Still-life Photography
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Still-life Photography For Sale
Color: Black
Color: Red
"Steve Miller 'Gretsch Guitar'" photograph by Lisa S. Johnson from Hard Rock
Located in Boca Raton, FL
"Steve Miller 'Gretsch Guitar'" framed color photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." "Photo by Lisa S. Johnson" printed on front lower right corner....
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
"Rick Savage Def Leppard" guitar photo by Lisa S. Johnson from Hard Rock Hotel
Located in Boca Raton, FL
Original photo of a Rick Savage Def Leppard guitar taken by Lisa S. Johnson for her book, "108 Rock Star Guitars." "Rick Savage Def Lepard" printed on lower left front margin. "Photo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
Mauretania - Silver Gelatin Fibre Print
Located in London, GB
Mauretania - Silver Gelatin Fibre Print
(Photo by Topical Press Agency/Getty Images)
The Cunard superliner Mauretania being refitted in the dry dock at Southampton.
Additional I...
Category
1950s Modern Still-life Photography
Materials
Black and White, Silver Gelatin
Sharon 1/8 - detailed, documentary, interior, color, photography, giclée print
By Shani Mootoo
Located in Bloomfield, ON
Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects.
This giclee print by Shani Mootoo i...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Giclée
Dark Flora #8, Skeletons of the Summer,
Located in London, GB
Even in deep mid winter there still stands, in sheltered places, the bleached skeletal remains of the summer past - delicate and intricate memories of the verdant life that just months before stood lush and green.
*
Inspired by Victorian era taxidermy dioramas...
Category
2010s Contemporary Still-life Photography
Materials
Photographic Paper, Archival Pigment
David's World I 2/20 - Photographed interior of beautifully arranged objects
By Shani Mootoo
Located in Bloomfield, ON
A good friend of the artist’s fascinating and prized collection--human and animal bones, taxidermy, ostrich feathers and a child’s figurines strike a...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Giclée
' Dark Orchid ' Signed Limited Edition Oversize print
Located in London, GB
' Dark Orchid ' Signed Limited Edition Oversize print
by Stuart Möller
limited edition to 10 only this size - signed
Gorgeous C print measuring an extra large 40 x 30" inches /...
Category
2010s Modern Still-life Photography
Materials
C Print, Color
Heart
By Omar Torres
Located in Mexico City, CDMX
OMAR TORRES
(Mexico City, 1977)
Lives and works in Mexico City
The artist produces sets for each piece, which he then photographs. This is what makes Omar Torres’s works spectacula...
Category
2010s Contemporary Still-life Photography
Materials
Inkjet
Birth of Flight
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Still-life Photography
Materials
Archival Ink, Giclée
Crushed Oil Can Ltd Ed 3/20
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Still-life Photography
Materials
Giclée
Cellar Marigold Dandelion
Located in Miami, FL
86.IV.47 - 06 markings on sticker verso, Edition not know.
Matted and framed under glass, not examined out of frame.
Done for the American Express Company
Category
1980s American Impressionist Still-life Photography
Materials
Polaroid
"Suspended Flora" Photography 24" x 18" inch Edition 1/20 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Suspended Flora" Photography 24" x 18" inch Edition 1/20 by Ben Cope
Not framed. Ships in a tube
Ben Cope is a Georgia native graduating from Columbus State University with a BFA...
Category
21st Century and Contemporary Minimalist Still-life Photography
Materials
Archival Pigment
Giungla by Gina Soden - architecture photography, abandoned place
By Gina Soden
Located in Paris, FR
Care Home by contemporary artist Gina Soden.
Prints are available in two dimensions:
44.64 cm × 44.64 cm, edition of 15 + II AP
80.2 cm × 80.2 cm, edition o...
Category
2010s Contemporary Still-life Photography
Materials
Giclée
Tower - interior photography, abandoned place
By Gina Soden
Located in Paris, FR
'Tower' by contemporary artist Gina Soden.
