Luuk de Haan

Appliance #8, Photograph, Archival Ink Jet

2016

Aren't we all waiting for Spring? I do for sure! I can't wait to see bright colors hidden in green grass, maybe a dash of a spring sprinkle - and after it everything is even more glo...

Aren't we all waiting for Spring? I do for sure! I can't wait to see bright colours hidden in green grass, maybe a dash of a spring sprinkle - and after it everything is even more gl...

Pittsburgh: A Look Back - Photographs from the 1980’s I came back to live in Pittsburgh in 1975. I could see the city was changing and evolving into what would ultimately be calle...

Pittsburgh: A Look Back - Photographs from the 1980’s I came back to live in Pittsburgh in 1975. I could see the city was changing and evolving into what would ultimately be calle...

Limited edition, (series of 50), signed and numbered. Printed on archival pigment based inks on acid free archival ?fine art paper. I ship all prints, rolled, ?in a heavy duty shippi...

Photograph of a bench at the coast of Normandy, France. Edition: 8 plus 2AP's. Photograph has a white border. Printed on Hahnemule bright white paper. This photograph is one of a se...

This is a limited edition Photograph which was originally a photograph of a Boat in a loading dock Marina Del Rey, CA. Howie Ronay finds the beauty thro...

Three Gulls sit atop a colorful pink and white beach house near East Hampton. The lead gull is captured with his wings spread and poised to take flight. The picture evokes the summ...

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Street Photography meets Fashion Photography in this boldly graphic image of a stylish woman with an umbrella crossing the street. The composition is minimal as its color scheme is b...

Street Photographer Mitchell Funk grabs a taxi moment in front of Grand Central Station. The image communicates the spirit of wintery New York, with skies filled with falling snow. I...

Extreme late light darts down a street in Times Square. It illuminates a colorful and semi-abstract window display. A single female figure at the extreme right of the compostion sh...