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Rashid Johnson
Large Photograph George (Seeing in the Dark Series) Van Dyke Brown Photo Print

c.1998-1999

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  • Vintage Silver Gelatin Print Photo Israel Museum Sculpture Jerusalem Photograph
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Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay. Stang majored in photography at the Rhode Island School of Design, where she earned both a BFA (1971) and MFA (1974), and studied under photographers Harry Callahan and Aaron Siskind. In 1971 she moved to London where she worked as a photographer for the British fashion magazine NOVA (published 1965–1975). She joined the faculty of Webster University in St. Louis in 1974, where she helped found and build the photographic studies program in the School of Communications. In Jerusalem in 1979 she was Artist-In-Residence at the Bezalel Academy of Arts and Design. In recent years, in addition to her work as head of the Webster University photography program and professor of communications, she has taught summer photography workshops in Florence, Italy, both at the Santa Reparata International School of Art (SRISA) and The Darkroom. She taught at Webster for 41 years and earned the Kemper Award for Excellence in Teaching. Stang's photography characteristically employs alternative cameras (such as the Olympus Pen-FT half-frame camera, the Kodak Brownie, and the Holga), or alternative formats (such as Polaroid emulsion transfers) and techniques. Her book of Polaroid emulsion transfers, Encountering Florence was published simultaneously in the U.S. and in Italy (under the title Firenze un Incontro) in 2007. Stang's use of the emulsion transfer process involves transferring the fragile, fabric-like emulsion layer of the photograph (bearing the image) to another surface, subtly transforming the original image in a variety of ways. The results were described in Photo Review as giving Stang's portraits of Florence's buildings, streets, statuary, and gardens "a delicate, draping quality ... reminiscent of the fabrics draped on the ancient statues within the images". An Italian reviewer observed that the photographic process presents "a city not previously seen and perhaps a little disquieting". The book's bi-lingual text in English and Italian was selected and edited by Stang and by Andrea Burzi and Susanna Sarti, both of Florence, to present accompanying word-portraits from authors in their own encounters with the city. A portfolio of Stang's work for the book is held by the Rare Books Collection of the Biblioteca Nazionale Centrale Firenze. In 2010–11, Stang led the Webster University photography program in a six-month-long focus on the color reproduction qualities of Kodachrome film (long revered by professional and amateur photographer for its true, lush color rendition qualities) to mark the permanent discontinuing of the film's production by Kodak. The project ultimately turned into a book documenting the final demise of the medium, and the last day of Kodachrome production anywhere in the world (at Dwayne's Photo in Parsons, Kansas, on January 18, 2011). The last days of processing were covered by The New York Times, National Geographic, and network television. Edited by Stang and fellow photographer Bill Barrett, Kodachrome: End of the Run presents a selection of four-score Kodachrome images shot on more than 100 roles of the film by Webster University students, faculty, and staff over a five-month period and processed by Dwayne's in the final hours as the last processing chemicals ran out. The book includes essays by Stang, Time Magazine worldwide pictures editor Arnold Drapkin, and Dwayne's Photo vice president Grant...
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    1970s American Modern Black and White Photography

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  • Photograph from Vintage Negative NYC 1960s Photo Peter Goldman Greenwich Village
    By Peter Emanuel Goldman
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    Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 14.55 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave during the sixties. At that time, he also started an intermittent career as a journalist. Later, in the seventies, he composed and recorded music. He spent the next fifteen years as a writer and consultant on foreign affairs. Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera to register the kind of life he shared with his friends and his perceptions of New York City, mainly of his neighborhood, Greenwich Village. In 1966, he settled in Paris temporarily. For almost fifty years, his negatives were forgotten and kept in storage in the US and Paris. Several months ago they reappeared in a box sent to him from Paris. Goldman’s small and compact vintage negative...
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    1960s American Realist Black and White Photography

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  • Photograph from Vintage Negative Paris 1960s Photo Peter Goldman French New Wave
    By Peter Emanuel Goldman
    Located in Surfside, FL
    Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 14.55 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave...
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    1960s American Realist Black and White Photography

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  • Contemporary Chinese Large Scale Photograph B&W Print Photo "Some Days" Ed 3/10
    Located in Surfside, FL
    Wang Ningde (China, b. 1972) "Some days no. 23". Size: 48'' x 64.75'', 122 x 164 cm (image); 52'' x 69'', 132 x 175 cm (frame). Chromogenic print (c-print)...
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  • Photograph from Vintage Negative Paris 1960s Photo Peter Goldman French New Wave
    By Peter Emanuel Goldman
    Located in Surfside, FL
    Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 21.85 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave...
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    1960s American Realist Black and White Photography

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