Francisca Ribeiro

Triptych

2013

Toned gelatin silver print Signed, dated, and numbered in pencil, recto 11 x 11 inches, image This artwork is offered by ClampArt, located in New York City.

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is of...

Archival inkjet print Signed and dated, recto 7 x 5 inches, sheet This artwork is offered by ClampArt, located in New York City. Maggie Meiners is an American artist and photograph...

Archival inkjet print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City. Chuck ...

Archival inkjet print Signed and dated in pencil, verso Also inscribed in pencil, verso 4.875 x 4.875 inches, sheet 4.375 x 4.375 inches, image This artwork is offered by ClampArt,...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Tim Engelland (American, 1950-2012) Untitled, From a Holiday Portfolio Printed for Deerfield Academy, 1992 Woodcut on Rives Lightweight Buff paper 9 1/2 x 12 1/2 in. Signed lower right and numbered 120/125 This print is from a portfolio group printed by Michael Holden at Reed Art...

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

Tim Engelland (American, 1950-2012) Untitled (Waiter), 1987 Woodcut 11 x 8 1/2 in. Numbered, dated, and signed bottom: 87/100, 1987, T. Engelland A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Elena Greggio (Italian, b. 1973) Danza Per André Kertész (After Kertész), 2003 Etching 9 x 12 in. Mat: 14 x 20 in. Edition 1 of 15 Signed, dated and inscribed bottom: Danza Per André Kertész, After André Kertész, Elena Greggio, 2003 Signed and inscribed verso on mat: Elena Greggio 2003, Titolo: Danza Per André Kertész (After Kertész), Con [illegible], Naomi & Walter Rosenblum Elena Greggio was born in Padua, Italy. After studying Architecture at Liceo Artistico, she graduated with Hons in Painting at the Accademia di Belle Arti in Venice in 1995. Her final thesis was on G. Klimt and the Wiener Secession, under supervisor Luca Massimo Barbero. Today, she lives and works in Padua, where she dedicates herself to painting and priniting techniques, such as linocut and woodcut. She exhibits and has exhibited in: Italy, United Kingdom, California, Germany, Austria, Bosnia, Herzegovina, Chile, Portugal and Netherlands. Main Exhibitions 2023 - Illustrating the World: Woodcuts in the Age of Dürer. The Holburne Museum, Bath. UK 2023 - Group show: Pagine a colori. Vimercate 2022 - Finalist: International Prize Visioni Altre. Venice 2022 - Group show: Mirror Face to Face. Amstelkerk. Amsterdam, Netherlands 2022 - Group show: Mirror Face to Face. Kunstliefde. Utrecht, Netherlands 2022 - Group show: Mirror Face to Face. Villa Caldogno. Vicenza 2022 - Finalist: We Art...

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

Tim Engelland (American, 1950-2012) Last Call, 1993 Woodcut 9 x 12 in. Signed dated lower right: 1993 T. Engelland Titled and numbered bottom: Last Call, 40/125 A lifelong artist, ...