Peter Keetman

Peter Keetman Portfolio, 10 Black and White Silver Gelatin Prints

2001

Interstellar, II and III (Triptych), 2019 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 42 in. H x 126 in. W Individual size: 42 in. H x 42 in. W ...

Ancient Page Angel, Book of Faith, Ancient Page (Triptych), 2017 by Shine Huang From the Series “Carry the Ocean” Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 3...

Gay Pride Flag, 2016. by Luca Artioli Archival Pigment Print Black and White Photograph Size: 27" x 40" inches Edition of 5 + 1 Unframed Miami Skin is one...

Circumambulate. The Doldrums- from the series "SPAR/CUBA" by Paul Meleschnig image size 12" x 8" Frame size: 24.25" x 21.50" Archival pigment print 2012 Framed Paul Meleschnig lives and works in New York. He received his Bachelor of Fine Arts from Rhode Island...

Teatro Olimpico - Vicenza, 2017 by Magda von Hanau Archival fine art paper Image size: 32 in. H x 48 in. W Edition of 8 + 1AP PRINT Unframed Magda Von...

Untitled 29 (Paris), 2018 by Arslan Sükan From the series of Public on Paper Inkjet print on fine art paper Size: 112 cm H x 80 cm W Edition 1 of 3 Unframed Sukan has set out to i...

Photograph on canvas, edition of 15 Vibrant Archival ink print on Epson matte finish Canvas. Canvas print with museum finish archival inks lasting more than 50 years in vibrancy and...

Limited Edition Archival pigment print 25.5 x 31.5 inches Unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, is implicit of symbols or handwriting, thus the title. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science...

Theodore, Nina and Jack, France, 2016 by Julia Gat is a 13" x 19" photograph, a black-and-white archival pigment print, in an edition of 5. The work ed 1/5 is titled, dated, signed on photo verso, and printed by the artist. Julia Gat enjoys observing everyday life and documenting photographically what she refers to as chaotic harmony. Often using her large family and circle of friends as models in her work, Julia is drawn simultaneously to heart-warming intimacy and provocative freedom. Julia Gat, based in France, was home-schooled as a child. Alternative education has played a significant role in her work. Julia is immersed in an artistic milieu in both her native Israel and adopted home in Marseille, France where she has grown up in a family of 6. Provenance: Gat Studio *** Artist’s Bio: Born in Israel in 1997 Julia Gat won the European Prize ISEM Young Photographers in 2020 and 1st Prize at the Portrait Festival 2016 (Vichy, France). In 2017 her photography was exhibited at the Maison Européenne de la Photographie (Paris), and then at the Netherlands photo museum (2021-2022). In 2022 she exhibited at Arles Photo Festival. Her first photo book with French publisher Actes Sud was released in 2022 during the annual summer photography...

"Sanctuary" This award-winning, best-selling image highlights the surreal relationships within mother nature. The print series Dunes: Landscapes Evolving documents the magnificent...