Still-life Photography
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Still-life Photography For Sale
Color: Black
Color: Yellow
"Steve Miller 'Gretsch Guitar'" photograph by Lisa S. Johnson from Hard Rock
Located in Boca Raton, FL
"Steve Miller 'Gretsch Guitar'" framed color photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." "Photo by Lisa S. Johnson" printed on front lower right corner....
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
"Rick Savage Def Leppard" guitar photo by Lisa S. Johnson from Hard Rock Hotel
Located in Boca Raton, FL
Original photo of a Rick Savage Def Leppard guitar taken by Lisa S. Johnson for her book, "108 Rock Star Guitars." "Rick Savage Def Lepard" printed on lower left front margin. "Photo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
Mauretania - Silver Gelatin Fibre Print
Located in London, GB
Mauretania - Silver Gelatin Fibre Print
(Photo by Topical Press Agency/Getty Images)
The Cunard superliner Mauretania being refitted in the dry dock at Southampton.
Additional I...
Category
1950s Modern Still-life Photography
Materials
Black and White, Silver Gelatin
Sharon 1/8 - detailed, documentary, interior, color, photography, giclée print
By Shani Mootoo
Located in Bloomfield, ON
Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects.
This giclee print by Shani Mootoo i...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Giclée
Dark Flora #8, Skeletons of the Summer,
Located in London, GB
Even in deep mid winter there still stands, in sheltered places, the bleached skeletal remains of the summer past - delicate and intricate memories of the verdant life that just months before stood lush and green.
*
Inspired by Victorian era taxidermy dioramas...
Category
2010s Contemporary Still-life Photography
Materials
Photographic Paper, Archival Pigment
David's World I 2/20 - Photographed interior of beautifully arranged objects
By Shani Mootoo
Located in Bloomfield, ON
A good friend of the artist’s fascinating and prized collection--human and animal bones, taxidermy, ostrich feathers and a child’s figurines strike a...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Giclée
' Dark Orchid ' Signed Limited Edition Oversize print
Located in London, GB
' Dark Orchid ' Signed Limited Edition Oversize print
by Stuart Möller
limited edition to 10 only this size - signed
Gorgeous C print measuring an extra large 40 x 30" inches /...
Category
2010s Modern Still-life Photography
Materials
C Print, Color
Heart
By Omar Torres
Located in Mexico City, CDMX
OMAR TORRES
(Mexico City, 1977)
Lives and works in Mexico City
The artist produces sets for each piece, which he then photographs. This is what makes Omar Torres’s works spectacula...
Category
2010s Contemporary Still-life Photography
Materials
Inkjet
Birth of Flight
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Still-life Photography
Materials
Archival Ink, Giclée
Crushed Oil Can Ltd Ed 3/20
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Still-life Photography
Materials
Giclée
Cellar Marigold Dandelion
Located in Miami, FL
86.IV.47 - 06 markings on sticker verso, Edition not know.
Matted and framed under glass, not examined out of frame.
Done for the American Express Company
Category
1980s American Impressionist Still-life Photography
Materials
Polaroid
"Suspended Flora" Photography 24" x 18" inch Edition 1/20 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Suspended Flora" Photography 24" x 18" inch Edition 1/20 by Ben Cope
Not framed. Ships in a tube
Ben Cope is a Georgia native graduating from Columbus State University with a BFA...
Category
21st Century and Contemporary Minimalist Still-life Photography
Materials
Archival Pigment
Giungla by Gina Soden - architecture photography, abandoned place
By Gina Soden
Located in Paris, FR
Care Home by contemporary artist Gina Soden.
Prints are available in two dimensions:
44.64 cm × 44.64 cm, edition of 15 + II AP
80.2 cm × 80.2 cm, edition o...
Category
2010s Contemporary Still-life Photography
Materials
Giclée
Tower - interior photography, abandoned place
By Gina Soden
Located in Paris, FR
'Tower' by contemporary artist Gina Soden.
Prints are available in two dimensions:
74.2 cm × 109 cm, edition of 10. Dimensions include a white border of 2 cm. All prints are signed ...
Category
2010s Contemporary Still-life Photography
Materials
Giclée
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
Located in London, GB
Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs.
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Print size: 75 x 54 cm
Framed: 80 x 60 cm approx.
Inspired by Victorian era taxidermy dioramas...
Category
2010s Victorian Still-life Photography
Materials
Archival Pigment, Glass, Wood, Oak, Photographic Paper, Color
Photography - Flower Series (30 x 40 image)
By MAE Curates
Located in Los Angeles, CA
This is a series of photography portraiture of flowers as subject matter. Each image also be custom hand made to be paved in 22 k gold leaf. See pictures attached.
About this series...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
Photograph Triptych - "Naissance " - Cyrille Druart
Located in Collonge Bellerive, Geneve, CH
Original Triptych photography by Cyrille Druart.
Edition: III/V
Dimensions:
Each picture 150 x 100 cm
Triptych (without space): 300cm wide
Cyr...
Category
2010s Modern Still-life Photography
Materials
Photographic Film
Vlasim Oak Leaves - 21st Century Still Life Contemporary Photography C-Print
By Michael Huey
Located in Vienna, AT
Vlasim Oak Leaves - 21st Century Still Life Contemporary Photograph C-Print
Print is unframed and comes with a sticker signed by the artist
Edition 2/5+2 AP
Michael Huey was born 1...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
C Print
Chad Kleitsch - Untitled Flower # 29, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 29
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 23, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 23
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 03, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 03
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 06, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 01, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 01
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Look at me! Photography Fine Art Print Limited Edition
Located in Slovak Republic, SK
Photographed by Sandra Salamonova, limited edition of 10, signed by the author, fine art print.
