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Style: Post-Impressionist
Period: 1910s
A. J. Bennett - Light and Shade - Post Impressionist Painting, South Africa 1919
Located in Meinisberg, CH
A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil, Board

Fillette jouant au bois - 20th Century Fauvist Figurative Oil by Louis Valtat
Located in Marlow, Buckinghamshire
Signed fauvist figurative oil on panel by French painter Louis Valtat. The work depicts two girls playing with red marbles. Behind them we see the legs of elegantly dressed ladies - ...
Category

Fauvist 1910s Art

Materials

Oil, Panel

Les Lavandieres - Post Impressionist Landscape Oil Painting - Michel Korochansky
By Michel Korochansky
Located in Marlow, Buckinghamshire
Signed oil on canvas circa 1910 by French post impressionist painter Michel Korochansky. This autumnal landscape depicts a view of women washing linen on the bank of a river. The las...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Landscape in Spring
Located in New York, NY
George Oberteuffer was an American Impressionist but he spent much of his career painting in France which is where this may have been done. He embraced the Post - Impressionist styl...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

"Les Iris" Post Impressionist Oil Painting
Located in Holywell, GB
Italo Giordani (1882 - 1956) "Les Iris" A charming landscape painted in oil, using a heavy impasto and depicting a bed of irises by a woodland pond. Signed bottom right, presented in its original carved frame with name plaque. There are two images of the artist verso showing him presenting works to the French and Italian ambassadors in London. Giordani was an Italian post impressionist...
Category

Post-Impressionist 1910s Art

Materials

Oil

A Portrait of a Little Girl in a White Dress "Portrait of Ms.Alvear"
By Joaquín Sorolla y Bastida
Located in Brookville, NY
While the painting may be signed on the lower right side "Sorolla" it is not by the famed artist Joaquín Sorolla y Bastida. It is most likel...
Category

Post-Impressionist 1910s Art

Materials

Oil

Antique Washington, DC Oil on Panel, 1915 - Willam Triplett Davis (1850-1929)
Located in Baltimore, MD
This is a very nicely early 20th century rendered view of Washington DC as seen from the Eastern Branch. The painting is oil on panel and is signed lower right by the frame’s lower...
Category

Post-Impressionist 1910s Art

Materials

Oil

After Tea by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...
Category

Post-Impressionist 1910s Art

Materials

Woodcut

Sunset Over the Lake, 1919 by Swedish Artist Carl Kjellin (1862-1939)
Located in Stockholm, SE
"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a brilliant orange sky reflecti...
Category

Post-Impressionist 1910s Art

Materials

Oil, Canvas

Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro, watercolour, 1914
Located in London, GB
Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23.5 x 30 cm (9 ¹/₄ x 11 ³/₄ inches) Signed and dated lower right, Ludovic Rodo 1914...
Category

Post-Impressionist 1910s Art

Materials

Paper, Ink, Watercolor

La Cote de Marseille - Post Impressionist Sea Landscape Oil by Louis Gaussen
Located in Marlow, Buckinghamshire
Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...
Category

Post-Impressionist 1910s Art

Materials

Panel, Oil

Le Petit Oiseau - Etching by Jean François Raffaelli - 1915
Located in Roma, IT
Hand signed. Not numbered. With dedication to "Bernard" (1921). Etching and aquatint technique. Perfect conditions. Image Dimensions : 15 x 19 cm Passepartout included : 35 x 50 cm
Category

Post-Impressionist 1910s Art

Materials

Etching

Promenade Estivale - Post Impressionist Landscape Oil by Victor Charreton
Located in Marlow, Buckinghamshire
Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...
Category

Post-Impressionist 1910s Art

Materials

Oil, Board

Junction of Woodland and Esopus Creek
Located in Los Angeles, CA
Born in New York City, Reynolds Beal's year of birth is reported as being 1866 as well as 1867. If one follows the most extensively researched source produced in consultation with t...
Category

Post-Impressionist 1910s Art

Materials

Watercolor

Stefan Viggo Pedersen, View From Karlsberg, Hillerød, Oil Painting
Located in Cheltenham, GB
This expressive landscape painting by Danish artist Stefan Viggo Pedersen (1891-1965) was produced during the early part of his career and has an intere...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Impressionistic Swedish Landscape View, Nordingrå, 1915
Located in Stockholm, SE
We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. Th...
Category

Post-Impressionist 1910s Art

Materials

Oil, Canvas

Paysage de neige by Gustave Loiseau - Landscape painting
Located in London, GB
*This price excludes 5% import duty applicable if the work remains in the UK. Paysage de neige by Gustave Loiseau (1865-1935) Oil on canvas 54.5 x 65.5 cm (21 ¹/₂ x 25 ³/₄ inches) Signed and dated lower left, G. Loiseau 1911 Provenance: Galerie Rämi, Zurich Private collection, Switzerland This work is accompanied by a photo-certificate of authenticity issued by Didier Imbert...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Quincaillerie by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952) Wood engraving 10.4 x 12.6 cm (4 ¹/₈ x 5 inches) Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1 Exhib...
Category

