(after) Roy Lichtenstein

Landscape

1980

A silkscreen print by Robert Indiana of his iconic Love in red, blue, and green. Artist: Robert Indiana, American (1928 - ) Title: Philadelphia Love Year: circa 1996 Medium: Silkscr...

Artist: Robert Indiana, American (1928 - ) Title: One from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x 14 i...

Artist: Peter Grippe, American (1912 - 2002) Title: Positive Year: 1960 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 39 x 20 inches Size: 46 x 35 in. (11...

Artist: Peter Grippe, American (1912 - 2002) Title: Positive 2 Year: 1958-1960 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 26 x 20.25 inches Size: 34 x ...

From the artist that gave us LOVE, he now gives us HOPE. This is the complete suite of four HOPE silkscreens on Silver in the original folio. Each print is signed and numbered in pe...

A silkscreen Love print with poem by Robert Indiana from the Book of Love. Presented in a plexi-box frame. Artist: Robert Indiana, American (1928 - ) ...

EA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and printmaker. Born in 1928, Tilson served in the Royal Air Force (1946–49), after which he studied in London at St Martin's School of Art (1949–52) under Leon Kossoff and Frank Auerbach. He later attended the Royal College of Art in London, where he won the prestigious Rome Prize. The artist represented the United Kingdom in the 32nd Venice Biennale in 1964, which famously included the works of Robert Rauschenberg, Jasper Johns, Claes Oldenburg, and Jim Dine. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently taught at the Slade School of Fine Art, University College London and The School of Visual Arts, New York and the Hochschule fur Bildende Künste, Hamburg. In 1961 he exhibited at the Paris Biennale. During the 1960s Tilson became one of the leading figures associated with the British Pop Art...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” Lowell Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings...

Hand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...

Bob Stanley Lauren Bacall Lights Humphrey Bogart's Cigarette, 1966 Color Silkscreen on paper with full margins 22 1/2 × 17 inches Edition of 200 Hand signed and dated on the lower ri...