Flexible

1984 / 2016

2014 Screenprint in colors, on wove paper Sheet: 32 x 32 in. Edition of 250 Signed and numbered in pencil, lower margin Framed, excellent condition

2014 The complete set of ten color screenprints on Saunders Waterford High White paper, with the title page and original cloth-covered portfolio case with embossed artist’s name and ...

2013 The complete set of ten screenprints in colors, on Saunders Waterford High White paper, with the original title page and black canvas portfolio box with black lettering Image/sh...

1983/2001 Screenprint in colors 40 x 40 in. (101.6 x 101.6 cm) Edition of 85 Numbered on the front, and Estate-stamped, signed, and dated on the reverse

1982/2004 Screenprint in colors 54 1/4 x 39 5/8 in. (137.8 x 100.6 cm) Edition of 85 Numbered on the front, and Estate-stamped, signed, and dated on the reverse

2017 Screenprint in colors Sheet: 36 x 36 in. Edition of 50 Signed and numbered

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

"Paradise" by Inkman is a 1 Color Screen Print on Embossed Paper, Stone Quarz by Gmund, 300gsm 70x70cm, edition of 24 The print is signed and numbered (6/24) by the artist. Mohamed ...

"Royal Confession II" by Inkman is a 1 Color Screen Print on Embossed Paper, Stone Carbon by Gmund, 300gsm 70x70cm, edition of 24 The print is signed and numbered (6/24) by the artis...

„Loveletter I“ by Cryptik Serigraph Print on 280gsm Sirio Ultrablack Paper Size 71 × 71 cm Signed and numbered (42/99), in pencil along lower edge Cryptik is a Los Angeles based a...

Skullphone MOP Gold, Contemporary Street Art Print. Dimensions of 28 in x 20 in. Edition of 3 and hand signed by the artist. Skullphone is an American artist who lives and works in...