Prints are available in two dimensions:
74.2 cm × 109 cm, edition of 10. Dimensions include a white border of 2 cm. All prints are signed ...
Category
2010s Contemporary Still-life Photography
Materials
Giclée
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
Located in London, GB
Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs.
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Print size: 75 x 54 cm
Framed: 80 x 60 cm approx.
Inspired by Victorian era taxidermy dioramas...
Category
2010s Victorian Still-life Photography
Materials
Archival Pigment, Glass, Wood, Oak, Photographic Paper, Color
Photography - Flower Series (30 x 40 image)
By MAE Curates
Located in Los Angeles, CA
This is a series of photography portraiture of flowers as subject matter. Each image also be custom hand made to be paved in 22 k gold leaf. See pictures attached.
About this series...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
Photograph Triptych - "Naissance " - Cyrille Druart
Located in Collonge Bellerive, Geneve, CH
Original Triptych photography by Cyrille Druart.
Edition: III/V
Dimensions:
Each picture 150 x 100 cm
Triptych (without space): 300cm wide
Cyr...
Category
2010s Modern Still-life Photography
Materials
Photographic Film
Vlasim Oak Leaves - 21st Century Still Life Contemporary Photography C-Print
By Michael Huey
Located in Vienna, AT
Vlasim Oak Leaves - 21st Century Still Life Contemporary Photograph C-Print
Print is unframed and comes with a sticker signed by the artist
Edition 2/5+2 AP
Michael Huey was born 1...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
C Print
Chad Kleitsch - Untitled Flower # 29, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 29
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 23, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 23
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 03, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 03
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 06, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 01, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 01
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Look at me! Photography Fine Art Print Limited Edition
Located in Slovak Republic, SK
Photographed by Sandra Salamonova, limited edition of 10, signed by the author, fine art print.
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Photographic Paper, Color, Digital
Chad Kleitsch - Untitled Flower # 14, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 14
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower #06, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower #06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 41, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 41
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 24, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 24
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 11, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 11
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 28, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 28
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 26, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 26
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 27, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 27
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 25, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 25
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 20, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 20
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 19, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 22, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 22
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 17, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 17
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 16, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 16
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 15, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 15
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 09, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 09
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 13, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 13
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 12, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 12
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 08, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 08
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 69, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 69
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 02, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 02
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 59, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 59
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 04, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 04
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 05, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 05
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 07, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 07
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 32, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 32
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 87, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 87
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 44, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 44
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Tyler Shields - Touch, Photography 2020, Printed After
Located in Greenwich, CT
Series: Touch
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5 x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Artist ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Chad Kleitsch - Untitled Flower # 77, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 77
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 56, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 56
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower #07, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower #07
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x ...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Poppy - Botanical Color Photography Prints
Located in Cambridge, GB
Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...
Category
2010s Naturalistic Still-life Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Still-Life Photography
When it comes to accenting a home or collection with visual art, still-life photography complements all design aesthetics. And there are numerous ways to arrange your still-life photography and other wall art in your home. A salon-style gallery wall, for example, presents the opportunity to intersperse photographs and prints with such items as wall sculptures, baskets, plates, mirrors and sconces. For a harmonious mix, however, choose still-life photos with the same general palette as the other artworks.
Ranging from minimalist scenes to lavish, campy arrangements, still-life photography encompasses multiple genres to fit any taste. Following the tradition of still-life painting, still-life photography elevates often ordinary, inanimate objects. When photography was a new medium in the 19th century, daguerreotype and salt-print still lifes frequently mimicked the arrangements that had been popular in painting. In the 20th century, still-life photographs evolved, reshaped by the experimentation of modernism.
Far more versatile than the name implies, still-life photography involves numerous styles and themes. Photographers like Stefanie Schneider use still lifes to capture their subjects in their most raw state. They can also create hyperreal scenes that border on Pop art, such as in the work of Giuliano Bekor.
Find still-life photographs on 1stDibs by artists including Dora Franco, Allan Forsyth, Stuart Möller and many more.
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