The Diagonal of May 25, 1963 in Fluorescent Light, 1974 Medium: Lithograph on wove paper Dimensions: 18.5 x 31.5 cm Edition of 45: Hand-s...

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Another version of this ...

The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in st...

Marina Abramović Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014 Offset lithograph on invitation card (hand signed and inscribed by the artist) Signed on the front LOVE, Marina Abramovic with "x's" on the vertical beams in the image 5 × 7 inches Unframed This is an invitation card for Marina Abramovic's exhibition "Generator" at Sean Kelly...

Richard Serra Forged Rounds (hand signed), 2019 Offset lithograph poster (hand signed by Richard Serra) 26 × 40 inches Boldly signed in black marker on the front by Richard Serra Unf...

Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Offset lithograph on 350gsm paper Numbered on verso 30 x 42 cm (11.81 x 16.54 in.)
 Edition of 100 Anish Kapoor, renowned for his monumental sculptures and innovative use of materia...