Guilherme Licurgo

Egg, São Paulo. From the Brazil and Beyond Series.

2010

Lost In The Fog / Rio De Janeiro, 2010 by Guilherme Licurgo Archival Pigment Print Image size: 23 in. H x 35 in. W Edition of 10 + 2AP Unframed Guilh...

Gothic – Milan, 2011 by Guilherme Licurgo From the Mundo de Sombras series. Archival Pigment Print Image size: 35 in. H x 23 in. W Edition of 10 + 2 AP. Mundo da Sombras Series "Our natural disposition is to think of photographs as snapshots, the capture of a fleeting moment. However, Guilherme Licurgo has frequently toyed with this understanding, producing images which instead condense time into a singular frame". Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson...

Walker –Paris, 2011 by Guilherme Licurgo Archival Pigment Print Image size: 23 in. H x 35 in. W Limited Edition of 10 + 1 AP Mundo da Sombras Series "Our natural disposition is to think of photographs as snapshots, the capture of a fleeting moment. However, Guilherme Licurgo has frequently toyed with this understanding, producing images which instead condense time into a singular frame". Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson for his book, "Terry Richardson Rio Cidade Maravilhosa" in 2008, Guilherme went to study Photography at the Panamericana School of Art. He discovered his real passion behind the lens, creating images. He has been working as a photographer ever since. He has worked for many Brazilian and International brands/ magazines, including: Lancaster Paris, Architecture Beauty Culture Design, Roberto Cavalli, Wonderland, Martha Graham Dance Company, EMI Records, Greenpeace, PIRELLI, at PIRELLI CALENDAR...

Checkmate MUNDO DE SOMBRAS–Milan, 2011 by Guilherme Licurgo Archival Pigment Print Image size: 35 in. H x 23 in. W Limited Edition of 10 + 2AP From the Mundo de Sombras series. "Our...

Manifesto, Manifesto–São Paulo, 2017 by Guilherme Licurgo Archival Pigment Print Image size: 35 in. H x 23 in. W Limited Edition of 10 + 2AP  From the São Paulo series. Other size...

Roller Coaster Triptych (Aerial Photography) by Jill Peters Overall size: 34 in. H x 147 in. W 2015 Edition 1/2 Archival Pigment Print Print Unframed A...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

Black and white fine art photography Gerald Berghammer. Silver Gelatin Prints, Selenium Toned, Printed 2017. Limited Edition 3/20. Signed, numbered, dated by Artis. Handmade wood fra...

Enough is Enough Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. This photograph was a spontaneous behind ...

Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Mexico / USA, 2020 I took this photograph of the legendary West Texas cowboy - Ty Mitchell - on a sandbank on the Rio Grande. Ty stands 6ft 5” tall and my general assessment is that not much fazes this guy. Meanwhile, the location is about as good as it gets and is rather wonderfully named Contraband Creek. I was standing in Mexico and 20 yards across the river was the US. Every time I walked knee deep across the river to change a lens or camera, I entered America and then on my return I re-entered Mexico. I think I actually entered America four times in a morning - all rather surreal with this talk of a wall. I would like to thank the US Border Patrol...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...