Ariel Shelleg

Can't get enough (Self Portrait) - 21st Century, Contemporary, Polaroid

2017

RANONKEL #diptych, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40cm each, 70x40cm installed. Digital archival pigment print based on a Polar...

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Wheel Chair Corridor (Burned) - 1999 Edition of 10, 40x40cm Analog hand print, on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signature labe...

Madonna without a Cause (Burned) - Self Portrait - 1999 Edition of 10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signatur...

Wanderlust (Self Portrait), triptych, 2018, Edition 1/10 plus 2 Artist Proof, 12x27inches, Print on Aluminum based on 3 expired Polaroids. Comes with signature label and certificate....

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is ...

Series : Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" Edition of 3 + 2 Artist Proofs 30" x 40" Edition of 3 + 2 Artist Proofs 45" x 60" E...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is ...

Golden light pours through trees creating intermittent shadows that dance on the limestone facade of a serene upper eastside townhouse. The shadows frame a bronze relief of a nude ar...