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Vera Simons
Lift Off, Amsterdam, Photo Mosaic Collage Aerial Photograph, Female Aviator

1971

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  • Lift Off, Amsterdam, Photo Mosaic Collage Aerial Photograph, Female Aviator
    By Vera Simons
    Located in Surfside, FL
    This one is in pink and turquoise depicts a clock over an aerial landscape of Amsterdam with a bicycle and is titled Lift Off Amsterdam. SIMONS, Vera (1920 - 2012) Vera Habrecht Simo...
    Category

    1970s Conceptual Color Photography

    Materials

    Laid Paper, Photographic Paper

  • Vintage Color Photograph Old City Jerusalem Temple Mount Marc Riboud Photo 1973
    By Marc Riboud
    Located in Surfside, FL
    This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel...
    Category

    1960s Modern Color Photography

    Materials

    Photographic Paper, C Print, Color

  • Film Strips Photo Mosaic Collage Photograph Pioneer Female Aviator Feminist Art
    By Vera Simons
    Located in Surfside, FL
    This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style. It is not signed or dated. SIMONS, Vera (1920 - 2012) Vera Habre...
    Category

    1980s Assemblage Color Photography

    Materials

    Photographic Paper

  • Sports Watch Abstract Photo Mosaic Collage Aerial Photograph Feminist Aviator
    By Vera Simons
    Located in Surfside, FL
    This one depicts a sports wristwatch over an aerial city or field landscape and is titled "Time Frame". It is signed and dated. I believe it might be Amsterdam or London. SIMONS, Ver...
    Category

    1970s Assemblage Color Photography

    Materials

    Photographic Paper

  • Wrist Watch Abstract Photo Mosaic Collage Aerial Photograph
    By Vera Simons
    Located in Surfside, FL
    This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...
    Category

    1970s Assemblage Color Photography

    Materials

    Photographic Paper

  • Sports Wrist Watch Abstract Photo Mosaic Collage Aerial Landscape Photograph
    By Vera Simons
    Located in Surfside, FL
    This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...
    Category

    1970s Assemblage Color Photography

    Materials

    Photographic Paper

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    21st Century and Contemporary Conceptual Color Photography

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  • Birdy Dream, The Dream Art Project
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    The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
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  • No Wifi, The Dream Art Project
    Located in New York, NY
    The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
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    The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view. The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum. The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity. "Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
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  • Snow Dream Pink, The Dream Art Project
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  • Fires 7 - Ellie Davies, Photography, Print, Landscape
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