Edie Nadelhaft

BLTC OMG- Limited Edition Print

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is adept in a range of lens b...

Uta Barth 'Untitled (2005.A),' 2005 Laminated color photograph 20 x 30 inches (sheet) 20.25 x 30.33 x 1.5 inches (frame) Edition 12 of 20 Signed on label on f...

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

ATO>MIC #13, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass Print size: 23 x 18 cm Framed: 38 x 35.5 cm Unique Series: ATO>MIC Signed and dated in pencil on print's verso Certificate of Authenticity provided The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. "At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually. The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation." About the Artist: Michael G Jackson...

Artist Commentary: This impressionist melange of flowers and an arbor was photographed at Monet's garden at Giverny. Words that describe this piece: Monet, Giverny, garden, flowers

Large scale print, 24 X 36 inches. Framed to 29.5 X 41.5. This was described as Polaroid transfer print. It has the feel of a Frisson print. It is hand signed in pencil and dated. It is done in a sepia color tone. The color might have possibly shifted a bit. They are moody atmospheric pieces. These are outside Paris, I believe at Versailles. David Aschkenas is a self-taught photographer making fine art and freelance photography for the past 25 years. He has been the recipient of grants from the NEA and the Polaroid Corporation. He makes photographs for corporations and editorial clients around the world. Aschkenas has been a photographer in Pittsburgh for 30 years, specializing in editorial and fine art photography (he shot Richard Serra's Tilted Arc in the early 1980's) Inspired by Weegee, James Van Der Zee...

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Edition of 15. Lisa Creagh graduated from Goldsmiths in 1994, and more recently, with a Masters in Photography from Brighton University. Between 1997 and 2001 she lived and worked as an artist in New York, teaching digital imaging and curating exhibitions. Upon her return she founded The Brighton Photo Fringe in 2003, a network of photographers, still running in conjunction with the Brighton Photo Biennial. As a producer and curator she has delivered large-scale photographic projects for international artists and delivered talks at various colleges. In 2006 she received critical acclaim for the originality and collaborative nature of ‘Tidy Street’ where she transformed a street in Brighton in to a series of light-boxes utilizing the windows of small terraced houses. Prior to her MA she was awarded two Arts Council England Individual Artists Awards. Her current ongoing project, ‘The Instant Garden’ was begun in 2008 and is inspired by Dutch Flower paintings...