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Stefanie Schneider
Woman in Malibu - Contemporary, 21st Century, Polaroid, Figurative Photography

1999

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  • A Man and a Woman (Sidewinder) - Contemporary, Expired Polaroid, Photograph
    By Stefanie Schneider
    Located in Morongo Valley, CA
    A Man and a Woman (Sidewinder) - 2005 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 3213. Signature label and Cer...
    Category

    Early 2000s Contemporary Figurative Photography

    Materials

    Photographic Paper, C Print, Color, Polaroid, Archival Paper

  • Abstract I (Sidewinder) - Contemporary, Expired Polaroid, 21st Century
    By Stefanie Schneider
    Located in Morongo Valley, CA
    Abstract I (Sidewinder) - 2005 part of DECONSTRUCTIVISM - about the narrative potential of images. 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 38...
    Category

    Early 2000s Contemporary Figurative Photography

    Materials

    Polaroid, Archival Paper, Photographic Paper, C Print, Color

  • Field of Dreams (Sidewinder), analog, 80x78cm, Edition 2/5
    By Stefanie Schneider
    Located in Morongo Valley, CA
    Field of Dreams (Sidewinder) - 2005 80 x 78 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Artist Inventory 3131.02, Not mounted Stefanie ...
    Category

    Early 2000s Contemporary Figurative Photography

    Materials

    Archival Paper, Photographic Paper, C Print, Color, Polaroid

  • OK Corral - part 2 - (Stranger than Paradise)
    By Stefanie Schneider
    Located in Morongo Valley, CA
    OK Corral - part 2 - (Stranger than Paradise) - 1999, 20 x 20 cm, Edition 5/10, Archival C-Print based on a Polaroid Artist Inventory 3182.18. Not mounted Stefanie Schneider's s...
    Category

    1990s Contemporary Figurative Photography

    Materials

    Polaroid, Archival Paper, Photographic Paper, C Print, Color

  • Untitled (Oilfields)
    By Stefanie Schneider
    Located in Morongo Valley, CA
    'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...
    Category

    Early 2000s Contemporary Figurative Photography

    Materials

    Polaroid, Archival Paper, Photographic Paper, C Print, Color

  • Ewan McGregor - Contemporary, 21st Century, Polaroid, Figurative Photography
    By Stefanie Schneider
    Located in Morongo Valley, CA
    'Ewan McGregor' (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory No. 5007.01 Not mounted Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas...
    Category

    Early 2000s Contemporary Landscape Photography

    Materials

    Archival Paper, Photographic Paper, C Print, Color, Polaroid

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    40"x 60" framed Chromogenic large scale photograph by the New York artist, Stephen Mallon, edition #4 of 5 signed on reverse, This is the second to last available print in this edit...
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