Post-Impressionist 1910s Art

Materials

Woodcut

York Road by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
York Road by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches) Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lowe...
Category

Post-Impressionist 1910s Art

Materials

Engraving

Nils Kjellberg, The Sower, Antique Oil Painting
Located in Cheltenham, GB
This early 20th-century post-impressionist oil painting by Swedish artist Nils Kjellberg (1871-1938) depicts a field worker sowing the land. It’s inspired by Jean-François Millet’s w...
Category

Post-Impressionist 1910s Art

Materials

Oil, Canvas

A Poitillist (Pointillism) Northern Landscape, 1913
Located in Stockholm, SE
Anders Loman (1879–1953) Sweden Northern Landscape, 1913 oil on canvas signed and dated And.Loman 1913 canvas dimensions framed 67.5 x 120 cm unframed 56.5 x 109 cm Essay: In the realm of early 20th-century Swedish art, Anders Loman may not have been the most widely recognized name, yet his talent is evident in this painting that echo both traditional Scandinavian motifs and avant-garde techniques. "Northern Landscape" from 1913 is a prime example of this juxtaposition. At first glance, the canvas is dominated by imposing evergreens in the foreground. Their detail is painstakingly rendered, providing a stark contrast to the background. Beyond these trees lies a tranquil lake and distant mountains, but it is here that Loman's boldness in technique is most apparent. Inspired by the Pointillism movement, the background is rendered using short brush strokes, with the waters shimmering in shades of pink and lilac, and the mountains painted...
Category

Pointillist 1910s Art

Materials

Canvas, Oil

Vue de la Salute à Venise by Henri Martin - Divisionist painting
Located in London, GB
Vue de la Salute à Venise by Henri Martin (1860-1943) Oil on canvas 76.2 x 66 cm (30 x 26 inches) Signed lower left, Henri Martin. Executed in 1910 This work is accompanied by a ce...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Oval Portrait by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Oval Portrait by Ludovic-Rodo Pissarro (1878 - 1952) Woodcut 15.1 x 11.3 cm (6 x 4¹/₂ inches) Initialled, inscribed and dated 1918 in the plate Signed lower right, Ludovic Rodo and n...
Category

Post-Impressionist 1910s Art

Materials

Woodcut

Queen Mary Greeting School Children - British 1910 royalty portrait oil painting
Located in London, GB
This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...
Category

Post-Impressionist 1910s Art

Materials

Oil

Horses at the Gate - British 1912 Post Impressionist equine art exh oil painting
Located in London, GB
This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy L...
Category

Post-Impressionist 1910s Art

Materials

Oil

Two Drawings
Located in New York, NY
Group of two drawings. "Femme assise sur une Chaise," circa 1910. Brush and ink on wove paper, 8 1/2x8 inches. With the artist's initials ink stamp, lower right recto. "Femme avec ...
Category

Fauvist 1910s Art

Materials

Ink, Pen

Nu Assise by Ludovic-Rodo Pissarro - Nude painting
Located in London, GB
Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...
Category

Fauvist 1910s Art

Materials

Canvas, Oil

Jelle Troelstra, Portrait Of A Seated Woman, Oil Painting
Located in Cheltenham, GB
This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Curves by Orovida Pissarro, 1919 - Etching Print
Located in London, GB
Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...
Category

Post-Impressionist 1910s Art

Materials

Paper, Etching

'Still Life, Ceramic Vase & Creamer Cup', France, Copenhagen, Nuremberg, Odense
Located in Santa Cruz, CA
Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Family Portrait in Market - British 1914 art Post Impressionist oil painting
Located in London, GB
This charming early twentieth century Post Impressionist portrait oil painting is by British Jewish female artist Amy Julia Drucker. Of German descent, Drucker was born in England i...
Category

Post-Impressionist 1910s Art

Materials

Oil

Femme au bord de la rivière by Georges Manzana Pissarro, circa 1910
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29...
Category

Post-Impressionist 1910s Art

Materials

Paint, Paper, Pastel, Gouache

Femme à la mandoline by Georges Manzana Pissarro - Mixed media on paper
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme à la mandoline by Georges Manzana Pissarro (1871-1961) Mixed media on paper 48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inc...
Category

Post-Impressionist 1910s Art

Materials

Paper, Mixed Media

Henri Ottmann (1877-1927) A forest in the mist, pastel signed
Located in Paris, FR
Henri Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henri Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...
Category

Post-Impressionist 1910s Art

Materials

Pastel

Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

“Copenhagen seen from Amager”
Located in Southampton, NY
This early 20th-century oil painting by Danish artist Carla Colsmann Mohr (1887-1974) depicts a view from Amager towards the centre of Copenhagen, Denmark. It was exhibited at the pr...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Summer on the Meuse
Located in Marlow, Buckinghamshire
An outstanding example of the new-impressionist work of Rodolphe Wytsman . This large canvas depicts a tranquil summer day on the Meuse river near the town of Dave. Wytsman painted a number of landscapes in this area between 1910 and 1911 at the height of his artistic career. The use of colour and neo-impressionist execution are testament to his position as one of the finest Belgian painters of this period alongside Van Rysselberghe, Claus, Montigny and Georges Morren...
Category

