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Prints and Multiples For Sale
Style: Minimalist
Style: Conceptual
Marshall - large format photograph of iconic cherry red Cadillac automobile
Located in San Francisco, CA
large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment

YES - large format photograph of conceptual motivational message sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Giclée

Back in 10 - large format photograph of conceptual message sign in landscape
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Derrière Le Miroir No. 149 (page 8, 9) /// Abstract Geometric Ellsworth Kelly
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...
Category

1960s Minimalist Prints and Multiples

Materials

Lithograph

YES - large format photograph of conceptual motivational sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Galerie Maeght /// Abstract Geometric Ellsworth Kelly Minimalism Modern Paris
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...
Category

1950s Minimalist Prints and Multiples

Materials

Lithograph

Lotus /// Botanical Botany Flower Minimalism Ellsworth Kelly Modern Contemporary
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original...
Category

1980s Minimalist Prints and Multiples

Materials

Lithograph

"Foliate" Photography 24" x 18" inch Edition 1/20 by Ben Cope
Located in Culver City, CA
"Foliate" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Archival Pigment

"Blade" Photography 40" x 30" inch Edition 1/20 by Ben Cope
Located in Culver City, CA
"Blade" Photography 40" x 30" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in c...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Archival Pigment

"Needle" Photography 24" x 18" inch Edition 1/20 by Ben Cope
Located in Culver City, CA
"Needle" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA in ...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Archival Pigment

Homage to the Square - SET OF FIVE (Minimalism, Bauhaus, ~49% OFF LIST PRICE)
Located in Kansas City, MO
Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Next Sign - large format landscape photograph with conceptual road sign
Located in San Francisco, CA
Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

City 191, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 191 Year: 1971 Medium: Silkscreen, signed in pencil Edition: AP Size: 29 x 22.5 in. (73.66 x 57.15 cm)
Category

1970s Conceptual Prints and Multiples

Materials

Screen

Untitled (Diptych)
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category

1990s Minimalist Prints and Multiples

Materials

Lithograph

Torqued Spirals, Toruses and Spheres poster 2001, Hand Signed by Richard Serra
Located in New York, NY
Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed Th...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Permanent Marker, Lithograph, Offset

Island Life - Animal Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
A chicken, a fish, a surfer,an anthurium and a bay, all held in some loving hands is our beautiful Island. Island Life - Animal Print - Woodcut Print By Marc Zimmerman This masterp...
Category

2010s Conceptual Prints and Multiples

Materials

Woodcut

Laure Prouvost: Ideally this print would want to share all it knows with you
Located in Hamburg, DE
Laure Prouvost (French, b. 1978) Ideally this print would want to share all it knows with you, 2020 Medium: Lithograph on paper Dimensions: 49.5 x 76 cm Edition of 40: Hand-signed an...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Lithograph

Praise (Framed)
Located in New York, NY
Agnes Martin Praise (Framed), 1976 Limited edition lithograph on Dalton Natural Bond paper with gold rubber stamp signature, accompanied by the original sleeve Agnes Martin's signatu...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph, Paper

Andrés Nagel - UNTITLED 4 Etching & Collage Spanish Contemporary Conceptualism
Located in Madrid, Madrid
Andrés Nagel - UNTITLED 4 Date of creation: 1991 Medium: Etching and collage on paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: E...
Category

1990s Conceptual Prints and Multiples

Materials

Etching

Andrés Nagel - UNTITLED 7 Etching Spanish Contemporary Conceptualism Surrealism
Located in Madrid, Madrid
Andrés Nagel - UNTITLED 7 Date of creation: 1991 Medium: Etching on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: Etching on p...
Category

1990s Conceptual Prints and Multiples

Materials

Etching

Praise
Located in New York, NY
AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front Numbered 593 in pencil on the front, from the limited edition of 1000 Accompani...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph, Paper, Mixed Media

Chris Levine - EQUANIMITY_2022 20 Limited Queen Elizabeth II Photography Modern
Located in Madrid, Madrid
Chris Levine EQUANIMITY_2022 20 Date of creation: 2022 Medium: Screenprint on Somerset Satin paper Edition number: 3/5 Size: 47 x 38 cm Condition: New in mint conditions, never frame...
Category

