Fernando Natalici

Debbie Harry photograph 'The Foreigner' 1977 (Blondie)

Printed later

One of the most striking photos of MC5 ever taken, this candid portrait was shot by none other than legendary Detroit photographer Leni Sinclair; 2016's Kresge Foundation's Eminent Artist of 2016 (See The Guardian UK photo section, Jan. 28, 2016) Archival ink jet print Dimensions: 11 x 14 inches including borders. Hand signed, titled & dated in ink on the lower margins Obtained directly from artist. Excellent condition. About Leni Sinclair Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, where she amply documented the city's activities through vivid and dramatic photography...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

Photograph of Jean Michel Basquiat, New York, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Gelatin Silver Print. 1979. 11 x 14 inches. Edition of 4 A/P's. Signed, dated and numbered 1/4 in pencil on the recto. Some minor surface waves; otherwise very good overall vintage condition. Provenance: Obtained directly from artist. Lot 180 is an authorized dealer rep of Nick Taylor...

Irving Penn/ Leon Levinstein ICP, 1978: Rare vintage original 1970s International Center of Photography (ICP) press photograph published on the occasio...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 11 x 14 inches. Hand Signed, titled & numbered from an edition of 25 (+ 10 A/P's) Obtained directly from artist. Lot 180 New York is authorized dealer rep of Fernando Natalici. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...

Richard Corman Madonna NYC '83 (hand signed and numbered 1/1 by the photographer on the front and the back), 2010 Black and white photographic print on archival pigment paper Hand signed, titled and numbered 1/1 on the front as well as the back (signed twice) Frame included: framed in a museum quality black wood frame with UV plexiglass Madonna '83 is a 36 square inch photograph on archival pigment paper, numbered 1 of 1 by the legendary photographer Richard Corman, who began his career as Richard Avedon's apprentice. The work is signed, titled and numbered 1/1 (unique) on both the front of the photograph, as well as the back of the frame. It is elegantly framed in a museum quality black wood frame with UV plexiglass. Measurements: Frame: 37.5 x 37.5 x 2 inches Photograph: 35.5 x 35.5 inches This photograph was taken during Richard Corman's historic photoshoot with Madonna in the early 1980s, and it was reprinted in 2010. Richard Corman's famous photographs of Madonna during that period have been reproduced in books, magazines, tv clips and newspapers - and are considered the most iconic images ever taken of Madonna. We are incredibly honored to be exclusively offering this iconic photograph for the very first time -- in honor of Madonna's 65th birthday. Here, Madonna is just a natural beauty, youthful, confident, vulnerable, natural, and extraordinarily poised. The photograph was taken while she was on the cusp of superstardom, but still anxious, striving, going on casting calls, and waiting for her big break. As Richard Corman explains, she is shown sitting amidst the rubble of the back yard of her Lower East side apartment. In his own words, photographer Richard Corman describes how this famous sitting came about: My mother was Cis Corman, a renowned casting director in New York City. In the summer of 1982 she was casting The Last Temptation of Christ for Martin Scorsese and called me to say they had just tested a girl for the part of the Virgin Mary. She said, “You must meet this girl — she’s an original.” I was 28 and had just finished an apprenticeship with Richard Avedon and was looking for interesting people to shoot. So I got this girl’s number and called. It was Madonna. At the time she was living in Alphabet City [Lower East Side of Manhattan], and she suggested I go to her apartment and chat about what I wanted to do. I had to call her from a phone booth across the street, because the neighborhood was full of drug dealers, and they didn’t let people just walk in and out. There was a group of kids outside the building, on the stoop, in the hallways, and when I said I was there for Madonna the seas parted. I looked up the staircase, and I saw this girl leaning over the edge of the banister, and even from three stories below I could see these catlike eyes just looking down. I knew at that moment that she had something special — I really did. She had her best friend and neighbor, Martin, with her — he later died of AIDS—and we sat and talked. She served me a cup of coffee on a silver tray with three pieces...

11 x 14" vintage silver gelatin photograph of actress Ginger Rogers backstage at NBC Television Studios at Rockefeller Center, 1964. Comes directly from the Jack Mitchell Archives w...

11 x 14" vintage silver gelatin photograph of film director Alfred Hitchcock, in New York to promote his next to last film, the murder-thriller 'Frenzy', 1972. Comes directly from t...

11 x 14" vintage silver gelatin photograph of master choreographer and dance company founder Martha Graham, 1973. Signed by Jack Mitchell on the print verso. Comes directly from the ...

11 x 14" vintage silver gelatin photograph of Italian director Franco Zeffirelli, photographed in 1967. Signed by Jack Mitchell on the verso. Comes ...

11 x 14" vintage silver gelatin photograph of filmmaker Paul Morrissey, director of Andy Warhol’s ‘Trash’, photographed for Vogue magazine on September ...