Post-Impressionist 1910s Art

Materials

Oil

La Toilette - Post-Impressionist Nude Oil Painting by Georges D'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category

Post-Impressionist 1910s Art

Materials

Oil, Canvas

Summer's Day in Haga, Stockholm by Erik Tryggelin, Oil Painting from 1902
Located in Stockholm, SE
In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil, Board

Bougival
Located in Fairlawn, OH
Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, Paris Bougival is located west of Paris, on the left bank of the River Seine. This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art. An impression of this image is in the Yale Univeristy Art Gallery, Condition: Very slight sun staining, otherrwise very good Image/block size: 13 1/4 x 16 1/4 inches Sheet size: 19 1/8 x 22 1/8 inches Reference: Walterskirchen 11b Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. Life Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night. Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism. In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies. Vlaminck died in Rueil-la-Gadelière on 11 October 1958. Artistic career Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900. For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...
Category

Fauvist 1910s Art

Materials

Woodcut

A Tornado by Swedish Artist Pelle Swedlund, Early 1900s, Oil on Canvas
Located in Stockholm, SE
We have a stunning painting by the Swedish artist Pelle Swedlund (1865-1947) that is available for sale. The painting depicts a dramatic scene with a to...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

A Study of Human Head and Tiger by Orovida Pissarro - Sketch
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) E...
Category

Post-Impressionist 1910s Art

Materials

Paper, Pencil

Couple devant la baie
Located in Washington, DC
Signed lower left
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Le Cafe de la Place Blanche - Post Impressionist Oil, Figures by Elie Pavil
Located in Marlow, Buckinghamshire
Signed figures in interior oil on panel circa 1915 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a couple in the famous "White Cross" cafe at the P...
Category

Post-Impressionist 1910s Art

Materials

Oil, Panel

Maria Van Rysselberghe au coin du feu
Located in Palm Desert, CA
"Maria Van Rysselberghe au coin du feu" is a portrait painting by Post-Impressionist Théo van Rysselberghe. The portrait is signed lower right, "Atelier Van Rysselberghe". The framed...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Post-Impressionist Painting The Church in Taormina, Sicily, 1914
Located in Stockholm, SE
Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

“Apple Blossom Time”
Located in Southampton, NY
Here for your consideration is a light filled oil on canvas painting by the American artist, David Clark. The meandering path, apple blossoms. the first ...
Category

Post-Impressionist 1910s Art

Materials

Oil, Canvas

Post-Impressionistic Painting From Saint Cloud, Paris, 1912 by Dick Beer
Located in Stockholm, SE
Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...
Category

Post-Impressionist 1910s Art

Materials

Oil, Board

Femme lisant dans un jardin
Located in Washington, DC
Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Déjeuner au bord de la Seine
Located in Washington, DC
Post-impressionist work by early 20th-century French painter Gaston Balande
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

“Roses and Pansies”
Located in Southampton, NY
Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...
Category

Post-Impressionist 1910s Art

Materials

Watercolor, Gouache, Cardboard

Vast Autumn Landscape With Blue Mountains by Swedish Artist Carl Johansson, 1913
Located in Stockholm, SE
Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Post-Impressionist Painting By Dick Beer, Stormy Weather in St.Arnoult, 1917
Located in Stockholm, SE
Dick Beer (b. London 1893 - d. Stockholm 1938) Title: Stormy Weather in St.Arnoult Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Landscape with Gate by Orovida Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Landscape with Gate by Orovida Pissarro (1893-1968) Pencil on paper 25.7 x 20.4 cm (10 ¹/₈ x 8 inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

Post-Impressionist 1910s Art

Materials

Paper, Pencil

Nu au canapé bleu y Ludovic-Rodo Pissarro - Nude painting
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 46 x 38 cm (18 ¹/₈ x 15 inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a certificate of authenticity from Lélia Pissarro. Provenance: Private collection, France Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Henri Ottmann (1877-1927) Nude in the studio, drawing signed
Located in Paris, FR
Henri Ottmann (1877-1927) Nude in the studio signed lower right Charcoal on paper 37.5 x 31.5 cm In good condition In a modern frame : 53 x 46.5 cm Published under n°414 of the artist's catalogue raisonné (p 167 reproduced) published by Bernard Toublanc-Michel, Paris 2020 This drawing is a particularly interesting and touching example of Henri Ottmann's art. It shows his special technique, which gives priority to a kind of blur, and in this case it serves very well this scene of intimacy as if captured by stealth. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand...
Category

Post-Impressionist 1910s Art

Materials

Charcoal

Vase de Chrysanthèmes
Located in Washington, DC
Literature: Bazetoux, Henri Lebasque Catalogue Raisonne (Neuilly, 2008), vol. 1, p. 223 (no. 820) (illus)
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
Located in Marlow, Buckinghamshire
Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

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