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Todd BurrisMalibu, CA 1993 1993
1993
About the Item
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon.
The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick-wood and salvaged materials like concrete and metal combining bare and rough surfaces with a clean and flat finish. Exposed brick walls, high arched ceilings supported by large iron bars and hidden walkways evoke the feeling of being in a warehouse - a contemporary ambience but a retro spirit of the industrial revolution.
The magical combination of something unfinished and yet complete drew Robin Rice to the Beacon Lofts. Blessed with an extraordinary eye and extensive experience as a gallerist and successful photographer, Ms Rice has chosen works to compliment the industrial design of the Lofts. Images like an abstract of steel car machinery or still lives of gears and metallic parts are just some examples of the dynamic and powerful pieces reminiscent of the Industrial revolution. The end result is something vintage yet entirely modern.
Black & White, Portrait, Fashion, Car, Women, Malibu, California,
- Creator:
- Creation Year:1993
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Edition 5 of 15 (framed).
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU112813633
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- ShippingRetrieving quote...Ships From: Hudson, NY
- Return PolicyThis item cannot be returned.
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- Mercer StreetBy Todd BurrisLocated in Hudson, NYBlack and white, fashion, model, street, mercer st, NYC, New York, New York City Photography, woman, model, fashion photography, B&W, black and white photography, Todd Burris, Listing is for UNFRAMED print. Inquire within for framing. Edition of 2 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...Category
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