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Photographic Paper, Color, Digital
Chad Kleitsch - Untitled Flower # 14, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 14
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 24, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 24
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 11, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 11
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 28, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 28
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 26, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 26
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 27, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 27
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 25, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 25
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 20, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 20
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 19, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 22, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 22
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 16, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 16
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 15, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 15
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 09, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 09
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 13, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 13
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 12, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 12
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 08, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 08
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 02, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 02
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 59, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 59
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 04, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 04
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 05, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 05
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 07, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 07
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Tyler Shields - Touch, Photography 2020, Printed After
Located in Greenwich, CT
Series: Touch
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5 x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Artist ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Poppy - Botanical Color Photography Prints
Located in Cambridge, GB
Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...
Category
2010s Naturalistic Still-life Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
"Drift 38" Photography 30" x 20" Edition of 10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 38" Photography 30" x 20" Edition of 10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the scenes of the natio...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital, Archival Pigment
Horse 2- Signed limited edition animal contemporary print, still life, Black
By Peter Ridge
Located in Barcelona, Barcelona
Horse 2- Signed limited edition archival pigment print, Edition of 5
Horse photographed on location using studio lighting.
This is an Archival Pigment print on fiber based paper ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Interior - Signed limited edition still life pigment print, Contemporary, Brown
Located in Barcelona, Barcelona
Interior - Signed limited edition archival pigment print, Edition of 3
Signed + numbered by artist with certificate of authenticity , unframed
This is an Archival Pigment print on f...
Category
2010s Abstract Still-life Photography
Materials
Archival Paper, Photographic Paper, Color, Archival Pigment, Digital Pig...
Dramatic White and Black Roses Platinum Palladium Print Photograph
By Tom Ferguson
Located in Surfside, FL
16.5x20.5, 7.5x9.5 actual image
Born in 1957 at Kalamazoo and raised in Detroit, MI, Tom Ferguson has photographed still lifes, flowers, botanicals, collage, city-scapes and landscapes. He works in platinum, palladium, cyanotype, gum, silver gelatin and other alternative processes. He is also a fine commercial photographer. This is similar in feel to Karl Blossfeldt and Irving Penn.
He moved to Los Angeles in 1976, and currently lives in Simi Valley.
Category
1990s American Modern Still-life Photography
Materials
Platinum
Scattered (Young Woman and Flowers)
Located in New Orleans, LA
A black and white photograph of a young woman with flowers
Category
2010s American Modern Still-life Photography
Materials
Digital Pigment
Horse 1- Signed limited art print, Animal, brown photo, Contemporary
By Peter Ridge
Located in Barcelona, Barcelona
Horse 1 - Signed limited edition archival pigment print, Edition of 5
Horse photographed on location using studio lighting.
This is an Archival Pigment print on fiber based pap...
Category
2010s Modern Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Red Mercury- Signed limited edition car print, USA, Contemporary, Vintage
By Geoff Halpin
Located in Barcelona, Barcelona
Red Mercury - Signed limited edition archival pigment print - Edition of 8
1950 Mercury somewhere in Southern USA , 2006
This image was captured o...
Category
Early 2000s Contemporary Still-life Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Color, Giclée, Pi...
Relics 2 Elaborately Constructed Vintage Color Photograph Surrealist Image
By Jane Calvin
Located in Surfside, FL
Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10.
Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois.
Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China.
Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity."
She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography."
For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White.
This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...
Category
1980s Surrealist Still-life Photography
Materials
C Print
Copts 04 - Signed limited edition portrait print, Black white, Cairo, Egypt
Located in Barcelona, Barcelona
Copts 04 - Signed limited edition archival pigment print, 2012 - Edition of 10
In assignment for ARTE & LE LOUVRE 2012
Exhibition in Le Louvre, Paris France
This is an Archival...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Photographic Paper, Black and White, Giclée, Pigment, Ar...
Borough Evening
Located in New York, NY
2023, Archival pigment print
Category
2010s American Modern Still-life Photography
Materials
Archival Pigment
Still-Life Photography
When it comes to accenting a home or collection with visual art, still-life photography complements all design aesthetics. And there are numerous ways to arrange your still-life photography and other wall art in your home. A salon-style gallery wall, for example, presents the opportunity to intersperse photographs and prints with such items as wall sculptures, baskets, plates, mirrors and sconces. For a harmonious mix, however, choose still-life photos with the same general palette as the other artworks.
Ranging from minimalist scenes to lavish, campy arrangements, still-life photography encompasses multiple genres to fit any taste. Following the tradition of still-life painting, still-life photography elevates often ordinary, inanimate objects. When photography was a new medium in the 19th century, daguerreotype and salt-print still lifes frequently mimicked the arrangements that had been popular in painting. In the 20th century, still-life photographs evolved, reshaped by the experimentation of modernism.
Far more versatile than the name implies, still-life photography involves numerous styles and themes. Photographers like Stefanie Schneider use still lifes to capture their subjects in their most raw state. They can also create hyperreal scenes that border on Pop art, such as in the work of Giuliano Bekor.
Find still-life photographs on 1stDibs by artists including Dora Franco, Allan Forsyth, Stuart Möller and many more.
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