Items Similar to Swing Boats
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Claude FlightSwing Boats1919
1919
About the Item
Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very good condition, with the full colored margin outside of the borderline (with slight imperfections typical of these British futurist linoleum proofs, i.e., border edge somewhat rough-cut, small loss upper left corner, a printing fold toward the middle of the image, slight wrinkling upper right). The sheet 10 x 12 3/4 inches.
Provenance: The Redfern Gallery, 27 Old Bond Street, London (with their label affixed to the mat).
A fine impression, with the colors fresh and balanced. Printed in cobalt blue and crimson oil paint and black printing ink.
Although the stated edition of this print is 50, according to the numbering of the artist, the print appears only infrequently on the market, and in widely varying condition and appearance – some impressions are very dark, some too light, some rather lacking in balance. We feel the present impression represents an excellent example of the print in virtually all respects.
Flight was a leader of the British Futurist movement, and a teacher at the Grosvenor School of Modern Art (his pupils included Lill Tschudi, Cyril Power, and Sybil Andrews). Flight regularly exhibited at The Redfern Gallery, as well as abroad.
A swing boat, colloquially known as a “shuggy boat” in the north east of England, is a fairground ride in which pairs of riders pull ropes to swing back and forth. Swing boats were one of the earliest fairground rides, common in the Victorian era. The boats were originally powered by hand, but steam-driven versions began to be introduced in the 1880s. Examples of Victorian-style manually-operated swing boats are still popular and are generally seen in traveling “period” fairs.
- Creator:Claude Flight (1881-1955, British)
- Creation Year:1919
- Dimensions:Height: 10 in (25.4 cm)Width: 12.75 in (32.39 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51532698551
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
99 sales on 1stDibs
Typical response time: 3 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Monseignor St. ThomasBy Cyril PowerLocated in New York, NYCyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...Category
1930s Futurist Abstract Prints
MaterialsLinocut
- SailsBy Sybil AndrewsLocated in New York, NYSybil Andrews (1898-1992), Sails, linocut in colors, 1960, signed (twice), titled, and inscribed “TP” in pencil. Reference: White 50. In good condition, two sheets, each image 7 1/...Category
1960s Futurist Abstract Prints
MaterialsLinocut
- Un ReveBy Louis MarcoussisLocated in New York, NYLouis Marcoussis (1883-1941), Un Reve, etching, 1930, signed in pencil lower right and inscribed “2nd etat 1/2” lower left. Plate 1 of the portfolio Aurelia. Reference: Milet 55II, second state (of 4), before the edition (of 153 in the fourth state). In good condition, on a wove paper with full margins (a small area of discoloration below the border lower left, remains of prior glue right margin edge), 7 1/4 x 5 3/8, the sheet 15 5/8 x 9 3/8 inches, archival matting. A fine impression of a rare proof, before the edition. This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition. Provenance: Libreria Prandi Reggio (blindstamp lower right corner) Jean Cassou and Pierre Courthion asked Marcoussis to illustrate Aurelia, a novel by Gerard de Merval. This was the first album of their collection “Le Blanc et Le Noir,” edition chez Fourcade. Marcoussis was familiar with this novel, in which imagination and reality intermingle. In it de Merval wrote: “La Reve est une seconde vie.” (The Dream is a parallel life.) Marcoussis wrote of the print: “Il ressemblait a l’Ange de la Melancholie d’Albrecht Durer.” (It recalls the angel in Durer’s Melancholia...Category
1930s Abstract Geometric Abstract Prints
MaterialsEtching
- Etching for Stephen Spender “Fraternity”By Wassily KandinskyLocated in New York, NYWassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 202, only state. From the editio...Category
1930s Abstract Geometric Abstract Prints
MaterialsDrypoint, Etching
- Etching 1916 Number IIBy Wassily KandinskyLocated in New York, NYWassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...Category
1910s Abstract Abstract Prints
MaterialsDrypoint
- InvocationBy Max WeberLocated in New York, NYM a x W e b e r – – 1 8 8 1 – 1 9 6 1 Invocation- – 1919-20, Color Woodcut. Rubenstein 27. Proofs only. Signed in pencil. Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...Category
1910s Cubist Figurative Prints
MaterialsWoodcut
You May Also Like
- Untitled - Mixed print technique, Contemporary abstract printBy Berenika Korecka-SowinskaLocated in Warsaw, PLMixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in WarsawCategory
2010s Abstract Abstract Prints
MaterialsEtching, Paper, Aquatint, Linocut
- Untitled - Mixed print technique, Contemporary abstract printBy Berenika Korecka-SowinskaLocated in Warsaw, PLMixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in WarsawCategory
2010s Abstract Abstract Prints
MaterialsLinocut, Paper, Etching, Aquatint
- Composition - Mixed print technique, Contemporary abstract printBy Berenika Korecka-SowinskaLocated in Warsaw, PLMixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in WarsawCategory
2010s Abstract Abstract Prints
MaterialsPaper, Aquatint, Linocut
- A road - vertical division -- Contemporary abstract graphics, XXI CenturyBy Ryszard GieryszewskiLocated in Warsaw, PLRYSZARD GIERYSZEWSKI (born in 1936) Graduated from the Academy of Fine Arts in Warsaw in 1964. He is a member of International Association XYLON in Switzerland. He participated in mo...Category
Early 2000s Abstract Abstract Prints
MaterialsPaper, Linocut, Woodcut
- Non-accidental shapes - XX Century, Colorful Woodcut & Linocut, Abstract PrintBy Ryszard GieryszewskiLocated in Warsaw, PLRYSZARD GIERYSZEWSKI (born in 1936) Graduated from the Academy of Fine Arts in Warsaw in 1964. He is a member of International Association XYLON in Switzerland. He participated in mo...Category
Early 2000s Abstract Abstract Prints
MaterialsPaper, Linocut, Woodcut
- Black sunBy Roger BissièreLocated in Paris, FRLinocut, 1960 Handsigned by the artist in pencil Edition : 80 65.00 cm. x 40.00 cm. 25.59 in. x 15.75 in. (paper) 52.50 cm. x 24.00 cm. 20.67 in. x 9.45 in. (image) After Bissière...Category
1960s Abstract Abstract Prints
MaterialsLinocut
