Arslan Sükan

Untitled 3, Alexander McQueen. Fashion Color Archival Pigment Print

2005

Roman Statue Study 03 by Luca Artioli Archival Pigment Print Image size: 27 in. H x 40 in. W Edition of 4 Unframed 2016 __________________ Touching the skin of the past is an extra...

Pluri-Bol, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 26 H x 40 W inches. Edition of 7 Unframed …this ...

Untitled Aspy-Thor IV, 2012 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 30 H x 24 W inches. Edition of 7 Unframed …this series of portra...

Untitled Radio II, 2012 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 26 H x 40 W inches. Edition of 7 Unframed …this series of portraits ...

Untitled Radio I, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 40 H x 26 W inches. Edition of 7 Unframed …this series of portraits t...

Desert Rose / Desert Flower – NYC, 2014 by Guilherme Licurgo Inkjet Print On Cotton Paper Archival Pigment Print Medium image size: 35 in. H x 23 in. W Edition of 10 + 2AP Desert Flower is a project created by Guilherme Licurgo in collaboration with the iconic Martha Graham Dance Company, using the dancers, Graham technique, and original costumes. Images were taken in different countries. "Guilherme Licurgo has reached into Martha Graham's essential beliefs and extended them into the future. I know Martha would be intrigued and delighted by these evocative photos and feel the deep connection to her own creative discoveries. The Martha Graham Dance Company wishes to thank Guilherme Licurgo for his sensitivity, his generosity, and his artistry in transforming our historic legacy with these stunning photographs." – Janet Eilber. Artistic Director of the Martha Graham Dance Company. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson for his book, "Terry Richardson Rio Cidade Maravilhosa" in 2008, Guilherme went to study Photography at the Panamericana School of Art. He discovered his real passion behind the lens, creating images. He has been working as a photographer ever since. He has worked for many Brazilian and International brands/ magazines, including: Lancaster Paris, Architecture Beauty Culture Design, Roberto Cavalli, Wonderland, Martha Graham Dance Company, EMI Records, Greenpeace, PIRELLI, at PIRELLI CALENDAR 2010, GQ Portugal, GQ Brazil, Vogue Magazine, Wella and others.In 2011, he was personally invited by Olivier Van Doorne, President and Worldwide Creative Director at Select NY, to work on his first major international advertising book project, side by side with Steven Klein, Johan Renck, Lori Goldstein and Sean Spellman...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Italian French artist Laurent Campus titled ‘ Fireman'. This photograph is part of the exh...

Vanessa into the Blue - Signed limited edition archival pigment print, 2022 - Edition of 5 Underwater photography of a woman This is an Archival Pigment print on fiber based pape...

Synchronised swimming in the Blue - Signed limited edition archival pigment print, 2021 - Edition of 5 Indian Ocean 2021 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted) : 35 x 52.5 cm / 13,77 x 20,47 in. - Edition of 5 60 x 90 cm / 23,62 x 35,43 in - Edition of 5 Olivier Borde...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart, Anthony Hernandez...

Gravity into the Blue - Signed limited edition archival pigment print, 2021 - Edition of 5 Indian Ocean 2021 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted) : 35 x 52.5 cm / 13,77 x 20,47 in. - Edition of 5 60 x 90 cm / 23,62 x 35,43 in - Edition of 5 Olivier Borde...

Series description: Images dealing with beauty and upheaval, brutality and optimism. Post World War II, a time when it seemed as if America was at the height of its power and also on the verge of spinning out of control. Issues in a world we still know and contend with today. Canada, Budapest, France...