2010s Conceptual Prints and Multiples

Materials

Satin Paper, Screen

Andrés Nagel - UNTITLED 4 Etching & Collage Spanish Contemporary Conceptualism
Located in Madrid, Madrid
Andrés Nagel - UNTITLED 4 Date of creation: 1991 Medium: Etching and collage on paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: E...
Category

1990s Conceptual Prints and Multiples

Materials

Etching

AI WEIWEI - CEDAR (LARGE) Chinese Modern Activism Tree Tradition Ink White
Located in Madrid, Madrid
Ai Weiwei CEDAR (LARGE) Date of creation: 2022 Medium: Screenprint on Somerset Velvet Antique paper Edition: 50 Size: 70.5 x 55.5 cm Condition: In mint conditions, brand new and nev...
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Screen

Violin, Pop Art Serigraph with Marker Drawing by Arman
Located in Long Island City, NY
Artist: Arman, French (1929 - 2005) Title: Violin - IV Year: circa 1985 Medium: Marker Drawing on Print, signed l.l. Size: 10 x 8 inches Frame: 18 x 16 inches
Category

1970s Conceptual Prints and Multiples

Materials

Screen

Trier-Ehrang, D, 1982/2009, Bernd and Hilla Becher, Limited Edition, Industrial
Located in Zug, CH
Bernd and Hilla Becher Trier-Ehrang, D, 1982/2009 2009 Gelatin Silverprint 24 × 18 cm (9.4 × 7.1 in) Signed and numbered Edition of 100 In mint condition PLEASE NOTE: Images of edit...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Silver Gelatin

Moonlight Ripples over Lake Como, Nautical Cyanotype Triptych of Moving Water
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Minimalist Prints and Multiples

Materials

Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...

Brice Marden, Etching for Parkett - Signed Print, Minimalism, Abstract Art
Located in Hamburg, DE
Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...
Category

20th Century Minimalist Prints and Multiples

Materials

Aquatint

Man, Dog (Blue), Canoe/Shark Fins (One Yellow), Capsized Boat
Located in New York, NY
It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Etching

Blue/Red-Orange /// Contemporary Abstract Geometric Minimalism Ellsworth Kelly
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” *Signed by Kelly in pencil lower right Year: 1972 Medium: Original Lithograph on Special Arjomari paper Limited...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph, Plexiglass

David Shrigley + Joan Cornellà - VOTE Set of 8 horizontal prints Modern Design
Located in Madrid, Madrid
David Shrigley + Joan Cornellà - VOTE (SET OF 8) Date of creation: 2022 Medium: Silkscreen on paper Edition: 125 Size: 32.4 x 43.2 cm (each) Condition: In mint conditions, never fra...
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Screen

Richard Tuttle, Homesick as a Nail: Set of Etching and Screenprint, Abstract Art
Located in Hamburg, DE
Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...
Category

20th Century Minimalist Prints and Multiples

Materials

Etching, Screen

Galerie Maeght /// Abstract Geometric Minimalist Ellsworth Kelly Colorfield Art
Located in Saint Augustine, FL
Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...
Category

1960s Minimalist Prints and Multiples

Materials

Lithograph

Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photo
Located in New York, NY
Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category

2010s Minimalist Prints and Multiples

Materials

Pencil, Lithograph, Offset

TOM SACHS - TOO DARN HOT Limited Modern Conceptual Space Rocket Design Chanel
Located in Madrid, Madrid
Tom Sachs - TOO DARN HOT Date of creation: 2022 Medium: Screen print on Somerset paper Edition: 1337 Size: 77.5 x 60.9 cm Condition: New in mint conditions, never framed This is a 13...
Category

2010s Conceptual Prints and Multiples

Materials

Satin Paper, Screen

Historic invitation poster for 1970 ACE Gallery exhibition Minimalist light art
Located in New York, NY
Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Stencil

HOPE ( framed ) - 4 individual conceptual photographs spelling motivational word
Located in San Francisco, CA
large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically, horizontally, square or across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork composition 24 x 96 inches (61 x 244cm) vertical artwork...
Category

21st Century and Contemporary Conceptual Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Plexiglass, Archiv...

