Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier

View Similar Items

Stefanie Schneider - White Trash Beautiful II from the 29 Palms, CA series

Stefanie Schneider - Born Free (Sidewinder) - Polaroid, 21st Century, Contemporary

Kirsten Thys van den Audenaerde - Cheeky - Contemporary, Women, Polaroid, 21st Century, Color, 21st Century

Stefanie Schneider - Running Water - Bathtime I (29 Palms, CA) analog, not mounted, 58x56cm

Stefanie Schneider - Hillview Motel (Last Picture Show) - analog, vintage, based on 3 Polaroids

Stefanie Schneider - Changes (Wastelands) - Polaroid, Expired. Contemporary, Color

Stefanie Schneider - 'Bloody Clown' from the movie Immaculate Springs

Stefanie Schneider - Desert Center - Polaroid, Contemporary, 21st Century, Color, Portrait

Stefanie Schneider - 'Penelope' from the movie Immaculate Springs - starring Jacinda Barrett

Stefanie Schneider - Untitled - Stage of Consciousness - last edition

Stefanie Schneider - 1 Stefanie Schneider's Mini 'Girl Nude' - signed

Stefanie Schneider - Max Blue (The Last Picture Show), triptych

Want more images or videos?

Request additional images or videos from the seller

1 of 2

Stefanie Schneider
Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier
2007

About the Item

Hans (Stage of Consciousness), 2007, 20x24cm, Edition 10/10, digital C-Print, based on a Polaroid not mounted, artist Inventory No. 7730.27, featuring the fabulous Udo Kier. THE GREATER THE EMPTINESS THE GRANDER THE ART – Stefan Gronert Not “Twenty-six Gasoline Stations” but “29 Palms, CA”! Forty-two years after Ed Ruscha’s legendary book, there is no gasoline station at the beginning of the book that is here at hand. Instead it is the open hearted Radha – with orange hair, pink-colored overalls and a bashful, or rather cunning, gaze that is directed downward – with which this book begins! And with her and with Max – attention: a woman –, one whose appearance is in accordance with the same styling, it comes to an end as well – after Radha has in the meantime colored her fingernails pink, again endowed with the same open heartedness and the same look which now, however, reveals in combination with her altered facial expression an “old-maidish” turning away from the viewer. This may serve as an example for a vivid and understandable transformation which flows into a large-scale representation of a cheerless settlement beneath a shining, blue sky – there a figure, lost straightaway, becomes overwhelmed. Pictures which in 1998/99 play in the harsh California sunlight or in spaces that are not exactly cozy and comfortable. “Play” is the correct word in this regard, for precisely in view of the pictures of persons, there remains more than just doubt as to whether we are looking at staged scenes or have simply happened upon the high-strung “reality” of a (wannabe) film world. Yet not all the pictures have the same character of a glaring, plastic world. Upon flipping through the pages, we also encounter unpretentious, literally “colorless” scenes in undefined interiors, or unspectacular views resembling a still life and opening out onto a nowhere land. That which connects all participants in these picture-worlds is the observation that they appear to be exhausted, lost, empty or uncertain about their existence. One is almost reminded of the empty gazes and loneliness of the protagonists in the pictures of large cities painted by Manet or Degas in the era of Early Modernism. With one exception, all the photographs which are reproduced here, which originally measure 60 by 70 cm but which here, in their present size and configuration, make productive use of the possibilities presented by the medium of the book, manifest several elements of B-movies: smoking, naked, made-up and muscular persons who are not inclined to conform entirely to the vision of Hollywood dreams. Beauty and vexation, eroticism and loneliness enter into a mixture which reveals the rift between desire and truth. From a distance, one is reminded of the “Untitled Film Stills” of Cindy Sherman, which in this regard are not nearly as drastic. Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince a soft, sometimes seemingly pictorial visual language with a coloration ranging from the pale to the artificial-glaring. As in many other pictures of Stefanie Schneider which often present themselves to us as sequences, these photos refer back as well to the perceptual stereotypes of film. Making use of instant photography, proceeding from which significantly enlarged C-prints come into being, her pictures summon up the impression of a narration without ultimately becoming part of a plot that is readable in a linear fashion. The illusion of the narrative element, however, simply enhances the experience of a renunciation of just this aspect. For the picture titles as well – and also the title of this publication – provide no real help with the imaginary construction of a story. Nevertheless, names return which include the first name of the artist herself: hence is everything not in fact a game but rather a series of authentic and instantaneous images, or is it after all nothing other than a staging, a game – how real is life? The paucity of plot elements, which contradicts all expectation of a cinematic style, as well as the emptiness and loneliness of the persons, enters into a peculiar, sometimes seemingly surreal association with the magic of the sun-drenched expanses of the dreamlike landscape. Just as the fantasy and imagination of the viewer are stimulated, so to the same great extent does the redemption of these visual figures of love founder on a void whose glaze is created, not least of all, by the peculiar blurriness of the photographic representation. The seemingly amateur character of these pictures, which have in no way been treated with any excessive scrupulousness, leaves us with a stimulating incertitude as to their interpretation, one in which the spheres of reality, fiction or dream are scarcely capable any longer of being differentiated. Thus the gaps and the scenic openness of what is presented ultimately set in motion a self-appraisal. So what remains after “29 Palms, CA”? Perhaps that hope which deviates from the saying of Ruscha that is quoted in the title: The stronger the photography the better the reality will be! Translated by George Frederick Takis Stefanie Schneider lives and works in the California High Desert where her scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.

