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Lisa Toboz
At Dawn - Contemporary, Figurative, Woman, Landscape, Polaroid, Photograph, Blue

2018

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  • In the Rain - Contemporary, Figurative, Woman, Landscape, Polaroid, Photograph
    By Lisa Toboz
    Located in Morongo Valley, CA
    'In the Rain', 2019, Edition 1/10 plus 2 Artist Proof, 20x48cm. Digital C-Print based on a diptych of an original Polaroid on Hahnemuhle photo rag paper. Signature label and certif...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • By the Pool - 50x50cm, Contemporary, Polaroid, Photograph, 21st Century
    By Cristina Fontsare
    Located in Morongo Valley, CA
    By the Pool (2015), Edition of 10. 50 x 50 cm. Archival Print on Canson Barita Fiber Rag 310gr, based on an analog Photograph (not mounted). Signed on back with Certificate. Crist...
    Category

    2010s Contemporary Color Photography

    Materials

    Polaroid, Archival Ink, Archival Paper, Color, Archival Pigment

  • Hamburg-Rathaus #01 (Been there, done that) - Polaroid, Landscape, US, Color
    By Carmen de Vos
    Located in Morongo Valley, CA
    Hamburg-Rathaus #01 - From the series Been there, done that - 2006, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA S...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Hamburg-Rathaus #02 (Been there, done that) - Polaroid, Landscape, US, Color
    By Carmen de Vos
    Located in Morongo Valley, CA
    Hamburg-Rathaus #02 - From the series Been there, done that - 2006, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA S...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Atomium #06 [With greetings from] - Polaroid, Landscape, Belgium, Color
    By Carmen de Vos
    Located in Morongo Valley, CA
    Atomium #06, 2008 [With greetings from] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% cott...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

  • Atomium #02 [With greetings from] - Polaroid, Landscape, Belgium, Color
    By Carmen de Vos
    Located in Morongo Valley, CA
    Atomium #02, 2008 [With greetings from] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% cott...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid

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    By Mitchell Funk
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    Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed , Other sizes available Printed on Hahnemühle Fine Art paper
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  • Hollywood - large format photograph of iconic California landmark in Los Angeles
    By Christian Stoll
    Located in San Francisco, CA
    large scale photograph of an epic view of the iconic Hollywood sign and sprawling downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 40 x 40 inches / 102 x 102cm si...
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    Giclée, Photographic Paper, Archival Paper, Archival Pigment, Archival Ink

  • Marfa ( Judd ) ( 48 x 72" / 122 x 182cm )
    By Frank Schott
    Located in San Francisco, CA
    Marfa ( Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in Marfa, Texas 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...
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    21st Century and Contemporary Contemporary Landscape Photography

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  • "White-throated Sparrow"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
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  • "Tri-colored Heron"
    By Carolyn Monastra
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    22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
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  • "Blue-winged Warbler"
    By Carolyn Monastra
    Located in New York, NY
    22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

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