Casey Blanchard

Key West Bound 46

2020

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurrica...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Walter Rogalski White Claw, 1952 Engraving on antique-white laid Homere paper Hand signed, numbered 6/25, dated and titled on lower front ; affixed to original matting Publisher The ...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Dragonfly [2021] Please note that insitu images are purely an indication of how a piece may look This handmade screenprint depicts a Dragonfly inset with a set of geometric shapes in Six colours including Metallic Gold ink. The artwork was created using procedurally generated patterns that overlap creating complex layered geometric shapes. The Metallic ink layer gives the print an extra brilliance and shines showing off the multi-layered liquid patterns on the surface. Limited edition of 50. Its 40 x 40 cm. Artwork printed...

Bird green sandpiper. 1976., Paper, linocut, print size 46x50 cm; page size 80x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Jane Zelensky Cows 3 1980s Silkscreen on paper 22"x22.25" unframed Signed in pencil on reverse

Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, created using high-quality archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The central image of the composition features a butterfly, but instead of traditional organic patterns, it is formed by a captivating arrangement of geometric figures. The butterfly serves as the focal point of the painting, capturing the viewer's attention with its bold and vibrant colors. Shades of fuchsia, blue, orange, green, white, black, yellow, and light blue interplay harmoniously, creating a visually striking and energetic composition. Upon closer inspection, one can discern that the butterfly's wings are constructed using a meticulous arrangement of various geometric shapes. As the viewer's gaze explores the painting, they may notice that within the composition, there are additional elements arranged in the form of eyes. These eyes, composed of circles of varying sizes and triangles, lend an intriguing depth and surreal quality to the artwork. They evoke a sense of introspection and invite contemplation about the interplay of perception and reality. Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 28 x 20.6 inches Edition 3 of 10 +2 AP Price: $2,400 Limited edition Signed by the artist __________ About the Artist Francisca Oyhanarte...