Sonata, Minimalist Stripe Lithograph by Gene Davis
Located in Long Island City, NY
Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...
Category

1980s Minimalist Prints and Multiples

Materials

Lithograph

Jose Manuel Broto - IRIS 1. Limited Lyrical abstraction Spanish Contemporary
Located in Madrid, Madrid
Jose Manuel Broto - IRIS 1 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In very good conditions and never framed Observations: Etching on ...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Etching

Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Finding a pussy cat in the deep jungle was truly a rare sighting for this naturalist. Black ink on buff rice paper. Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerma...
Category

2010s Conceptual Prints and Multiples

Materials

Woodcut

Dario Villalba UNTITLED 3 Limited Conceptualism Spanish Contemporary Grey Woman
Located in Madrid, Madrid
Dario Villalba - UNTITLED 3 Date of creation: 1975 Medium: Lithograph and photolithograph on Paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Kisses 2
Located in New York, NY
Kisses 2, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Digital Pigment, Paper

Kisses 1
Located in New York, NY
Kisses 1, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Digital Pigment, Paper

Dario Villalba UNTITLED 4 Limited Conceptualism Spanish Contemporary Grey Woman
Located in Madrid, Madrid
Dario Villalba - UNTITLED 4 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
Category

1970s Conceptual Prints and Multiples

Materials

Paper, Lithograph

1998 After Barnett Newman 'Canto XIV'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 21.25 x 18 inches ( 53.975 x 45.72 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not num...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

1998 After Barnett Newman 'Canto VII'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 16.25 inches ( 48.895 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

1998 After Barnett Newman 'Canto VIII'
Located in Brooklyn, NY
Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 19.25 x 16.25 inches ( 48.895 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: Not signed and not...
Category

1990s Minimalist Prints and Multiples

Materials

Offset

Dario Villalba UNTITLED 5 Limited Conceptualism Spanish Contemporary Grey Woman
Located in Madrid, Madrid
Dario Villalba - UNTITLED 5 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...
Category

1970s Conceptual Prints and Multiples

Materials

Archival Paper, Lithograph

Jelly Beans 3
Located in New York, NY
Jelly Beans 3, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Digital Pigment

Love You
Located in New York, NY
Love You, 2023 Archival pigment print on wove paper 30 x 30 in. (76.2 x 76.2 cm) Edition of 50 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Digital Pigment

Kisses 3
Located in New York, NY
Kisses 3, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Digital Pigment

Kisses 4
Located in New York, NY
Kisses 4, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Paper, Digital Pigment

Lollipops 2
Located in New York, NY
Lollipops 2, 2023 Archival pigment print on wove paper 24 x 24 in. (61 x 61 cm) Edition of 35 + 5AP Signed and numbered in pencil, lower margin
Category

2010s Conceptual Prints and Multiples

Materials

Digital Pigment, Paper

The Magic Sign - Lithograph by Giuliano Sturli - 1976
Located in Roma, IT
The magic sign is a lithograph realized by  Giuliano Sturli in 1976 Good conditions except for a very light folds on the lower corner. Hand-signed and dated on the lower margin. N...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Dario Villalba - UNTITLED 2 Limited Conceptualism Spanish Contemporary Grey
Located in Madrid, Madrid
Dario Villalba - Untitled 2 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and not framed Observati...
Category

1970s Conceptual Prints and Multiples

Materials

Lithograph

Early Work (Hand Signed by Richard Serra) Zwirner Gallery poster Minimalist art
Located in New York, NY
Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category

2010s Minimalist Prints and Multiples

Materials

Permanent Marker, Lithograph, Offset

Blue Subtle Seascape of Calm Costa Rica Shore, Minimal Triptych Cyanotype
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This beautiful triptych shows a smooth wave peacefully reaching the shore in Costa Rica. Details: + Title: Calm Costa Ri...
Category

2010s Minimalist Prints and Multiples

Materials

Photogram, Photographic Film, Monotype, Lithograph, Color, C Print, Phot...

"Poles" Minimalist Abstract Lithograph on Paper
By Arnold Mesches
Located in Soquel, CA
"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...
Category

1960s Minimalist Prints and Multiples

Materials

Paper, Ink, Lithograph

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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