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Irina Ionesco
Myriam pour New look - 7 by Irina Ionesco

1987

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    By Guy Thouvignon
    Located in Saint Ouen, FR
    Name of the work: Red fawn Date: 2017 Support / Technique: Color pigment printing on art paper. Size: 28x42 cm Description: Digital color photography Signature: Signed and numbered o...
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  • Sirène
    By Guy Thouvignon
    Located in Saint Ouen, FR
    Name of the work: Siren Date: 2016 Support / Technique: Color pigment printing on art paper. Size: 28x42 cm Description: Digital black and white photography Signature: Signed and num...
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  • Nu de dos
    By Guy Thouvignon
    Located in Saint Ouen, FR
    Name of the work: Nu de dos Date: 2013 Support / Technique: Black and white pigment printing on art paper. Size: 28x42 cm Description: Digital black and whit...
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    2010s Nude Photography

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  • Portrait renversé
    By Guy Thouvignon
    Located in Saint Ouen, FR
    Name of the work: Portrait reversed Date: 2015 Support / Technique: Black and white pigment printing on art paper. Size: 28x42 cm Description: Digital black and white photography Sig...
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    2010s Nude Photography

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  • Marylin Monroe . nude on the bed . the last sitting.
    By Bert Stern
    Located in Saint Ouen, FR
    Marilyn Monroe the last setting nude on the bed 2009 double hand signed and dated COA hand signed perfect condition
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  • Marilyn Monroe . Wine on the bed . The last sitting (1964)
    By Bert Stern
    Located in Saint Ouen, FR
    Marilyn Monroe by Bert Stern (1964) wine on the bed circa 2009 hand double signed and dated by Bert Stern COA hand signed by bert stern edition of 72 perfect condition
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  • "Light Slide" Art print Edition of 15 47x32in by Yevgeniy Repiashenko
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  • "Esquire Magazine", New York, NY, 2001
    By Jose Picayo
    Located in Hudson, NY
    This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, NY Magazine, HG, and Elle Décor. Picayo has held nine solo exhibits to date at the Robin Rice Gallery. Esquire Magazine...
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