Creator:
Stefanie Schneider (1968, German)
Creation Year:
2007
Dimensions:
Height: 7.88 in (20 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
More Editions & Sizes:
40x49cm, Edition of 5, analog C-Print, hand-printed by the artist, not mountedPrice: $1,961
Medium:
Archival Paper,C Print,Polaroid
Movement & Style:
Contemporary
Period:
2000-2009
Condition:
Gallery Location:
Morongo Valley, CA
Reference Number:
1stDibs: LU65236914332

Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier

View Similar Items

Stefanie Schneider
Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier
2007

About the Item

1990s Contemporary Portrait Photography

Stefanie Schneider
White Trash Beautiful II from the 29 Palms, CA series, 1999

Early 2000s Contemporary Portrait Photography

Stefanie Schneider
Born Free (Sidewinder) - Polaroid, 21st Century, Contemporary, 2005

2010s Contemporary Color Photography

Kirsten Thys van den Audenaerde
Cheeky - Contemporary, Women, Polaroid, 21st Century, Color, 21st Century, 2019

1990s Contemporary Portrait Photography

Stefanie Schneider
Running Water - Bathtime I (29 Palms, CA) analog, not mounted, 58x56cm , 1999

1990s Contemporary Portrait Photography

Stefanie Schneider
Hillview Motel (Last Picture Show) - analog, vintage, based on 3 Polaroids, 2003

Early 2000s Contemporary Portrait Photography

Stefanie Schneider
Changes (Wastelands) - Polaroid, Expired. Contemporary, Color, 2003

21st Century and Contemporary Contemporary Color Photography

Jack Perno
Elena Seated, 2003

21st Century and Contemporary Contemporary Color Photography

Jack Perno
Elena Washing, 2008

2010s Contemporary Color Photography

Tyler Shields
Tyler Shields - Hat Tu (SILHOUETTE series) - Photography, 2020

2010s Contemporary Color Photography

Tyler Shields
Tyler Shields - Green Portrait (PAINT series) - Photography, 2018

2010s Contemporary Color Photography

Tyler Shields
Tyler Shields - Glitter Pill (MOUTHFUL series) - Photography, 2020

2010s Contemporary Color Photography

Tyler Shields
Tyler Shields - Black and Blue (PAINT series) - Photography, 2018

Recently Viewed

Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier

View Similar Items

Stefanie SchneiderHans (Stage of Consciousness) - 20x24cm, starring Udo Kier2007

About the Item

1990s Contemporary Portrait Photography

Stefanie SchneiderWhite Trash Beautiful II from the 29 Palms, CA series, 1999

Early 2000s Contemporary Portrait Photography

Stefanie SchneiderBorn Free (Sidewinder) - Polaroid, 21st Century, Contemporary, 2005

2010s Contemporary Color Photography

Kirsten Thys van den AudenaerdeCheeky - Contemporary, Women, Polaroid, 21st Century, Color, 21st Century, 2019

1990s Contemporary Portrait Photography

Stefanie SchneiderRunning Water - Bathtime I (29 Palms, CA) analog, not mounted, 58x56cm , 1999

1990s Contemporary Portrait Photography

Stefanie SchneiderHillview Motel (Last Picture Show) - analog, vintage, based on 3 Polaroids, 2003

Early 2000s Contemporary Portrait Photography

Stefanie SchneiderChanges (Wastelands) - Polaroid, Expired. Contemporary, Color, 2003

21st Century and Contemporary Contemporary Color Photography

Jack PernoElena Seated, 2003

21st Century and Contemporary Contemporary Color Photography

Jack PernoElena Washing, 2008

2010s Contemporary Color Photography

Tyler ShieldsTyler Shields - Hat Tu (SILHOUETTE series) - Photography, 2020

2010s Contemporary Color Photography

Tyler ShieldsTyler Shields - Green Portrait (PAINT series) - Photography, 2018

2010s Contemporary Color Photography

Tyler ShieldsTyler Shields - Glitter Pill (MOUTHFUL series) - Photography, 2020

2010s Contemporary Color Photography

Tyler ShieldsTyler Shields - Black and Blue (PAINT series) - Photography, 2018

Recently Viewed

Stefanie Schneider
Hans (Stage of Consciousness) - 20x24cm, starring Udo Kier
2007

Stefanie Schneider
White Trash Beautiful II from the 29 Palms, CA series, 1999

Stefanie Schneider
Born Free (Sidewinder) - Polaroid, 21st Century, Contemporary, 2005

Kirsten Thys van den Audenaerde
Cheeky - Contemporary, Women, Polaroid, 21st Century, Color, 21st Century, 2019

Stefanie Schneider
Running Water - Bathtime I (29 Palms, CA) analog, not mounted, 58x56cm , 1999

Stefanie Schneider
Hillview Motel (Last Picture Show) - analog, vintage, based on 3 Polaroids, 2003

Stefanie Schneider
Changes (Wastelands) - Polaroid, Expired. Contemporary, Color, 2003

Jack Perno
Elena Seated, 2003

Jack Perno
Elena Washing, 2008

Tyler Shields
Tyler Shields - Hat Tu (SILHOUETTE series) - Photography, 2020

Tyler Shields
Tyler Shields - Green Portrait (PAINT series) - Photography, 2018

Tyler Shields
Tyler Shields - Glitter Pill (MOUTHFUL series) - Photography, 2020

Tyler Shields
Tyler Shields - Black and Blue (PAINT series) - Photography, 2018