Portrait VII

View Similar Items

Urizen Freaza - Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior

Maleonn - What Love is 6

Albert Delamour - BLUE SOL ( on Dibond under Acrylic glass)

Albert Delamour - POPPING KLEIN TRIPTYCH- large scale (66 x 55"), on Dibond under Acrylic glass

Albert Delamour - TULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass

Albert Delamour - RED ANEMONUS TRIPTYCH, large scale (66 x 48.5 ") on Dibond under Acrylic glass

Albert Delamour - CHERRY BLOSSOM ( on Dibond under Acrylic glass )

Albert Delamour - CLEMATITES I - ( on Dibond under Acrylic glass )

Albert Delamour - RED DOT TRIPTYCH - Large scale (66x 57"), on Dibond under Acrylic glass

Albert Delamour - RED DOT SOL II TRIPTYCH- Large scale ( 66 x 56 ") on Dibond under Acrylic glass

Want more images or videos?

Request additional images or videos from the seller

1 of 6

Sabine Dehnel
Portrait VII
2008

About the Item

‘Portrait VII’, 60 x70 cm Edition of 5/5, C-Print/ Diasec, sandwiched in between Acrylic Glass, Signed and dated on Verso with black marker, 2008 The second Image shows the Installation of the complete Series at Galerie Atelier Schwab in Wertheim 2015. A sensual, critical combination of painting and photography Dehnel studied fine art and philosophy at the Academy of Fine Arts at the Johannes Gutenberg University, Mainz and received her MFA at Otis College of Fine Arts and Design, Los Angeles. Her artwork has been included in numerous international group and solo exhibitions in institutions such as: Museum Wiesbaden, Kunstverein Ludwigshafen, Museum Frieder Burda, Baden Baden, Columbus Art Foundation, Ravensburg, Ulmer Museum, Kunsthalle Winterthur, Muzeul de Arta, Timisoara, and gallerys MasArt, Barcelona, Morgen Contemporary, Berlin, Martin Asbaek, Copenhagen and Esther Woerdehoff, Paris. Sabine Dehnel (*1971) is part of the up-and-coming young German painting and photography scene. Her work blends painting, photography, and installation. For her, there is no competition between painting and photography, just a mutual admiration society. Her work, often focused on a female subject, transforms at every stage, from snapshot to collage to painting to the “living picture,” a constructed, temporary installation, before coming back to a C-print. The painting is thus returned to the photographic medium from which it arose. From this reconstruction, Dehnel develops installations, another generation removed, series of cropped images that either vary her subjects against unaltered backgrounds--one woman’s skirt changes pattern over and over--or show them as frozen figures against changing environments. Layers upon Layers: the inner-worlds of Sabine Dehnel Sabine Dehnel is crafty. Her practice is born in paint and then shifts into installation, sculpture, and photography. It oscillates between so many mediums that it feels more cinematic than artistic. A single painting is realized and then used as the basis for an installation which is then hand preened, cut and formed from textiles, paper, industrial supplies, and a complete tailor’s kit of materials. The work is then carefully documented and the final result is usually a large-scale photographic work. Dehnel is often in control of whole environments. Paper is made to look like pleated tennis skirts, or carefully built flowers, or a hand-painted “set” of a sun dappled mountaintop. In terms of sweetness and tone I am reminded almost of The Sound of Music. The most recognizable aspect of her work is when she transitions painting into photography. She creates a hybrid technique by layering paint directly onto her figures and then photographing them in such a way that the viewer is led to believe that they are looking at a painting. While she succeeds here in technique, she perhaps relies too heavily on this single tool. Dehnel is the kind of maker who belongs more in the directors chair where her full capacity and reach–I see it more in her tableau works–is greater. Where she flies highest and brightest is in her total domination of an idea. She builds a world, a life-size dollhouse for her tenderest fantasies of family and kindness. They are wholesome, and while they refer to the here and now, they are also otherworldly. The clouds are made of cotton and the seagulls of papier mache. Small and delicate feathers are made from heavy, sinking wires and well worn stockings–all part of an homage to a beloved friend she has lost. Every detail has been thoughtfully tended and still the work remains open and gestural. Dehnel bridges her dream life with her lived experience. – Berlin ArtLink news: Cinema of the Mind V - Schule der Wahrnehmung präsentiert Sabine Dehnel. Eröffnung, Mittwoch, den 29. März 2017, 18h30, SKWSchwarz Kranzler Eck, Kurfürstendamm 21, Berlin, kuratiert von Dr. Alexandra v. Stosch RELOAD! Tracht - Kunst - Mode, Museum Kunst der Westküste Alkersum, Föhr, 17.9.2017 - 7.1.2018 Sara Umbreit schreibt auf sojournal über Sabine Dehnel und Andreas Berlin CUADRO - Art Magazine No 4, 7/2016, Editor: Mario Hergueta, Artists: Sabine Dehnel, Polly Penrose, Annegret Soltau, Iiu Susiraja, Jaimie Warren 40 Berliners - everything in its right place - by Michael Wickham Marc Peschke interviewt in der neuen Ausgabe von CRITICA die Berliner Künstlerin Sabine Dehnel.

Creator:
Sabine Dehnel (1971, German)
Creation Year:
2008
Dimensions:
Height: 23.63 in (60 cm)Width: 27.56 in (70 cm)Depth: 0.12 in (3 mm)
Medium:
Plexiglass,Mixed Media,Archival Paper,Photographic Paper,C Print
Movement & Style:
Contemporary
Period:
2000-2009
Condition:
Gallery Location:
Morongo Valley, CA
Reference Number:
Seller: Dehnel #0031stDibs: LU65233569981

Portrait VII

View Similar Items

Sabine Dehnel
Portrait VII
2008

About the Item

2010s Contemporary Color Photography

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

2010s Contemporary Color Photography

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

2010s Contemporary Color Photography

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

1990s Contemporary Color Photography

Stefanie Schneider
Mindscreen 10 - Contemporary, 21st Century, Polaroid, Figurative, Color, 1999

1990s Contemporary Still-life Photography

Stefanie Schneider
Artificial Flowers II - Contemporary, Landscape, Polaroid, expired, 21st Century, 1999

2010s Contemporary Color Photography

Stefanie Schneider
Nude in Pink - Strange Love, analog, 2010

2010s Photorealist Color Photography

Maleonn
What Love is 6, 2009

2010s Contemporary Color Photography

Albert Delamour
BLUE SOL ( on Dibond under Acrylic glass)

2010s Contemporary Color Photography

Albert Delamour
POPPING KLEIN TRIPTYCH- large scale (66 x 55"), on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert Delamour
TULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert Delamour
RED ANEMONUS TRIPTYCH, large scale (66 x 48.5 ") on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert Delamour
CHERRY BLOSSOM ( on Dibond under Acrylic glass )

Recently Viewed

Portrait VII

View Similar Items

Sabine DehnelPortrait VII2008

About the Item

2010s Contemporary Color Photography

Urizen FreazaTraces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

2010s Contemporary Color Photography

Urizen FreazaTraces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

2010s Contemporary Color Photography

Urizen FreazaTraces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

1990s Contemporary Color Photography

Stefanie SchneiderMindscreen 10 - Contemporary, 21st Century, Polaroid, Figurative, Color, 1999

1990s Contemporary Still-life Photography

Stefanie SchneiderArtificial Flowers II - Contemporary, Landscape, Polaroid, expired, 21st Century, 1999

2010s Contemporary Color Photography

Stefanie SchneiderNude in Pink - Strange Love, analog, 2010

2010s Photorealist Color Photography

MaleonnWhat Love is 6, 2009

2010s Contemporary Color Photography

Albert DelamourBLUE SOL ( on Dibond under Acrylic glass)

2010s Contemporary Color Photography

Albert DelamourPOPPING KLEIN TRIPTYCH- large scale (66 x 55"), on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert DelamourTULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert DelamourRED ANEMONUS TRIPTYCH, large scale (66 x 48.5 ") on Dibond under Acrylic glass

2010s Contemporary Color Photography

Albert DelamourCHERRY BLOSSOM ( on Dibond under Acrylic glass )

Recently Viewed

Sabine Dehnel
Portrait VII
2008

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

Urizen Freaza
Traces - Contemporary, Conceptual, Polaroid, 21st Century, Color, Interior, 2016

Stefanie Schneider
Mindscreen 10 - Contemporary, 21st Century, Polaroid, Figurative, Color, 1999

Stefanie Schneider
Artificial Flowers II - Contemporary, Landscape, Polaroid, expired, 21st Century, 1999

Stefanie Schneider
Nude in Pink - Strange Love, analog, 2010

Maleonn
What Love is 6, 2009

Albert Delamour
BLUE SOL ( on Dibond under Acrylic glass)

Albert Delamour
POPPING KLEIN TRIPTYCH- large scale (66 x 55"), on Dibond under Acrylic glass

Albert Delamour
TULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass

Albert Delamour
RED ANEMONUS TRIPTYCH, large scale (66 x 48.5 ") on Dibond under Acrylic glass

Albert Delamour
CHERRY BLOSSOM ( on Dibond under Acrylic glass )